Leading the hive is a role Thorax fell into, but as more and more changelings look up to him they consider him a replacement for their former Queen. Now they want to make it official, but Thorax isn’t so sure. Perhaps his pony friends can give him advice on the matter.

So, here it is. My very first story. A lot of thanks to my beloved Foofy, who's been supporting and helping me from the very beginning.

Azure Glide has been through all the horrors of war that came his way. When he started a family, it felt like he finally found a shred of peace. He was trained to be prepared for any situation. However, when it comes to one of his children, it was a different story.

Pre-read and edited by an anonymous user
Cover art by Tigra0118

Applejack has brushed her mane, put a ribbon on her hat, and there's a sway in her step. Most ponies just want to know who the special pony is.

Rainbow Dash doesn't buy it. Love is mushy, and AJ isn't mushy. Love means liking somepony more than her friends, and AJ would never like another pony more than Dash. Love means missing a game of horseshoes to go tell a pony that she's in love with them, and if there is one thing Dash is sure of, it's that AJ is not going to miss that game... no matter what Applejack thinks about it.

Applejack's life leaves her little time for romance. All the time that isn't spent working the farm is either given to her family, or given to sleep. So, she's largely given up on love, seeing it as just a far off dream.

What she doesn't know is that another pony can see that dream.

Warning: The following story is currently unedited and contains scenes of the truly ridiculous. You have been warned.

Prince Blueblood, the royal brat that his aunts still kept around, was questioned about his bloodline to his aunts, Celestia and Luna. After intense research in the secret library, he finds that although he is not related to them, he finds that his ancestor is somepony who to this day is considered notorious. With this knowledge, Blueblood decides that maybe he should try his hoof at villainy.

It doesn't turn out well.

Business is booming at Monte Cristo and Over Easy's business in Ponyville, but the daily grind is getting stale. Infact, everything seems to be getting stale for the two stallions, their life together is falling apart but both are too scared to fix it. Maybe some dancing under the moonlight could fix it, the Amity Ball is coming up. Who knows what could happen?

MxM slice of life shippy thing Co-written with my friend Maxwell Edison. Thanks for all the fun writing this, this was also edited by him so he totally gets way more credit here than me.

Artwork by Double Tap

Fluttershy and Sombra have been together for a while. And she has often commented on the soft fluffiness of her colt friend’s rump. After a long and exhausting day, she uses Sombra’s rump for a while.

Warning: The following story you are about to read is currently unedited and contains some disturbing themes that may be too sensitive for readers. Viewer discretion is advised.

Editorial, a journalist for The Manehattan Times is tasked to go to one of the most haunted places in Equestria. In particular, to investigate a bridge that connects Ponyville to Appaloosa. Over the Gastly Gorge, when the moon is absent and the sky is dark, the location is known as "The Bridge of No Return" because those who dare to cross it end up disappearing. Even if there wasn't a paranormal reason for the disappearances, the reporter is determined to find the real reason why.

This is his findings.

Warning: The Following story you are about to read is currently unedited and contains classical music along with light m/m themes. If you don't like/mind one or all of those, you know where the exit button is.

Taken place after "My Name is Harmonic" and before "Symphony of Life," Harmonic has found a rather unique way to relax. Although an adopted Prince, he is still a street musician at heart. So when he is in Saddle Arabia and after a long day, he decides to take his violin out to a quiet place for him to play. Of course, he won't be going out there alone, especially not without his newly assigned bodyguard from the Lunar Guard Division.

Music for this fic are as follows:

- Violin Concerto No. 5, 1st Movement for unaccompanied violin by Mozart
- Swan Lake Danse Russe for solo Violin by Tchaikovsky
- Air for solo violin by J. S. Bach
- Symphony No. 9, 2nd Movement (Largo) by Dvorak
- Ombra mai fu for violin and piano by Handel

This story is a sequel to Beethoven's Tenth

It is a fact that the Classical Composer: Wolfgang Amadeus Moztrot, had died of a failed kidney and Influenza on December 5th, 791 A.B.N.M. There was no doubt about it for on that date, he ceased to exist as a pony. However, as much of a tragedy, it was for a stallion to leave behind some of the greatest masterpieces and an unfinished Requiem - it was not the end for the composer himself. Thanks to an accidental spell cast by Sunburst, the master of music is given a second life in modern Equestria.

A tremendous thank you to Bitpull for going out of his/her way for editing this monster of a story.

And since this story is going to include Mozart’s music, I’m going to let you all see what kind of his pieces I’m planning to incorporate into the story. As well as this list too of all the what if the music he might have written. So if there are any other pieces that you think should be in this story, let me know.

A special thanks to
Starlight Serenade for creating the cover art.

Music in this fic in chronological order:

- Sonata No.8 in A Minor K.310 2nd Mov (Chapter 2).
- Twelve Variations on “Ah vous dirai-je, Maman” (Chapter 4).
- Rondo Alla Turca
- “Raindrop” Prelude, Op 28, No. 15 by Chopin
- Chopin’s “Raindrop Prelude in the Style of Mozart, improvised by Richard Grayson (Chapter 6).
- Fantasy in D Minor K. 397 (Chapter 8).
- Adagio in C for Glass Harmonica, K. 356 / K. 617a (Chapter 9).
- Wiegenlied (Lullaby), K. 350. (Chapter 11.)
- Piano Concerto No. 20 in D minor. K. 466 (Chapter 12).
- Sonata Op 106 "Hammerklavier," 1st Movement by Beethoven.
- Master Oogway Suite (Theme) by Hans Zimmer and John Powell. (Chapter 13)
- Caprice No. 10 by Paganini
- Dubstep Cello | Prelude from Suite No. 1 for Cello by J.S. Bach (DUBSTEP VERSION WITH CELLO) by J. S. Bach and Emberz
- Bach Prelude Romosel Trance remix by J. S. Bach and Roman (Chapter 15)
- Bohemian Rhapsody by Queen (Chapter 16)
- Serenade No. 10, Adagio (Chapter 17)
- 1812 Overture by Tchaikovsky (Chapter 17)
- Notturno in G minor by Fanny Mendelssohn (Chapter 18)
- Piano Sonata No. 16 in C Major, 2nd movement Andante. K. 545 (Chapter 18)
- Requiem Mass: Introitus/Kyrie K. 626 (Chapter 19)
- Requiem Mass: Dies Ira K. 626 (Chapter 19)
- Requiem Mass: Tuba Mirum (Chapter 20)
- Requiem Mass: Rex Temendae (Chapter 20)
- Requiem Mass: Recordare (Chapter 20)
- Requiem Mass: Confutatis (Chapter 20)
- Requiem Mass: Lacrymosa and Amen Fugue (Chapter 20)
- Sonatina for Violin and Piano ("Indian Lament"), B. 183 (Op. 100) Second movement - Larghetto by Dvorak (Chapter 22)
- Serenade for Strings by Schubert (Chapter 22)
- “Un Bel Di” for violin and piano by Puccini (Chapter 22)
- Ode To Joy To The World (With Choir & Bell Ringers) by The Piano Guys (Chapter 23).
- Salieri's March Turned Into Non Piu Andrai From The Marriage of Figaro by an unknown author (Chapter 25).
- Violin Concerto No 3, 3rd movement from the “Master and Commander” soundtrack (Chapter 25).
- A Variation Wolfgang Amadeus Mozart's Piano Sonata No 11 in A major, K 331(Chapter 25).
- Great Mass in C minor - Kyrie (Chapter 25).
- Improvising according to W.A.Mozart style by Chr.Lekkas piano (Chapter 26).
- Toy Symphony by Leopold Mozart (Chapter 27).
- Violin & Harpsichord Sonata No.1 (K.6) by Wolfgang Amadeus & Maria-Anna Mozart (Chapter 27).
- Piano Concerto No.2 in E-flat major, Op.25 (1818) by Franz Xaver Wolfgang Mozart (Chapter 27).
- Violin Concerto in D Major, Op. 3: No. 1 by Joseph Boulogne, Chevalier de Saint-Georg (Chapter 28).
- Piano Concerto in C Major by Antonio Salieri (Chapter 28).
- Piano Concerto in F Major, "Rerun" (in the style of Mozart) (D. Fraser) : I. Hill Street Blues by Grant Gershon (Chapter 28).
- Piano Concerto in F Major, "Rerun" (in the style of Mozart) (D. Fraser) : II. Suicide is Painless (M-A-S-H) by Grant Gershon (Chapter 28).
- Piano Concerto in F Major, “Rerun” (in the style of Mozart) (D. Fraser) : III. The Brady Bunch by Grant Gershon (Chapter 28).
- The Chipmunk Song, performed by The Northern Lights Orchestra by Unknown (Chapter 28).
- Canon for 3 Voices in B-flat major, "Leck mir den Arsch fein recht schön sauber." K.233 (Chapter 30).
- Prelude (Fantasy) and Fugue in C Major. KV 394. (Chapter 30).
- Bellman's Lullaby - Arrangement by Beethoven (Chapter 31).
- Für Elise for clavichord by Beethoven, arranged by Gerard van Reenen (Chapter 31).
- Overture from "The Marriage of Figaro" (Chapter 32).
– “Se vuol ballare, singnor Contino" for "The Marriage of Figaro" (Chapter 32).
- "Non piu Andrai" from "The Marriage of Figaro" (Chapter 32).
- “Porgi amor” from "The Marriage of Figaro" (Chapter 33).
- "Voi che sapete" from "The Marriage of Figaro" (Chapter 33).
- "E Susanna non vien!...Dove sono i bei momenti" from "The Marriage of Figaro" (Chapter 34).
- "Canzonetta Sull’aria" from "The Marriage of Figaro" (Chapter 34).
- "Ecco la Marcia” Amanti costanti” (Chapter 34).
- "L’ho Perduta… Me Meschina!" from "The Marriage of Figaro" (Chapter 35).
- “Contessa, perdono!” from "The Marriage of Figaro" (Chapter 35).
- Violin Sonata No 26 in B-flat major, K 378 (Andantino sostenuto e cantabile) (Chapter 36).
- Scarborough Fair, cover by Paul Dwyer (Chapter 39).
- "Moonlight" Sonata, 1st Movement for Orchestra by Beethoven. Arranged by Stokowski (Chapter 40).
- Scheherazade Symphonic Poem, 1st Movement. by N. Rimsky-Korsakov (Chapter 40).
- Scheherazade Symphonic Poem, 2nd Movement. by N. Rimsky-Korsakov (Chapter 40).
- Scheherazade Symphonic Poem 3rd Movement. by N. Rimsky-Korsakov (Chapter 40).
- Scheherazade Symphonic Poem 4th Movement. by N. Rimsky-Korsakov (Chapter 40).
- Clarinet Concerto, 1st Movement (Chapter 42).
- Clarinet Concerto, 2nd Movement (Chapter 42).
- Clarinet Concerto, 3rd Movement (Chapter 42).
- The Magic Flute, Overture (Chapter 43).
- The Magic Flute, "Der Vogelfanger bin ich ja" (Chapter 43).
- The Magic Flute, "O Zittre Nicht, Mein Lieber Sohn" (Chapter 43).
- The Magic Flute, "Bei Mannern" (Chapter 43).
- The Magic Flute, "Das Klinget" (Chapter 43).
- The Magic Flute, "Der Holle Rache Kocht in Meinem Herzen" (Chapter 44).
- The Magic Flute, "In diesen heil'gen Hallen" (Chapter 44).
- The Magic Flute, "Ein Madchen oder Weibchen" (Chapter 44).
- The Magic Flute, "Der welcher wandert diese Strashe voll veschwerden" (Chapter 44).
- The Magic Flute, "Papagena/Papageno!" (Chapter 44).
- The Magic Flute, "Finale" (Chapter 44).
- Violin Concerto #5, 1st Movement for Unaccompanied Solo Violin (Chapter 46).