• Published 6th Jun 2013
  • 2,450 Views, 47 Comments

The Gentle Nights - PaulAsaran



A relaxing escape from the Gala earns Octavia an unexpected audience of one. As time goes on this chance meeting will give her the inspiration to achieve one of her oldest dreams...

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The Gentle Nights

The gala was more or less over. Octavia peered out from behind her cello, which had protected her for the most part from the temporary madness. The ballroom was a complete wreck; pillars collapsed in pieces on the floor, food tables broken, animals picking their way around the disheveled (to say the least) guests. A complete disaster.

Now confident that no more chaos would ensue, the mare stood and began packing her things along with the rest of the band. Frederick had already promised to handle the details after the gala, and with how the night had turned out Octavia wasn’t about to stay behind to debate the matter. She’d been practically assaulted by that crazy pink pony and her dignity was suffering from having to play that childish song for her (why oh why had they signed an agreement to handle all requests?).

She needed a spot to relax, so once she had her cello in its case and on her back she made her way out of the ballroom and into the gardens, where none of the guests were.

She found a secluded spot near a statue of some old wizard – Starsomething, most of the inscription had faded over the years. She breathed deep, took in the peaceful night air. This… this was far more like it. She gazed up at the stars for a while, letting her mind relax from what could only have been described as a traumatic evening. When she’d been invited to play at the Grand Galloping Gala, she’d been ecstatic! Had she but known…

She needed to hear something soothing. What was more soothing than her cello? She pulled it out, tested the sound to ensure the strings hadn’t been loosened during the earlier chaos, considered what to play. Another quiet look up at the stars, and she knew: Tārā Sapnā. Relaxing, smooth… appropriate.

She needed no sheet music; this was a tune she’d memorized from a long time ago. She closed her eyes and relaxed as her instrument, her pride, filled the air with its heavy tone. It was a slow, deep, sweet tune, calm and patient in its steady melodies and gentle rhythm. A long, somber song to drown out all her worries and take her mind away to a quieter place. Like the stars.

The song ended. She was relaxed. She thought of her mother, who loved that song so, and smiled happily.

And when she opened her eyes, she found that she had an audience of one: Princess Luna stood several feet away, watching her quietly.

Octavia was so startled she almost knocked her cello down in her haste to bow. “P-p-princess! Please forgive me, I did not intend to interrupt or… or…” What exactly was her transgression?

There was a long, anxious silence. Octavia kept her head bowed, afraid of doing anything that might offend the terrible Night Mare Moon.

But when the Princess spoke, her tone wasn’t harsh or loud. It was calm… and sad. “My appreciations for the song.”

Octavia looked up in surprise and saw the Princess turning away, her head hung low. “You… you really liked it…?”

Princess Luna paused, her flowing starlit mane blending almost magically with the night sky as she turned her head to look back. That face… there was so much sadness there. “I did.”

Octavia stood slowly, caught in the Princess’ gaze. “…th… thank you… and forgive me. I was of the momentary belief that I had done something wrong. And…” She glanced away timidly at that regal face, “…and you surprised me.”

The Princess sighed and turned her head away once more. “Then it seems I am fated to be feared.”

Octavia blinked, took a closer look at the Princess. “Feared?”

The tall, night-sapphire pony gave her a solemn look, but did not answer. Instead, she asked a question of her own. “Your song, by what title is it known?”

“Tārā Sapnā.” The Princess tilted her head uncertainly, so she added, “It means Star Dream.”

“Star Dream…” the Princess repeated in a whisper. She gazed up at the night sky and smiled, just a little. “How pleasant. And… what is thy name?”

“Octavia Melody.”

Princess Luna turned to her and spoke softly. “Thou hast performed well this night, Octavia Melody. I do have a fondness for musical instruments of such deep tones as thy cello.”

Octavia was taken aback. “You heard? But… I did not note your presence at the gala.”

“I chose to remain hidden,” the Princess explained desolately. “I fear the public would not take kindly to my presence. If I may take thy reaction to my listening as an indication…”

Octavia’s heart leapt into her throat. She took a few steps forward to emphasize her words. “Princess, please! I am so very sorry, I did not mean to offend or make you feel unwelcome. I was merely startled by your abrupt appearance.” Luna didn’t appear convinced, so Octavia bowed politely. “Please stay. It would do me honor to play another song for you.”

Luna considered her quietly for several long seconds. At last she smiled. A soft, uncertain smile. “I would appreciate that.”


“I would appreciate that.”

And so Octavia took out her cello and prepped it. A little over a year had passed since that first gala. The cellist had performed at many concerts and events, and over the months came to recognize Luna as not just a fan, but an enduring friend. Tonight there was no great even to celebrate, no gala to prepare for. Just Octavia and Luna, alone on a balcony of Canterlot Castle under the shimmering stars.

The cello was set. Octavia turned to the Princess with a with a winning smile. “What’s your pleasure?”

Luna needed no time to think on it. “Play for me Cām˚danī Ṯahal.”

Ah, one of her favorites. Octavia set bow to string and, closing her eyes, began. Another slow, regal, gentle tune. Luna liked them that way. After hard nights flitting between dreams of woe, monsters and panic there was nothing quite like an enchanting, peaceful melody. On those nights when the pressures of royalty and duty seemed so great, she would visit Octavia, or ask her to come by. The cellist was always eager to perform for her beloved Princess of the Night, the one pony in Equestria to always support her passion.

The song came to its slentando end, and Luna sighed peacefully. “I love that song. I love the way you play it.”

Octavia smiled and blushed anxiously at the compliment. “I only follow the sheet music…”

“No,” the Princess whispered with a shake of her head. “I have heard almost a dozen versions, Octavia. Yours is unique. It’s more serene, more… how may I describe it? Eloquent?”

“I’m honored you think so,” the cellist acknowledged happily.

Their conversations were always quiet. Maybe it was because of the calming quality of the world at night, a world shrouded in a starry blanket, glimmering with a beauty crafted by the great Princess for the delight of those few like Octavia who sought to gaze up and adore. This world of night seemed to beckon the calm, sweet tranquility of silence. To disturb that almost holy serenity struck them both as… improper.

And so the two whispered in the cool night, sharing one another’s concerns and curiosities. Some nights they would hardly speak at all… only remain together in silence and gaze upon the velvety sky.

But tonight Octavia could not hold her tongue, for there was something weighing lightly on her mind. “Luna,” she whispered, setting her cello aside carefully, “do you remember that orchestration I mentioned before?”

The Princess did not look to her, only kept her gaze to the inky darkness above. “Yes… the one you wished to write. I recall your dream, Octavia.”

She shifted anxiously. “I… I finally did it.”

Now Luna did look, a gentle smile on her peaceful face. “Your first piece at last?”

She nodded, eyes down and blushing. “I haven’t found anypony who would let me perform it. I have high hopes for a concert hall in Manehattan, though I’ve not heard back from them yet. When… when I do find somepony out there to perform it for the first time… I really want you to be there.”

She glanced up hopefully; the Princess’ gentle smile had widened a touch. Luna sighed and quietly looked up at the stars once more. “When first I returned to this world I was feared and alone. Aside from my sister, you were the very first pony to show me kindness. It touched me in ways I feel to this night. In the past year your music have been my greatest comfort. Yes, Octavia, I will attend. This time it is you who do me honor.”

The pleasure that filled her was beyond compare. She might have jumped for joy… if she were a more energetic kind of pony. She was not, so she let her joy show in her calm, happy smile. “Thank you, Luna. Thank you so much.”

A long silence followed, the kind of silence that tended to pleasantly haunt their conversations. It was not an awkward silence, but it was contemplative. A gentle, patient moment of shared recognition and tranquility. Octavia basked in those silences; in the starry night, in the cool air, in the presence of her precious Princess.

At last the calm quiet was broken by Luna’s gentle tone. “Octavia… I know things may be difficult. If it should please you, perhaps I might… persuade some ponies.”

Octavia did not understand at first. When she did she shook her head. “No, Luna. I appreciate it, but no. This is something I wish to do on my own. I cannot ask you for such a favor.”

The Princess turned to her, pride upon her face. “If that is your wish. I will have faith in you my friend, and shall look forward to your grand success.”


Manehattan, four months later. The theater hall of the Manehattan Symphony Orchestra. Luna sat in her box seat, the stage below dark. She watched, nervousness filling her to her very core as she awaited her friend’s first ever starring performance, a performance in an orchestration that she herself had written.

The spotlight appeared, and Octavia strode out to polite applause. She had always been well-groomed, but tonight she seemed particularly beautiful in Luna’s eyes. The mare stood before the audience, took her bow. She approached the microphone set aside for just this moment.

“Ladies and gentlecolts, I want to thank you for this most wonderful night. Allow me to express my humblest gratitude to the Manehattan Symphony Orchestra, which I trust will amaze as they always have, and my mother, who taught me everything she knows. But more than anyone I wish to thank my closest friend, who inspired this piece with her own incomparable art, and who inspires me every night with her constant, gentle presence. Ladies and gentlecolts, I am pleased to introduce to you for the very first time: Kulīn Yābū Ke Amdar Upagraha.”

Luna stared, not quite believing what she’d just heard. She had asked Octavia once, long ago, how it might be said in the language of her mother’s homeland. It was the only reason she knew what it meant:

The Mare in the Moon.

She had no breath. She could only gaze in acute wonder as the pony turned away from the crowd and went to her cello. Octavia stood at the ready, closed her eyes, breathed deep…

And began to sing.

Luna had never heard Octavia sing before. She had a beautiful soprano voice, a voice that shone over the mind like the moon on a peaceful night sky. That voice touched upon her very soul, even as she failed to grasp the foreign words that slowly arose in the air and fell upon humbled, attentive ears.

But then the bow touched the strings and a somber, deep melody trembled through the night, harmonizing with the mare’s voice in a powerfully tranquil perfection. Slowly, with lights gradually encasing them, the other instruments joined the melody, until the entire symphony was playing along to her eloquent playing and singing. The choir announced its presence with a slow baritone accompaniment, and soon the entire world was filled with a glorious mixture of sound.

This was about her. Luna knew Octavia’s music, had listened to it intently for over a year. And she knew, with tears in her eyes, that this was all about her. No wonder Octavia wanted her to be here; this was more than just her first orchestration.

This was a gift.

She leaned against the railing, cheeks in her hooves, heart beating to the steady, calm rhythm. Her entire body felt weak with the pleasure of the sound, the quality, the inescapable meaning that filled her senses like the most perfectly-crafted evening. It was too much. Too good. Too beautiful. For over half an hour she was mesmerized by a musical tribute beyond comprehension.

At last the song reached its climax. One by one the instrumental groups began to fade into the background, and then were gone entirely. Soon it was only Octavia’s soft voice, matching with perfection the gentle tones of her cello. And when they ended, they ended together in a final, long, patient… finesse.

Silence engulfed the concert hall. Octavia waited but a moment, set her cello aside, and stood before the audience solemnly, awaiting something to venerate or eviscerate her greatest achievement.

And then the entire audience erupted. A standing ovation.


Luna found Octavia sitting behind the closed curtains, unable to move for the tears. When she finally noticed the Princess standing over her she beamed the most beautiful smile. “They liked it. Luna… they actually liked it!”

And then Luna did something she hadn’t done for anypony in a long time: she embraced the cellist in a tight hug.

“I am so very proud of you,” she whispered into the stunned mare’s ear. “You’ve made me happier than I’ve been in over a thousand years.”

When she pulled away she saw Octavia was blushing wildly. “You.. you really mean it…?”

Luna smiled her happy, gentle smile and kissed the pony on the forehead. “I absolutely loved it. I was so happy you had me in tears.”

Octavia’s cheeks burned even redder as she touched her forehead with wide eyes. But then, tears still in her eyes, she leaned forward and nuzzled the Princess’ chest affectionately. “I had to say it somehow…”

Luna, feeling light, accepted the gesture and rested her chin on the mare’s soft mane. “I heard you loud and clear. You truly have a gift.”

“You’re my gift,” Octavia corrected happily, snuggling tightly against the Princess.

“You were my gift all along.”

Author's Note:

I normally don't write shipping fics, but when I saw that the group Random Romance was putting on a contest shipping Luna and Octavia I was intrigued; the coupling struck me as generally original and, most importantly, capable of seeming very real. So I concluded that after finishing my second Series of No Heroes I would write a competing piece. As usual with this kind of thing, I'm submitting my work very early in the contest. It usually doesn't take me long to go from concept to working idea, and I had the available time to write the whole thing in one sitting (about 2 1/2 hours including research). So yeah, here you go.

A few notes about my plot decisions:

1) This story takes place in the same MLP continuity as my own story, No Heroes, however it is non-canon to that story. This leads to a few implications which I mention below.

2) In my MLP continuity, Octavia is not an elite pony, but works to maintain the image of one. Her lifelong dream is to become a famous songwriter which, as we can see, she actually achieves in this story. However, playing the cello is not her special talent: singing is. When asked, she claims that she doesn't like to sing in front of crowds, and also claims to like the sound of her cello more than her own voice.

3) Another major thing about Octavia that has yet to be brought up in No Heroes: her mother is from Delfilly, my MLP version of Delhi. She is very aware of this cultural background, reflected in her ability to speak Hindi fluently and her study of Indian musical styles, which I envision her combining with western classical music.

4) Relating to #3, all the song names are in the Hindi language, reflecting my Octavia's cultural background. I am not Indian and have absolutely no knowledge of the Hindi language; I used an online translator to pick out the names. That said, I imagine my attempts to use the Hindi language are of poor quality. (If anybody out there knows better translations for the phrases 'Star Dream,' 'Moonlit Stroll' and 'The Mare in the Moon,' let me know and I'll update the song names!)

5) I was very cautious with how both ponies spoke. I wanted to give them a more complex speaking manner in hopes of emulating Octavia's sophistication and Luna's formal tone. Luna in particular is always a challenge; she gradually eases her tone and formality as the show goes on, and so I adjusted her manner of speaking at different parts of the story to reflect the passage of time.

6) Above all else, I wanted this to be a 'soft' romance. Too often have I read stories of love at first sight, or the kind of stories that seem to run like this: "Hey." "Hey." "You're hot." "You too." "Wanna make out?" "Sure." Excuse me but blech. If I'm going to write a shipping fic, I want to try to make it feel real. Neither Luna or Octavia are the types of ponies to just jump into another pony's arms (err... front legs) after two or three meetings.

And thus I chose something that struck me as more... them. A quiet, gentle affection that goes unsaid. There's no need to say it outright. It just becomes something the characters feel and recognize on their own, and gradually grows until at last one of them does something that finalizes the bond. A 'soft' romance. Quiet. Tender. Real.

Comments ( 47 )

Luna and Octavia? That's different.

~Skeeter The Lurker

2683543 That's exactly what I was thinking.

2683548

Not bad, either.

Well done.

~Skeeter The Lurker

very nice. I like the writing style.
-:eeyup:

This was very very nice, thank you.

Stories like this are what make the writing contests worth it.

It makes a lot more sense that Luna and Octavia would have the sort of romance that you describe here. While Luna has certainly been shipped in the manner you describe in your notes, and it occasionally works for the purposes of the story (The ambiguousness of the Luna/Cloud Kicker incident in the Winningverse comes to mind, but that's mostly because of the way CK is developed), for a Luna/Octavia ship to be believable, it needs to be more than one of the pair catching the other staring at her flank. The use of the post-Gala setting is the perfect starting point... it sets up Tavi being frustrated about her role in the GGG events, and since it takes place before the events of Luna Eclipsed, Octavia truly is the first pony other than Celestia to take active steps to see Luna as more than Nightmare Moon. All in all, a very secure foundation for what would be considered an unusual romance, considering much of the brony headcanon.

2684298 Much appreciated!

I'd love to talk more on the subject, but to be honest I said more or less everything I wanted to say on the matter in my notes, so I'd just be repeating myself. But I really appreciate the feedback!

Luna had never heard Octavia
sing before. She had a beautiful
soprano voice, a voice

shined over the mind

Shined should be shone.

Gotta say I really liked this. Especially how Luna's way of talking gradually grew more modern with each time skip. It was a subtle nuance that I greatly appreciated

2685334 Oops. Correction to come.

And thank you for noticing!

Okay, please tell me that you plan on entering our future contests as well :fluttershysad: :duck:
and if this is any indication of how the rest of our submissions are going to be, than I think we will be in for an exiting contest indeed.
:pinkiehappy:

2689767
Thanks for the compliment! As for my future activities, I suspect my involvement in other contests will vary. Obviously my personal time is a factor (albeit not much of one for the time being). But there's also the originality of the coupling to consider and the potential for a realistic solution; I try to avoid writing 'alternate universe' type stories.

And this is coming dangerously close to turning into an essay, so I'll cut to the chase. The short answer to your query is yes, I will probably participate in future contests, though perhaps not consistently.

...

Self control is hard. :fluttershbad:

Well, things didn't start off so well, but the payoff was fairly solid.

I thought Octavia's voice was overly stilted in the beginning. Using it to set character is one thing, but it didn't give me much of a sense of character. As things went on, I started to wonder if that was more generally tied to the number of fairly lackluster descriptions:

“I chose to remain hidden,” the Princess explained desolately.
Octavia smiled and blushed anxiously at the compliment.
The pleasure that filled her was beyond compare.

These are examples of where I feel you fall short on the show-vs-tell front. They're pretty dull and disengaging, and while others aren't generally so bad, there's a real lack of engagement with the prose throughout.

A couple of other specifics that stood out were:

To disturb that almost holy serenity struck them both as… improper.
This was a jarring breech of both PoV and adequate description that it really took me out of the story.

Semicolons!
She glanced up hopefully; the Princess’ gentle smile had widened a touch.
The semicolon doesn't really apply here. It should like two clauses that actually gain something by being linked as such, and that means that when two clauses don't go together in that way, it can leave a reader feeling like they've missed something important. That's how I felt about this because the 'glancing up hopefully' implies that the emotional content preceded the after-image of Luna's smile, making them unrelated and the punctuation slightly confusing.
Octavia basked in those silences; in the starry night, in the cool air, in the presence of her precious Princess.
Should be a full colon (man, that's a shitty way to write that [sorry]). Again, a semicolon separates two otherwise-complete sentences, and should do so either for thematic reasons 'It was the bet of times, it was the worst of times' –Dickens) or to modify meaning by forcing a link (The walls were cracked. A subwoofer was booming downstairs. versus The walls were cracked; a subwoofer was booming downstairs. The latter forces the link between the two, the former allows to them be unconnected)

So overall, the quality of the descriptions really hurt the emotion of the piece for me, but the ideas expressed at the end were good. Though it seemed miss the boat in terms of anything more than a good friendship, it was still a reasonable story—probably my favorite out of the other entries, but not enough of an actual story to earn one of my upvotes.

Hope that's not too much of a downer, and that you'll let me know what you thought of my entry some time?

-Scott

2790534

I knew my prose was a little off at times, as well as my colon/semicolon usage, but it's nice to finally have someone address the issues directly. My descriptions have always been one of my least capable elements. My stories are usually of ridiculous lengths, and for publication purposes I've been working to shorten my word counts, which just leads to my descriptions suffering even more. I've been trying to make up for it with self-explanatory dialogue, but I know it can leave much to be desired visually. Curiously, this all began because I had too many people criticizing my descriptions as too long and complex.

2791335 If I can help with any of that, please feel free to ask. Punctuation I have cleaned up to EqD-able standards, descriptions and pacing slightly less so—but that does tend to mean I spend more time practicing and researching it, so...

I found a lot of the work tends to be in practicing to combine details and tighten wording; establishing good flow can make longer descriptions much more palatable. In the end I boil it down to engagement, looking back and each individual sentence and deciding what it offers the reader to make it interesting. I say start with the longer descriptions (show everything) and practice streamlining it to the minimum number of words. It seems to have worked for me, but I guess the best thing is to examine lots or different methods and see what works for you!

-Scott

2792858

Well I'm always happy to accept help - I learned all my writing with absolutely zero input from others, so when somebody says something I'm rather appreciative. Unfortunately I tend to write mammoth stories that most people shy away from and potential editors won't touch.

I also tend not to go back and do a lot of editing: a first draft, leave it for 24 hours, go back and edit during the posting stage. That's it. Of course later - usually a week or two later - I'll go back and re-read it and make adjustments, but by then it's already been read by people. The big reason for this is that time is my enemy. I learned long ago that if I linger on a chapter agonizing over it I'll never get to the next one. Surefire way to kill a story before it gets off the ground.

Anyway, that's exactly what I did with The Gentle Nights. I saw a contest, decided to enter, wrote it up in about a day, posted it, moved on. This is more or less my style now. I don't regret it: I have finished many more stories since adopting it. But it does mean that my lackluster elements - like descriptions - don't get the attention they need.

This is very good. I love the characterization of Luna and Octavia; it's very believable. Out of all the entries in the contest, I think this one is the most likely way the relationship would develop. Your description of Octavia singing was wonderful, made all the better by the complete lack of reference to any other music or lyrics. It left me free to imagine what it sounded like, and her performance was beautiful. Pacing was great, and there were no misspellings or punctuation problems that stood out to me (although as InquisitorM has pointed out, I have my own development to do in the punctuation area). Looks like I know who's getting my vote in the contest.

2794217

Thanks for the compliments! I'm glad you enjoyed the manner in which Octavia's music was handled. I considered finding something for her to emulate, but felt that nothing would really approach the style in my mind, so I thought it would be best to try and describe said style and let the reader imagine the music on their own. It seems to have worked so far.

Maybe I'm a little late to congratulate you, but good:twilightblush: Like you said, is a romance "soft"

When it first saw the contest and saw that the first couple was Princess Luna and Octavia I was like:rainbowhuh: and I was wondering what kind of things will come of this, but certainly one of many stories would be outstanding, I thought. In the end this convinced me, especially the ending as "realistic" that you gave to the story, I must say it was one of the best work I've seen in a couple random so far.

I say goodbye and good luck with your other story "No Heroes" that truth if it looks very interesting

Impressive. This felt perfectly paced for the characters. I very much enjoyed reading this. It is always nice to see more of Octava.

3575401

And I find it nice to know that this story is still getting some love! :pinkiehappy:

No love at first sight.
^^^
Das how you write a ship-fic.

3831296
Glad you think so. :twilightsmile: But really, The Gentle Nights should be three times as long as it is. I've given up on the whole 'limited length' thing for my other contest material.

amazing takes your breath away kind of story

4519093
Glad you approve!

Music has a way of bringing people together. And a song for one you appreciate is a very sincere form of saying you care.

5295266
In a way, I intend to repeat that scene in the rewrite. But it's going to play... a little differently. :trollestia:

Really nice story here, Paul. A little more subdued and short on the shipping than I would personally write for a one-shot, but considering you have a pretty lengthy sequel in progress for this one, it's not really an issue. :twilightsmile: You get a thumb and fave for me for beautiful writing and a good start to an interesting relationship!

5574685
Why thank you! But a The Gentle Nights: Audience of One isn't a sequel, it's a complete overhaul and re-imagining of what The Gentle Nights should have been. To be perfectly honest, I was never satisfied with this story, and that has everything to do with not leaving enough time to fill in gaps. I was in this mode of trying to write within word limits at the time, and as a result I feel I shot myself in the foot.

No, Audience of One is anything but a sequel.

5575035

Ah, okay. Well I still look forward to reading it. :)

This is a nice overview of Audience of One. I usually prefer Octavia and Vinyl relationship stories but this Octavia and Luna relationship is intriguing. Octavia and Vinyl are my favourite characters but Luna is number three. I like the slower pace used to get to the message Octavia is trying to send Luna. Ask any woman, wham, bam, thank you ma'am is not romantic. A slow, thoughtful build is. I await the rest of Audience.

5702717
I continue to find it curious that everyone praises this story to high heaven, but its the blatant flaws I see in it that made me want to write audience of One in the first place.

Still, it's always good to see this story get some love. :twilightsmile: It's place as my highest-rated story remains solid.

Well, I've got to say, I really enjoyed that!

I freely admit, I read this story more to get an idea of where the idea began before I delved into 'Audience of One'; So I'll keep my thoughts short as this is just a taster for the main course.

I understand why you would want to rewrite this stroy; it's a gem to be sure, but it is flawed. The pacing was a little quick which made it hard to really to get invested in the setting and the situation. I can't really blame you though; it was a short story written for a contest with a ship I have rarely seen. BUT! It's plain to see WHY people hold this story in such high esteem; the character interactions and scenes are beautifully handled. Both Luna and Octavia felt completely in character and the way you handled the romance felt very natural; the quiet feeling we get from the scenes is quite striking and gives the eventual reveal of their feelings at the opera a much more powerful feel.

Is this flawed, certainly; and I can see why you wanted to expand on the idea. But this is still a lovely little story to get this ship sailing. Looking forward to see where you take this in 'Audience of One'. :twilightsmile:

5795754
And so The Gentle Nights continues its reign as my single highest rated (by percentage) story in my collection. I keep waiting for some supercritical individual to knock it down a peg, but so far...

Anyway, I'm glad you enjoyed it! As I've said many times, I've never been satisfied with this story as it stands, so a remake was inevitable. Even so, it remains one of my two favorite 'classics,' if you will, and it's always good to know people can see the value in what I was trying to do here. I look forward to your commentary for Audience of One.

5796940 Yeah, I always try to give some points to improve on, but honestly, the pacing was the one thing that failed for me; and even then, can't really blame that on a short story.

Don't worry though, next time I'll be sure to take an axe to your story and tear it apart completely! Thy wish will be granted! :pinkiehappy:

5797336
Oh, thank you. I can rest easy now knowing my stories will soon be butchered. Be still my beating heart. :trollestia:

5797484 *Bow* I live only to serve! :ajsmug:

Yes, this seems just how they would act. I'm not even sure it needed expansion.

6785774
Maybe, maybe not. Personally, I felt it was in desperate need of 'completeness,' so I rewrote it. I am much happier with the new one.

<Review deleted>

8466889
Whoa whoa whoa, waitaminute. Did I really submit this? Because I could have told you well ahead of time that this doesn't belong in any sort of library. It was supposed to be The Gentle Nights: Audience of One, not this.

As much as I hate to think I of all people could have gotten my own stories confused, it's clear somebody made a mistake and I'm not about to point fingers. I guess I'll resubmit the proper story next time. I just can't imagine myself submitting this to... anywhere.

8466899

Well fuck me. Let me check something...

8466899

Yep, my apologies. I botched it. I'll get to the other story ASAP. I am so sorry this happened.

Not your best work, Paul. For some other writer, I may have faved it, but I've seen and reviewed your other work and I know you can do far better. You have excellence, and it's frankly not on display here. I have to tackle a few issues. Firstly, there are colons where there ought not to be. Colons are meant for giving lists or single specific items. Secondly, there are far too many section breaks. I hate to say this, but that's honestly beneath you, Paul. You're far more deft at wordsmithing than having to forcefully halt the narrative every few hundred words to jump to another place and time. Honestly, these jump transitions represent the single biggest failing of your fic. Had you used them to build the romance and ive us insight to the growing relationship instead of hopping about like a tree frog, the single biggest problem of your story would have been solved. By jumping too and fro, the romance, which you said you wanted to feel like a genuinely kindled one instead of alien brain worm shipping, instead felt canned and forced. This was amplified by you using so much more telling than showing. The final great issue with your fic is that your best asset is your ability to write emotional dialogue. That was honestly not on display here. You forsook the things that made your writing great and failed to play to your strengths while committing more than a few big blunders.

You said in your notes this was hammered out in a couple hours, and it does show, badly. With a rewrite, I could see this fic making it if you resubmitted it. Now, in terms of good, well, I've never seen Luntavia, and I like it. Also, neat working naming songs in Hindi. The romance was fluffy, but again, felt canned due to the ways you hamstrung it. Had you worked more with dialogue and more graceful transitions, I'd consider this fic a classic.

8466909
Oh. :applejackconfused:

Eh, that's just a big oops, I suppose. I admit I was disappointed when I saw which one was being reviewed, but it's alright. I probably didn't specify in my submission that there were two versions of the story. And even if I did, these things happen.

Don't get yourself in any hurry on my account. I am nothing if not patient, and AoO is a bit long for the 'read it as fast as possible' treatment. Unless you just like it that much, of course. :raritywink:

8466918

Normally I'd be able to do it overnight and gave it to you in the morning, because I'm nocturnal and a goddamn machine when I get going, but I'm helping to clear out the Submissions folder of the last 20 or so stories, and we have just 3 days to do it, and as the resident long story guy and review factory, my powers are needed for other things. Odds are it'll be done the day after tomorrow. Sorry if that's a bit of a time to be sitting on a derped review.

8466923
Nah, it's not a big deal. It could take more than a week and I wouldn't complain. I am as accustomed to the concept of 'being busy' as anyone here. As long as I get a quality review out of it, I'm good.

Heck, I could even look at this as getting twice as many reviews as requested, and should I really be complaining about that? If anything, this will give you a good look at how big a difference the rewrite is compared to the original.

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