After a magical accident, Celestia and Luna must try to restore harmony. Celestia's duplicate, however, is having none of it.

Check out the companion pieces, Amphelion, by monokeras and The Banach-Tarski Dragon by CCC, tackling the same premise in a different way.

Cover art from the gallery of mysticalpha.

At the height of the Great Crystal War, Lieutenant Rarity finds in her camp a strange mare claiming knowledge of how to end it.

But first, they must survive the coming battle.

Cover art from the gallery of Shamanguli. Edited by Cursori and Beltorn. An entry for the RariTwi Bomb.

While Europe sinks into bloody war and the powers of Nazi Germany dominate the continent, a new dark power begins to rise that could destroy them all.

The Nightmare is returning. And all will bow before her glorious night.

Editors: Tek, Mitch H, Cerulean Blue
Photo Credit: Russian documentary on the Nazi saucers in Antarctica.

Nazis and alicorns and rockets, oh my.

A month after her return to Equestria, Princess Luna flies forth to fight a sea monster.

Cover art from the gallery of Cannibalus.

Spanish translation, by SPANIARD-KIWI.

This story is a sequel to Three Hoofwidths To The Left

There's nothing like a surprise library inspection for discovering code violations, especially when the pony conducting that examination is determined to find something. But Twilight keeps the tree running to her own standards, and that means true offenses are hard to come by. Really, there's just one little potential issue.

'Little' as in 'the crests come up slightly short of your spine. Oh, and it breathes fire.'

For some strange reason, the local trotting incarnation of bureaucracy has a problem with this.

(A stand-alone, no-prior-reading necessary part of the Triptych Continuum, which has its own TVTropes page and FIMFiction group. New members and trope edits welcome. While this story takes place after the linked piece, no knowledge of those events is required.)

Now with author Patreon and Ko-Fi pages.

The Great War ended many years ago, but its effects live on in the ponies who fought and bled on its battlefields. A journalist interviews some of the War's greatest heroes, seeking to know the people behind the legends.

Memoirs of My War is written as a tribute to all veterans, but, as this Veterans Day marks the hundredth anniversary of the end of World War One, it is dedicated to the remembrance of those brave souls in particular. This story is a companion story to another military tribute of mine, Flowers of the Forest, but neither are required reading for the other. A brief overview of the "War's Generation" AU (which is canon for both) is provided here for context, but is not required for either.

As this story contains graphic imagery in certain chapters, I am placing a link to the Veteran Crisis line here, as well as links to the national suicide prevention hotline and a list of international hotlines. There is no shame in needing help. In fact, it is courageous to ask.

Cover art is "Retreat" by Ulyanovetz.

My Little Pony and its contents are the property of Hasbro, Inc. and its affiliates. Please support the official release.

It's the oldest chocolate shop in Equestria, the very first -- and on this night, it's also out of business. The final treats have been sold, the vultures have already begun to circle the equipment, and the proprietor polishes the remains out of pure habit while wondering what to do with her life. But that question will have to wait, as she has one more customer to take care of.

The very first.

(A stand-alone, no-prior-reading necessary part of the Triptych Continuum, which has its own TVTropes page and FIMFiction group. New members and trope edits welcome.)

Now with author Patreon and Ko-Fi pages.
Cover art by Pikamander2.

This story is a sequel to The Tempest

Upon arriving at the royal wedding in Canterlot, all the foreign delegates have to do is show face on behalf of their nations, wish the happy new couple well, and try not to die.

You wouldn't expect the third of these to be that difficult.

Cover art from the gallery of Alumx. Proofread by themaskedferret, Georg, and Infernus Noctis.

This story is a sequel to Tales Of The Canterlot Deportation Agency: Bree

It's part of the CDA's mission statement: every human has to ultimately be sent back to their place of origin -- and no other. To simply evacuate all of the incursions to a single receiving world could do as much damage to that place as the intruders are doing to Equestria. But even with some of those realms currently unreachable to ponies, there was always a world on the other side of the Barrier.

One of those worlds is now gone.
Seven billion are dead.
Four survive.
And Bree Daniels, once the CDA's lone agent in the world known to ponies as the abattoir, has nowhere left to go.

(Part of the Canterlot Deportation Agency series, which has its own TVTropes page. Now with author Patreon and Ko-Fi pages.)

As this story is a direct sequel to the original, I strongly recommend reading that one first.

When the Bearers go forth on missions, somepony has to cover for their day jobs. In Twilight's case, this means the palace assigns a temporary to the tree, and that pony keeps the library running to government standards. The usual problems come in when Twilight gets back and finds the results aren't up to hers.

The disaster starts when she learns the latest hire has Standards of her own.

There's nothing a compulsive reorganizer hates so much as being compulsively reorganized.

(A stand-alone, no-prior-reading necessary part of the Triptych Continuum, which has its own TVTropes page and FIMFiction group. New members and trope edits welcome.)

Now with author Patreon and Ko-Fi pages.