• Member Since 24th Dec, 2015
  • offline last seen 1 hour ago

Latrans


I read things. Pony things. Sometimes. I also have the literary ability of a drunken emu.

T
Source

SuperTrampoline needed some colab offers. I wordvomited at him until this thing emerged like the Golgothan demon from a toilet in Dogma. If you haven't seen that movie, wtf are you doing here, go watch it! Anyways, it turns out circumstances got the better of him and this abomination got long enough for me to just post. So here. Enjoy? Maybe just survive. Possibly run screaming. And remember: be careful what you put into your mind, you're not getting it back out.

Chapters (1)
Comments ( 7 )

This is fucking art. I don’t know if you were trying to emulate my style but if you were you nailed me to a T. This was a trip to read although that might partially because I’m on acid right now. How appropriate. Please do whatever you need to do to get this published so that the rest of the world can see this art please. Thank you and good night night

AJ beating up Nazis is a very STRONG tone setter.

For a minute there, I thought you gonna do Supertramp parody.

10879557
How is that a strong tone setter? That's just what Nazi's are for, aren't they?:ajsmug:

10879636
There’s also the myriad Nazi beatings that could be dolled out and what each individual form of Nazi beating could imply. Applejack just casually beating them denotes it to be a regular if annoying infestation. Curb-stomping Nazis, branding them with swastikas and brutalising scores of them obviously denotes passion eg, Inglorious Basterds or Indiana Jones. I’d compare Applejacks tone-setting more to Blues Brothers’, Nazi Bridge. Where sure there’s disgust and vindicated justice, but the Nazis sadly aren’t ran down but instead ran off.
Of course there’s another form of Nazi beating, completely on the other end of the spectrum. The type done by Wehraboos and Neo-Nazis everywhere. Though it’s not so much a tone setter as it is authorial suicide.

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