• Member Since 3rd Jan, 2017
  • offline last seen Nov 4th, 2023

OmegaSynth


TRYING to be a good writer. I might need some HEFTY feedback and help though.

T

Mechanica is a story about a broken Equestria. The mixture of blood and fuel, veins and wires, flesh and metal. The only hope what little of it has left, are of course, Twilight and her friends. Though they will find that this journey may be their most brutal one yet.

FEEDBACK IS HEAVILY APPRECIATED:
Let me know if you find too many typos or if you know how I could improve the story's writing.
I may be good at writing in English for the most part, but I'm still Brazilian and still trying to improve.

Temporary Cover until I have the patience to actually draw a final version.

Chapters (1)
Comments ( 13 )

So… did Phyrexia invade Equestria?

Here's some feedback:

A headache that could rival most blunt force hits to the head, and that could possibly make a young filly have a crying fit.

Unless you wrote this for the comedic effect, the comparison doesn't really work. Children, or foals in this case, cry from very little, while what you're trying to imply is that it's a strong pain.

It was the one she could feel after all.

Does one generally feel their eyes? You could switch with something like "The left remained firmly closed and, as Twilight continued to try forcing it open and failing, she realized it was as if it wasn't even present."

it prompted her to cough a little

If you want emphasis on this, you could say it made her gag.

That place was dominated by industry. If anything, her best guess at the moment was that she was in a factory.

Though the Equestria we see in the show isn't without technology, it is still a very agrarian society with little in terms of mass production. You should either establish why Twilight knows what a factory is like or phrase this differently.

brow… She then heard something. It sounded like something being… welded in place

Don't overuse ellipses. They break the rhythm of the prose, which can sometimes be desirable, but definitely not this early, nor this often.

It wasn’t long until the strange mechanical arms above her had finished their handiwork

In the previous paragraph you say "hours". Either change that to "what felt like hours" or rephrase this.

The Princess slowly, disoriented

"slowly and feeling disoriented"

The Mare could finally

Twilight. In general unless a character's title, gender, or any other attirbute is important, try to stick to their names.

Her horn had been completely replaced by a strange...

This whole paragraph should likely be split in two or even three smaller ones. The amount of detail in them is pretty overwhelming, especially since you largely stick to samey words. Also you're using "structure" way too much.

all folded nearly

neatly?

surprisingly long cylinders

Careful with such descriptions. Without details or basis for comparison, it's more confusing than helpful. If you wanna emphasize their length, just say "long".

strange liquid / strange structure

As above, "strange" in and of itself doesn't say much. Everything in this location is strange. You should strive to explain what exactly makes it strange and let the reader deduce that this is very much not normal.

four

Why is this underlined?

Not to mention how at the end

This turn of phrase doesn't make sense in context.

skeletal, a skeletal structure

You tend to repeat words for, what I assume to be, emphasis. Don't. It's jarring. There is also an overarching issue with this whole description: It's completely emotionless. Yeah, sure, you throw in a lot of "bizarre"-s and "strange"-s and whatnot, but the impact of Twilight's morbid transformation is lost on the reader when the whole thing is basically told to us like a shopping list.
Consider: "Slowly, Twilight's eyes crept towards her hindlegs and she screamed. In the grimy reflection she saw herself standing on nothing but bones. Yanking her head backwards, she took a better look, one she almost immediately regretted.

Where her legs once were, she now saw two grim mockeries of what a pony's leg was supposed to look like. Three segments of interlocking metal served as the grotesque approximation of the appendages, jutting messily from her flank. At her mind's command a series of pistons and tubes whirred and whined and the 'leg' slowly raised itself, just like a real one would."

disturbing mix of Flesh and Machine.

Don't capitalize stuff like this.

“Hello?!” Twilight suddenly shouted, and she shouted as loud as she could

This feels weird to me. Why 'hello'? And not, say, "help me" or something. Not to mention, it feels very abrupt after the previous paragraph. I think she'd be far too overwhelmed at first to scream around, only when she came to the breaking point and realized all her explanations were just cope would she start screaming.

Whatever reasoning she came up with, she couldn’t believe the harsh reality

"Yet any and all explanations she came up with could not explain the harsh reality" or something similar would work better imo.

pleads

pleas

“Oooh, calm down, Twilight!” he

1. she 2. What? That's a really bizarre line.

A bit of a “harsh” way

Why the quotes?

The Princess of Friendship’s sorrowful look soon turned to one of determination.

She really got over becoming a mutilated freak quite quickly...

But of Course

Small c.

led out of this accursed room has to be

Had to be.

Panel

small p.

The Princess of Friendship

See my previous comment, just use "Twilight", alternatively "she". I won't point out the rest of these, but know that it applies further in too. If you haven't yet read Ezn's Guide, do so, it'll serve you greatly.

...

Even more ellipses. It really is very jarring. There is no need to "artificially" make the scene slower like that. Readers automatically infer that things don't happen spontaneously.

The Door

Don't capitalize random stuff.

She suddenly stamped her hooves

Stomped? Also this doesn't really seem to make sense.

instinctively stamp

Again, stomp.

Twilight decided it wasn’t worth using them for locomotion for now

Weird use of locomotion. I'd just cut this whole line and connect the next with the previous one.

… and ask.

Ellipses and since the question is on the next line, you need a comma here.

Overall, despite all these issues, the concept is neat so far. Really depends on where you bring things from here. Mecha-Twi's transformation is brutal enough, I just wish she had a far stronger reaction to it, because as of now she basically just screams a little then shrugs it off. She could feel phantom limbs, try to touch a part of her out of habit then realize she is touching metal, bump into things because her anatomy is changed and she hasn't yet adapted, etc. Bodily horror is a huge source of grief, don't skim over it.

Good luck.

11575295
Ah, thanks for the feedback! The Underlining on "four" was completely accidental, but all the rest, I will try to improve. Thanks a lot, I'll edit the chapter soon to fix the errors and y'know, try to avoid being repetitive.

Thanks again, I'll try to follow your advice to the best of my writing abilities, and once I do, I'll make sure to let you know ^^

11575295
And done, first edition is done. If there's anything else I can improve (like formatting, I'm not the best at it), please do lemme know. I hope I managed to at least make it a bit easier on the eyes to read!

11575420
I see you've changed some stuff around, but much of what I wrote remains as-is. They weren't nitpicks, any casual editor would point out these as flaws and maybe more. Read through this, it'll help you: https://eznguide.neocities.org/

Also, an important thing with feedback is that beyond trivial changes (like capitalization, though I can imagine situations where even that is not so clear-cut) you should consider why the feedback was given in the first place. An example:

It must have been hours of screaming. Hours of begging for somepony, anypony to respond. But Twilight had heard no response back. She was alone. At least while her legs were disabled, she was alone.

It took too long for the strange mechanical arms above her to finish their handiwork.

While yes, this does solve the chronological inconsistency, it doesn't really address the root issue. Twiggles screaming into the void and the machines working feel like unrelated events. Consider this:

Soon another noise mixed into the hissing of pistons and the whining of metal. Restrained and unable to even see what was being done to her, Twilight did the only thing she could. She screamed. She screamed for help, for mercy, for her friends, Celestia, Luna, even Discord, anypony to save her from this nightmare.

There was no reply. She was alone. The taste of metal became fresh in her throat, as her voice died down into hoarse croaks. With her last shred of agency stripped from her, she had no choice but to endure the agonizing process motionless and in silence.

Yet, in a cruel twist of irony, the moment she finally began to give in to the sinking feeling of utter hopelessness, the machines suddenly silenced and her restraints let go.

Obviously I've taken some liberties, but consider the things happening here:

  1. I'm playing up the stress she feels by showing that she is locked in place while her legs are worked on. Most people, even those without claustrophobia, are understandably quite uncomfortable being bound, so evoking its image is a good way of showing why a character might be scared.
  2. I'm connecting her screaming with the sounds of machinery, thus linking the two both in time and space. "She is screaming because she is being operated on", rather than "she is screaming and also she is operated on."
  3. As you can see I'm doing word repetition too ("she screamed. She screamed"). I'm not being hypocritical here, it is a valid tool for emphasis and Twilight's horror definitely needs to be emphasized here, the issue is with overusing it and cramming it into one sentence.
  4. Senses! They're very important. Sight, smell, touch, taste, sound—use them. Here her throat starts bleeding from the screaming, whose metal taste mixes into the already rust smelling air. This serves to both viscerally show what's happening to Twi and remind the reader that the place reeks of rust.
  5. And, finally, it also ties her release into the series of events cleanly. In your version it just kinda happens, while here it's a direct conclusion to the events that took place previously.

11575492
Oh. Sorry, I'll give that a read and again try to follow your advice to the best of my abilities. I need to start being a bit more descriptive I see. Anywho, thanks once again, I'll re-edit the chapter again soon!

The story sounds so engaging!
______
basket random

11581484
Thanks, still working on improving it though!

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