• Published 26th Feb 2019
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Daily Equestria Life With Monster Girl - Estee



Yesterday, she was a sweet, somewhat old-fashioned exchange student trying to find her place in a strange culture. Today, Centorea Shianus is a new world's greatest terror.

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Unwelcome

It was the little details which could become lost.

International reactions? There would soon be debates in every hall of power and with Mazein's democracy, that meant just about every last minotaur's home. Ultimately, the oldest allies Equestria had would decide to stand by their friend, but in that special way which suggested said friend might have overlooked something and therefore someone of sense had better be keeping an eye open. Shortly thereafter, Protocera's current President officially advised a wait-and-see approach, which naturally led into the fourth impeachment attempt of her term. Eeyorus reviewed disaster relief policies again. The hundred city-state kraals of Pundamilia Makazi failed to reach any degree of true consensus, which was the most natural outcome for a conference of zebras. Most of those who resided within the Burning Lands paid the same amount of attention to pony events as ever: namely, nothing concerned the dragons unless it seemed to directly threaten them and since the majority had decided nothing could be a threat to a dragon, those very few who'd actually bothered with both acquiring foreign newspapers (often moons behind the publication date) and learning how to read curled up atop their hoards and went back to sleep. And Prance vowed to look down upon everything Equestrian forever, which meant little more than that Prance still existed.

Every nation had their own way of dealing with the news, at least for those who were capable of hearing it: those parts of the world which remained unexplored had a certain difficulty in starting newspaper subscriptions. But Yakyakistan eventually assembled an opinion, Saddle Arabia had a few thoughts on the matter, various Diamond Dog warrens scratched their heads in confusion (or to get rid of ticks) while the ruler of a known changeling hive briefly shuddered (and immediately denied it) at the thought of potentially being revealed with a touch... countries myriad and yet to be named all tried to find some way of dealing with the latest capability of a nation which, in the opinion of the majority, already had too many of them.

But much of that would be recorded within articles (if not always accurately), and it didn't truly reflect everything which was going on. Because the world was more than governments and the beliefs of the powerful, even if those in charge frequently did their best to forget about that. Ultimately, the world was comprised of people.

People are made out of stories.

Every life is its own tale. A freshly-printed cover turns to the first blank page with the breath of a newborn's cry, while a well-worn spine and yellowed pages are filed within the library of the shadowlands at the end of a very long day. Spot a sapient moving down the street, and you've just met a narrator. They all move through the heart of their own story, personally relating events as they interpret the characters around them (not always well), and the most egotistical never manage to realize that anyone else might have a story at all.

Some of those characters interact. Crossovers happen on every corner. Tropes intermesh, plotlines meet, things too strange for fiction remain within the rougher canon of reality, and when something truly unique occurs...

There was a new story being told in Canterlot, a tale no one had ever believed possible. The formal announcement of its existence rippled pages around the world, and some of those stories were changed.

Take down selected volumes from the shelves of the living. Turn the pages...


The first thing the mare does when she reaches her desk, even before loading the ink into the typewriter and making sure the push-pedals which assemble letters from a group of raised shapes are well-greased (something she always does, as it's not as if she can trust anypony else for it), is to read the waiting police blotter. It disappoints her, and she had been counting on that nightly tally of Canterlot activity for support.

She was so careful in the composition of the previous articles. The mare feels she understands the steam engine of fear: no matter what happens, you just keep loading in fuel. There's no reason to keep an eye on the pressure gauge, at least when it comes to the usual purpose. Every choice for her original words was designed to push the boiler to the maximum, because explosions can always be blamed on someone else and she then gets to write columns about fallout and debris.

But the report does not contain what she had been expecting, at least not for the capital. (It'll take time to receive matching public documents from the other settled zones.) Any suicides could so easily be blamed on the centaur, and on this most crucial of nights -- nothing.

Not that it does more than briefly slow her down. There are more nights to come, courtesy of the elder who should have become nothing more than a living gear turning the sky centuries ago -- along with the younger, whom she usually manages to imply is nothing more than Nightmare in a slightly-altered form, while wondering when everypony else will catch on.

The mare often suggests that anypony who can't see things as she presents them is brainwashed, nothing more than a sheep (she frequently insults sheep, usually by comparison) of no education or independent thought, being led towards a slaughter which will surely take place any day now, and the existence of a centaur seems to have made that day somewhat more immediate.

The mare has declared that ponies need to think for themselves, and believes the only way anypony can prove they're thinking for themselves is to mindlessly agree with everything she says.

No suicides. But she has events to relate for her readers, especially since she already knows how they'll want to see them. So she personally greases the pedal gears, checks the levers, loads the ink, and stomps out a few test sentences before formally starting because she's a professional.

She chooses her words carefully and in doing so, cuts through time. Entire minutes are discarded: there's no reason for anypony to know they existed. She will tell them a story: something they'll accept as reality because history is supposedly written by the winners, but the important part is that it's read about by those who weren't there. Every word is fuel for the boiler, designed to increase the pressure of fear because given enough time, there has to be an explosion. Bodies to be laid at the forehooves of the centaur, stacked up until nopony can perceive any kind of future which does not have them among the dead...

...she stops. Her horn ignites, opens a drawer while the other ponies who work in that part of the building carefully ignore her actions: they have their own distortions to create and in any case, it's not a good idea to make her focus on what she's actually in the middle of doing. The mare makes enemies easily, frequently with pleasure and in the case of what she's doing right now, it would be the only part of her life where she didn't discriminate.

The bottle floats out. And the mare feels that its contents increase her creativity: the lubrication which makes the words flow that much more smoothly. Sometimes she drinks when she's done writing, in order to be more creative later. Or before she goes into a press conference where she's supposed to be introduced to a monster, and needs to find ways of making that small part of the world which thinks properly understand why that should not be.

Sometimes she drinks before she goes to sleep. Or drinks until she passes out, which is just as good.
There used to be a tiny part of her which wouldn't allow sleep. That which says she's writing words designed to encourage fear, to make ponies feel as if there's no way out other than attacking that which they're afraid of, or...
...nopony managed to commit suicide in Canterlot yesterday.
In spite of the centaur.
(The monster. It's a monster. Nopony can ever be allowed to see the word as meaning anything else.)
In spite of what she wrote.
Because those first articles were, on some level, meant to...

She used to have thoughts like that. But now she has a bottle.
The bottle is better.


Eight return to Ponyville deep under Moon. Seven of them are coming home.

It's that part of the night which exists within its own permanent awkwardness: so late that it's on the verge of becoming too early. And they are tired and worn down from their adventure, they need rest and they have been fully away from all sapient contact for some time, excluding the ones who were trying to kill them. They know nothing of what has transpired, and this is not quite the time to tell them.

The group separates almost immediately. They had spent days operating as a unit, albeit one which had an assigned temporary recruit and that made things awkward for a while. (The designer and baker... well, they're talking to the performer now, more or less: for the designer, each sentence still gives off the impression of having been assembled from knives, and it took the entire mission to dull that down to something more suitable for smearing butter.) But at the core, the group is composed of very different ponies, along with someone who isn't a pony at all and silently dreads the day when he might once again stop thinking as one. They are individuals, and now that they don't have to be Bearers for a little while, they can hear their lives calling.

So they go to their own homes. (Two limp somewhat along the way, while one trots because her left wing is still sprained.) They move through a town which is largely asleep, and those few residents who see them are merely glad that they've returned home. Nopony among those few greeters wants to disturb them, not yet -- and three of the ponies who see them are under the impression that the palace has provided a full briefing already, so there's nothing to say. Besides, a town some distance to the west of the Lunar Courtyard has yet to learn of what had happened there, those commuters who work for the capital's newspapers won't be returning home for hours, the first editions may beat them back and -- their heroines (plus one hero, and a guest who has yet to be truly forgiven) are tired.

The weather coordinator is the only one to notice anything unusual: she collects her tortoise from the petsitter (and, about ten minutes after the fact, briefly wonders whether she should have apologized for knocking on the bedroom window so loudly. Pushing it open from the outside doesn't strike her as having crossed a line), gets some altitude while he's riding in the insulated saddlebag, and quickly reaches her home. But she wants to put some maintenance in before going to bed, because the long-term existence of any vapor construct requires the presence of pegasi: too long without tapping into the magic of residents and visitors, and...

She didn't expect the mission to go on anywhere near that long, didn't get a housesitter, and so making sure her interior decorating isn't on the verge of becoming rather more exterior is important. So she looks around from the outside, seeing what has to be shored up first, and that lets her spot the snowstorm which engulfs the capital. And she knows that's unusual, but she doesn't treat it as important. There's probably a surprise festival or something. Maybe one of the stores bribed the capital's team and put together some kind of big event, or a noble is hosting something with a winter theme... it doesn't matter because if it was important, the palace would have told them already. (The fact that they've been out of contact doesn't really register, not when compared to the call of her bed -- not to mention the need to prevent that bed from relocating itself.) So she shrugs, adjusts a few clouds into greater density around her fountains, and makes a vow to check the headlines in the morning.

Of course, she has absolutely no intention of keeping that vow. It's too soon after the mission for any of the stories to be about her -- okay, fine: them. Plus her weather team doesn't know she's back yet, and the worst way to tell them would be by appearing before she'd finished sleeping through noon --

-- but as it turns out, the news comes to her.


In another part of town, the librarian and her little brother are heading towards their wounded home. The performer is trailing some distance behind, largely because the caravan had to be parked somewhere, the vast majority of the town can be drastically understated as being something other than fond of her, and there was a faint hope that somewhat less damage might be done if she left her residence sitting on an alicorn's property. There had been -- call it a 'natural reaction' -- when she'd once again crossed the border, and if the others hadn't quickly moved towards the sounds of justified anger...

She's trailing some distance behind -- but not too far back. Just in case.

The theory turns out to be partially correct: the caravan is intact, as none of the vegetables which were kicked into its sides managed to penetrate the wood. (However, there's a fresh lightning scorch near the hitch, and one of the wheel spokes is fractured.) And the librarian heads towards her own door, softly asking her sibling if he can stay awake long enough to send one scroll now that the effect which prevented all communication is starting to wear off, just something which tells the palace that the mission was successful and they're home. And he thinks he's up to it, but she feels he's hardly the best judge and so she's already second-guessing herself on that when she hears the caravan's door begin to open.

It delays everything for a few minutes. The performer cannot sleep in there: the purchased pegasus techniques which insulate the interior were already losing power when she arrived, it's a cold night and the caravan is leaking. She can come inside. There's a guest bed --

-- the performer has overstayed her welcome already, any amount of time when she's in this town is an overstay and she has to leave, there's blankets in the caravan and --

-- there's blankets on the guest bed, along with a warming pan. Also, there's a dragon. Add a dragon's presence to that of a warming pan and waiting times for heat are cut down significantly. Plus the librarian just saw that wheel spoke, the performer should replace that under Sun and certainly shouldn't risk practicing more advanced, hard-won, and deeply-loathed wheelwright skills on the road at night. She has to stay...

The performer was going to sleep! In the caravan! That's all! The road would have waited --

-- no. Because the librarian knows the performer a little better now, understands the pressure which comes from within and without. If the unicorn gets into the caravan, then the caravan will be rolling at the instant its owner decides nopony is left awake to hear it move. It's not just a matter of wanderlust, not after so much of the mission was spent traveling through a strange land, generally with the pursuit about sixty body lengths back. It's... because the performer knows how the town's residents feel about her. But that's not the librarian. And most of what they talked about during the mission was the mission, that one theory from the last letter still needs some face-to-face discussion, it's just one night and...

...stay. Please.

...
...all right. For one night. Plus a breakfast. That's it.

And that was all it was meant to be (although the librarian was going to try for a full extra day in the morning). But morning is when the news arrives. The request. And the performer's wanderlust is frustrated, but she's still on probation for everything which happened with the Amulet (when it easily could have been so much worse), she has to do what the palace asks and magically speaking, the problem is an interesting one. So she stays. Just to work on the problem.

In time, it will take her somewhere she never wanted to be.


Silver eyes watch the centaur sleep.

It's been a remarkably steady sleep. Given what she's seen of the sleeping habits for the cell's occupant, there's an argument to be made that it's unnaturally steady.

Unless, of course, you happen to work on the Lunar shift and have a better understanding than most for what your Princess is capable of.

Night after night, she's watched the centaur sleep, and it's told her what's natural. For starters, the girl sleeps on the floor: after that first waking, the bed was never used. All four legs fold until belly and barrel are completely down, the upper torso seems to lock into position, and both arms fold and tuck under the breasts. (The little pegasus has been to Mazein with her Princess, met ageládas before that. Breasts still weird her out.) The girl closes predatory eyes and shortly after, the nightmares begin.

Normally, the girl's upper torso jerks in her sleep. Arms desperately reach for a weapon. The tail lashes, then tucks against the far side of the body as if it's trying to hide. During the worst of it, legs straighten and she's halfway to standing before she fully wakes. She dreams often, more than the mare has seen ponies dream, and perhaps that's natural for a centaur.

The nightmares could also be argued as natural, at least for someone who's in a cell.

But this is the last night for that. And after the press conference ended, the girl (whom the pegasus knows is not a full adult, she feels she may be aware of more than almost anypony when it comes to the centaur and part of her aches when she passes some of what she's learned on to her own Princess) was incapable of speech. She was... the way she had been in the Courtyard, only more exhausted. The mare, who has the most experience with their visitor, had seen the change take place at the instant the centaur stepped out into the moonlight. She wonders if she was the only one who realized what was happening.

The surge of instincts. The struggle to hang on in the face of the unknown stretching out second by second.

One more way in which the girl is just like them.

The girl couldn't talk. She was too tired from having fought that constant inner war, and so she sank down onto the cold cell floor (although somewhat less so now, as the mare moved an insulating blanket there on the third night) and went to sleep. And she should have been twitching, misplaced ears rotating in all available directions as the dreamer listened to her own inner screams --

-- but the little pegasus knows more than most about what her Princess is capable of. The girl's rest has been steady: unnaturally so. The harsh night ending with a silent gift.

The mare is watching the girl sleep, and doing so from inside the cell. And in the corridor, Guards come and go, because nopony's quite sure what the assignments are now. The centaur never would have tried to escape, there's no more risk of having somepony come down and find her -- but they haven't received new orders, and so Guards come and go.

They also talk, because that's what Guards do.
The mare doesn't need an enchanted device to understand what they're saying.

There seem to be two camps developing. Those who went to the arrival site, and everypony else. (The first group represents a rather small minority.) And the discussions turn to the oath, something none of them had ever heard before, not a Guard's oath --

-- it was the proudest day of the mare's life, reciting that oath --

-- but so close, they talk about the reporters and the questions and the fact that nopony's been able to find Bulkhead for hours -- but mostly, they talk about the girl.

Quite a few Guards have spent time outside the cell. (It's a much lower percentage for the rest of the Lunar staff.) And for the ones who've watched her... they understand she's not a monster in anything more than that unnatural form. The ultimate definition of a monster is something incapable of caring: that doesn't describe the girl. She... arguably cares a little more than might be strictly healthy. But maybe that's just how centaurs are...

They talk about what happened. What has to happen next. And they're Lunars, they care about their Princess, any one of them would give their lives to protect her -- but part of being a Guard is having to be the pony who tells a Princess when she's wrong. And they know the girl isn't a monster, but...

...it can't work.

It can't.

That's the opinion of the majority. Those who were in the forest -- they talk about how the girl can fight, she fights like nothing anypony's ever seen, having that sword wielded for the thrones will give the Princesses protection (it's plural during that part of the recurring argument, as nopony's mentally assigned the girl a shift), Equestria might be that much safer with the girl among their ranks --

-- but there's always a counter. Safer, when every public hoofstep might set off a riot? Less threats, when there's no way to tell how the other nations are going to respond? And even those who were in the forest can't say she'll succeed in getting through the training, or that anything will work out. Just that there should be a chance.

Maybe she won't make it through training.
(Maybe there's Guards hoping for that.)
(The ones who still can't get past their fear.)
So what does she do if she fails?

And nopony has an answer.

The little pegasus stands in the cell, watching the girl sleep because it's easier than having to think.

Her shift ends. She trots down the street under the grey light of a mostly-blocked Sun, because flying through heavy snowfall should only be done in emergencies. Nopony heading out for the Solar shift really notices her. She's not unattractive, although it took most of her life before 'night colors' finally came into fashion -- but there's heavy snowfall, shivering ponies blinking flakes out of their eyelashes aren't exactly in the mood to flirt, and she's off-shift. One of the first things a Guard learns after taking up active duty is that most ponies just see the armor. (The partial exception is a few chosen pegasi on the Lunar staff, who occasionally take up armor that's a little bit different. The little mare is one of them, and so she's also learned that even then, ponies don't recognize what they're seeing.) Take it off, and she's completely anonymous. Just another Lunar mare heading home at the end of a cold night.

She sees two exceptionally foolish unicorns trying to read the morning paper as they trot along. One is weak enough that most of the wind gets through her field, and both have their coronas wink out at the moment they truly spot the headline.

Eventually, she gets home. It's easy to dry her fur, because she's one of the strongest on the palace staff. It's just a question of reaching the bathroom before using the technique: separated water has to land somewhere. And then she...

...she was watching the girl. All night. She was in the Courtyard, she went through everything which happened there, and she should be going to sleep. But little glints of grey light sneak through the gaps in shifted blackout curtains, glance off the mirror to land elsewhere in the small apartment, and...

...she was watching the girl.
Now she's looking in the mirror. Watching herself.
And she doesn't know why.


The merchant pulls his cart through one of the wider gaps between the trees, then pauses to scout out the next part of his route.

He doesn't come this way often, and this is true of everypony who's ever been down the faint forest path: 'often' just doesn't apply. But there are times when the main road has problems, especially with flooding. The rainfall in this part of the continent can be very heavy, and it drains the standing techniques faster than usual. Sometimes the thaums run out before a recharge arrives, and when that happens -- well, you can try to pull your goods through a mire of mud, or you can go off the main road. Dozens of ponies have kept this path open, and their passages are still rare enough that the next traveler needs to pay attention or lose even that degree of trail. (Blazes can be wiped out, he's not the kind of exceptionally rude earth pony who would just casually scar tree bark, and stacked-up rockpiles fall over.) So he's stopping every so often, just to make sure he's still going the right way.

Fortunately, the trail was originally scouted by those who were pulling carts, and so what's there is wide enough for him to bring his own through. It means taking the long way around, but it's still faster than going through the mud (not to mention better for his coat) and if they're all technically stepping through a location where the map says they're not supposed to be -- well, who's to know? Besides, if the palace didn't want ponies off the trail, then the palace should send pegasi around more often for recharges. (So there.) He's making progress, more than he would if he was dealing with the mire, and the cart's hard-purchased enchantments only help the cart. If he'd stayed on the road, he would have probably sunk in up to all four knees by now.

Instead, he's making his way through the trees. Following the path as the hitched cart steadily comes along behind him, wheels automatically adjusting to the shifting terrain. Sometimes this means a degree of compression, actively shrinking by a hoofwidth before they flare back to full size just in time to prevent a small drop from delivering a jolt to his goods.

He'd originally hesitated before paying so much for the workings which allow that to happen, and he hardly enjoys nosing over bits so a unicorn can keep the charge up (there are no unicorns in his family, and that's starting to seem like a horrible loss of potential freebies) -- but his items are fragile. It's easy enough to hit a pothole in the road, sudden changes are guaranteed on a trail, and since the castings were performed, he's no longer losing money on damaged goods. There's just times when you need to spend bits now in order to save them later.

Branches drip moisture onto his back: the largest and coldest drops occasionally require an effort to keep from jumping. He rotates his ears regularly, listening for potential trouble because even though the path is established, he's still off the main road. But he isn't losing that much time, he can make it up with a trot once he clears the problem area, there's profit ahead --

-- the hitch rams into his shoulders with all the force of an earth pony taking a strong step forward. It's more than enough to make him yelp, he spends a few seconds in both trying to drive the bruising pain back down and listening to discover if anything heard him --

-- the wheels have locked.

He pulls again. They won't move.

...all right. Maybe something got jammed in an axle: a pebble was dislodged from the earth and wound up stuck in exactly the wrong place. It's the only reason he can immediately conceive of for the problem, especially as the enchantments are supposed to help the wheels turn. Not much -- making the cart truly self-powered would cost a fortune, produce a giveaway glow, require more recharges than he ever wants to pay for and, too often, would leave him galloping away from his own goods in order to avoid being trampled -- but enough so that when he's tired, the cart can do a little of the work on its own.

So he unhitches himself, wincing at the fresh pain. Turns, takes a step towards the cart --

-- the forest blurs, all four knees go weak as his blood roars in his ears and there's a single moment when he realizes that sound is the only thing he can truly hear, something he's about to test with his own scream --

-- and then it's over.

He blinks a few times. Quickly listens again, and it doesn't take long to determine that nothing's approaching along the ground.

Could that have been what a neurocypher's attack feels like? He can't pick up on anything crashing through the forest and the trees are too closely spaced for one to silently travel -- at least, they're too narrow here. Maybe he's at the extreme edge of a big one's range, and the magic just washed across him for a second. But he thinks a little more, and remembers that it's the wrong part of the continent for neurocyphers: there's never been one sighted in this area. They're gallops upon gallops away.

Of course, it could be a new kind of monster.

...he has to move.

He checks the axles, doing so at the speed of desperation. But he can't find anything wrong. He pushes at the cart from behind to no avail, he gets back into the hitch and pulls with all of his returned strength --

-- the cart moves.

It happens all at once. The wheels shift, but they do so unevenly. The left side of the front axle lands before the right, and he hears the faint tinkle of broken glass.

This causes him to lose some additional time. Expressing his full opinion regarding the situation requires a number of sentences and, for ponies with less travel experience, at least three fully comprehensive translation guides.

It's eight days before his route brings him around to the pony who did the original enchantments, and that gives him the occasion for other Words. Most of them have to do with low-quality work, because the recharge he'd paid for prior to getting on the trail should have lasted for at least another week. For the spells to just spontaneously discharge all stored power -- well, now he knows what it feels like to have that wash over him, doesn't it? And he tried to get a recharge at the next town, that held for a while, but 'a while' is now a continually-decreasing variable and given the amount he paid for --

-- the unicorn eventually manages to get a word in edgewise, which nearly involves using her horn in the same fashion. And after thoroughly inspecting the cart, she... apologizes. She doesn't know what happened to her enchantments. But she can't argue that something did, and she's going to recast them from scratch. For free, because there aren't many ponies in the world who specialize in her work and the fact that most of the recipients travel so much means they have very little trouble in finding the others.

She puts him up in a hotel for the two days it takes her to recast everything, which effectively repairs both the cart and the client/caster relationship. He never has any problems with her workings again, and eventually winds up recommending her to a few other ponies because while work which never needs maintenance or repair is invaluable, somepony willing to both admit when they've made a mistake and make up for it can be truly precious.

But after he leaves, she continues trying to figure out what she did wrong. And she can't find an answer. It haunts her dreams for weeks, it makes her triple-check every spell she casts for two moons, and it never happens again.

It's the little details which become lost.

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