The art of cinematography is a delicate balance between shadows and light, style and substance, stillness and sound, already working together: since the creation of the daguerreotype, it was almost inevitable when the still frames of life captured before ones' eyes needed to be mobile; then again, these dreams have been around since the days of phantasmagoria.
Since the dawn of the past century, media has gone from lines of text amongst pictures to a sequence of sights and sounds, great and small; of course, its humble beginnings were riddled with shames and guilts far too great to look over, even in the eyes of their contemporaries: even now, the latest line of motion pictures have even seen better days, despite improvements.
Under no circumstances did they go unnoticed, all thanks to one individual riding along with a trio who needs no introduction so to speak of; needless to say, it was only but a matter of time before regrets were made and acknowledged in advance, but only by the majority as is: all that matters is how long before someone says these three magic words.
Inspired by the A Thousand Words Contest II, ergo inadmissible.
