New Make Your Mark review out now! I’m quite proud of this one as I think I may have finally found my footing as a reviewer. The presentation style is changed up somewhat and I hope it results in a better product overall. Speaking slower was a key priority for me, so let me know if I accomplished that, also what you think of the episodes in general. Enjoy!
Grading Scale:
A (fantastic episode)
A- (an excellent episode with at least one flaw)
B+ (a great episode with a couple of flaws)
B (a good episode which still could have been better)
Rating Scale:
12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
Rating Scale:
12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
8/10–a great film with numerous flaws but not enough to ruin it
Rating Scale:
12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
Rating Scale:
12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
8/10–a great film with numerous flaws but not enough to ruin it
My TV Show Rating Score:
5/5: It is an awesome show!
4.5/5: it is a great show albeit not perfect
4/5: It’s a good show with minor flaws
3/5: It’s overall okay/guilty pleasure
2/5: It’s bad but not awful
1/5: Look, up in the sky! It’s super bad!
Scott Cooper's slow burn character study of infamous Boston mobster James "Whitey" Bulger is a showcase for a truly transformative performance by Johnny Depp, and while slow moving, is still an effective and engrossing portrait of Bulger.
For what's coming down the pipe. This may be the stupidest thing I've ever written—as such, it's only right that it be shared with all of you.
Trying to describe the sheer epic scope, drama, and downright awesomeness of Gone with the Wind in a single review, as opposed to several thesis papers is pretty much impossible. There's so much in this film to touch on, from the character arcs, to the subtext, to metaphorical imagery to it's impact on the film art form as a whole.
That being said, I will still try to explain why I think it's probably the greatest American film ever made.
Nicolas Winding Refn's brutal, bare bones neo-noir tale is a dreamlike, intensely cerebral thriller, interspersed with explosions of brutal, uncompromising violence. Combine that with Refn's supremely singular visual motif of primary colors, and hyper stylized slow motion, and you have an incredibly unique, yet vital entry into the genre.
My head hurts. Let’s just get through this.
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