Okay, hello! Yes, yes. This blog is rather late in the day. I've only just got round to getting onto this website! Sorry about that, so...you know how I said I was going to see Pixels? well, I had planned on doing so but instead I decided to go and see the new addition to the Terminator franchise. It was an awesome film, packed with action, action, and action (Even had feels near the end) I felt my heart pumping furiously in some of the scenes. It was so awesome to hear Arnie uttering his

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Remember how I said I took photos with a period camera at a Vietnam Reenactment recently? Well...

Only two came out. Apparently, the film didn't progress properly and pretty much all the film was ruined.

Here's the two photos:

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Instead, it will be digitally released in Disney+ on September 4, 2020 for a premium fee of US$29.99.

It will still be theatrically released in countries where theatres have re-opened and other countries that don't have Disney+.

As you may notice, I've published a chapter for Luna's Return Trajectory, and it's not the long promised Apollo 13. Before the pitch forks come out, I assure you that the chapter is progressing, to the tune of about 2500 words so far. This is a bridge, exploring more of the effects of Luna's presence. It didn't feel right, jumping 3 months without any fanfare or examination.

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So I thought I would do something new, I wanted to make a review/analysis on one of my favorite moves of all time, Melancholia 2011, By Directer Lars Von Trier.

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You've met with a terrible fate, haven't you?

This may be one of the most amazing things I've ever seen.

Director Scott Derrickson, fresh off the success of such horror films as Sinister and The Exorcism of Emily Rose takes a wild and mind bending leap into the magical main stream with his entry into the sprawling, wildly beloved Marvel Cinematic Universe, Doctor Strange.

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I can now say, with much pride and satisfaction, to have seen every single feature length film that the Coen Brothers have made.

I finish my dauntless trek through their filmography with this, their seventeenth, and most recent feature, which plays as a laid back, droll self deprecating look at the mighty dream factory that was Hollywood at the very heights of the storied Studio Area.

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HAHAHAHA!!! You seriously think you can kill me like that!? Why, that's as lame as saying I'm Allergic to Peanut Butter!
But you are.
SHH!!! They'll hear!
Who?
*FineBros Enter, thgrowing Peanut Butter at Deadpool*
AHH!!! HELP!!! I'M ALLERGIC TO PEANUT BUTTER!!!
Finebro1: So you're having an Allergic reaction?

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...which you do, I'm sure, then you need to read this Guardian article:

How we made: The Muppet Christmas Carol

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I feel that, before we go any further, I must make it abundantly clear that I am by no means a Harry Potter fan. When I was a child I held no interest towards it, and now as a young adult, I have managed to find other franchises and fanbases to partake in.

However, since I was of one of the extreme minority that didn't partake in the Harry Potter craze, I felt it was time to finally see what all the damn fuss was about these movies.

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I don't normally go to the cinema. For one, I just find it a bit overwhelming and two, I don't like being part of the hype that normally gives big-name movies an easy profit regardless of how good they actually are. I like to wait until it comes out on DVD and really make them work for their payoff. It's the reason I don't pre-order video games any more.

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To try to put a film as purely visual as Koyaanisqatsi into words is an incredibly difficult task. This film exists on it's own plain of existence, and within it's own universe, conforming to neither documentary or narrative film, but rather it's own, borderline spiritual and meditative experience wholly unlike any other.

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Proving once more he was not to be pigeonholed, Satoshi Kon followed his sweeping epic Millennium Actress with a low-key, whimsical and heartfelt dramedy focusing on three homeless misfits, whom, on Christmas Eve, discover an abandoned baby, which sends the trio on a madcap journey through the backstreets of Tokyo, encountering everything from Yakuza to Latin American migrant workers in a story that not only manages to make you laugh, but also is a deeply heartfelt story of how the trio

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https://www.youtube.com/watch?v=X3pcuf11f6w

I saw this today, and just had to laugh. I can't help but wonder what the voice actors would think about this.

Reviewing a documentary is always a little different from reviewing a normal film, as a normal film has elements such as screenwriting and acting, where's, more often then not, a documentary is raw images combined with facts and narration.

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I didn't bother watching it. I just read reviews from critics in Consequence, Slashfilm, The New York Times, The Hollywood

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