Hold your ground but do not be unkind. (Ponyphonic, "Shy Heart") He/him. Ponyfic Roundup reviews every Wednesday.
That's poor in both senses, I'm afraid! Though before I say any more, I need to stress that I have a warm, safe home, enough to eat, internet access... the essentials, really. I am not in danger of losing those. However, I won't be doing much beyond those essentials for a while. Without going into boring details, I will very shortly be going in for dental work to be done. Which, as
I keep my online activity to an absolute minimum on Christmas Day, so I'll take this opportunity to wish all of you reading this a Merry Christmas!¹ However life has treated you over the past year, I hope it treats you better over the next. I shall be back to reading Fimfiction on Boxing Day!
Loved it! A few little quibbles, not all the acting from the newcomers was stellar and sadly parts of the gender-related stuff felt awkward and forced, eg "something a male-presenting Time Lord wouldn't understand", but I liked much more than I didn't. Plus one of my worries about the new Disney-cash-infused Who has been dispelled: this definitely did
Fortunately not in the literal sense! But yeah, I'm currently stuck at home, yet not feeling well enough to concentrate on ponyfic. It's a seriously annoying combination. 
This is inelegantly copy/pasted over from the (slightly) nicer looking report over on Louder Yay. Of course, I'm sure you all read Louder Yay anyway because you're such great people, but just in case here's the report here as well...
For the fourth year in a row, the largest British MLP convention, UK PonyCon, has completely sold out of tickets. That's despite using larger venues each year -- this time will see 1,000 attendees. Only BUCK has ever before reached four figures in the UK fandom, so it's quite an achievement. I have my ticket, so with lots of luck and a following wind, I'll be there in October. Hooves crossed! 
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Selling out is such a weird concept. All the US conventions let you buy tickets on site.
Woo-hoo!
I don't understand why they would place an upper limit on attendees. That's just shitty planning.
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British fire safety regulations. Public venues have a maximum rated capacity, based on things like the location and size of emergency exits. If your venue is rated for 1,000 and you let in 1,500, you're putting yourself at risk of potentially serious legal consequences. Unlimited attendance not only isn't a thing here, but it can't be a thing. Sure, if you have a venue rated for 1,000 and you only sell 750 tickets, you can sell another 250 at the door if you want. But you still have to stop at that point.
As for the reason why the con doesn't use a venue rated for, say, 2,000 people... it's because the number of venues with a capacity over 1,000 in this country is pretty small, at least until you get to the mega-halls like the NEC that no Pony con could possibly afford. The economics of running a convention in this country are apparently (I'm not an insider) very different in some areas from what they are in the US -- many things which you may take as read simply don't translate.
The last MLP con I went to where you could buy on the door was UK PonyCon 2014, back when it was a lot smaller (around 370 attendees, from memory). Since then, there have been 10-12 Pony conventions in the UK, and every one has been fully ticketed. The same applies for most other fandoms -- you can't buy tickets for ConFuzzled (furry) or DWCon (Discworld) on the door either. It's not at all unusual here.
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Indeed! It's really nice to see that the fandom here is not at all ready to lie down and die just yet. Well, given that this is a multi-gen convention, I hope it never will be. G5 is not something to fear for people who've been around since G1!
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It's no different than the US. There are still ways to plan. You estimate attendance from preregistration and plan the venue accordingly. Generally you want to select a venue that's comfortably large enough to accommodate some growth.
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That's the point, though: venues you could classify as "1,000 plus a comfortable margin" are like hen's teeth, except for those that are simply too expensive for a con like this. BUCK managed it, true, but BUCK had a budget well into six figures (pounds), which is huge for this fandom in this country and certainly a great deal larger than UKPC's. Even then, BUCK could only make the sums add up by charging much higher ticket prices than for American cons -- we're talking £60 or so for Standard tickets in 2014. (I can't remember exactly what I paid.)
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Ah, that's a different story then. I'm used to potential venues being plentiful in mid-sized cities and up.