Salutations, my good friends.
This is your friendly film, TV show, and episode reporter here with another review.
Today, for my 126th film analysis, and following my review of "Spider-Man (2002)", I'm gonna give you guys my take of "Spider-Man 2 (2004)".
Here's the rundown of this sequel:
Rating Scale:
12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
8/10–a great film with numerous flaws but not enough to ruin it
I got the original Battlefront 2 on my PS2 a week ago and have been having SO much fun with it. It's interesting how it was more focused on the Empire, I.E., how the Clones became Storm Troopers, over EA's 2nd Battlefront game. But I've had a lot of fun with this sequel, seeing it as an improvement over the 1st in many ways, though, I won't lie, it doesn't exactly hold up well, and that's not just for the graphics. Still, I've been having fun, and I've been brainstorming an idea for a
John Ford's penultimate Western serves as a dark deconstruction of the mythology of the Old West, and a mediation on how the difference between fact and myth is often a thin, blurry line, easily lost to the mists of time.
Five years ago today, ordinary Miles Morales undergoes an incredibly extraordinary adventure when he gets bitten by a radioactive spider from another universe, along with meeting different Variants of Spider-Totems.
Rating Scale:
12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
8/10–a great film with numerous flaws but not enough to ruin it
The Coen Brothers, eclectic as always, take on film noir in this hyper subdued, intentionally self serious yet absurd deconstruction of the film noir genre, where, in playing the standard tropes and motifs of the genre dead straight, stretching them to the point where they snap back on themselves. It's a dense, cerebral film, and one that, while lacking the gonzo charms of, say, O Brother, Where Art Thou? or The Hudsucker Proxy, still manages to be a fascinating work of art, and a
This week I thought I showcase one of my most favorite psychedelic bands Butthole Surfers. I wonder if they will ever do some music for MLP:FIM? If GWAR can appear in Kids Next Door, so can the Butthole Surfers. So break out your syringes and bongs and crack open your William S. Burroughs copy of Naked Lunch and enjoy.