Couple new comics to review today! And they're both by Ted Anderson! And one of them is REALLY TIMELY AND RELEVANT because why shouldn't we drag our BELOVED PONIES INTO THE WORLD'S BIGGEST FREAKSHOW CIRCUS...

*puff pant wheeze*

Ahem. Let's just get this over with.

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So, I've recently posted updates to chapters four, five, and six. I want to edit the other chapters, but I think it is passed time for me to update the story with a new chapter. That being said I've decided to ask for your help. I am posting a link to my next chapter and you can comment on it and leave suggestions and ideas. I am hoping that with your input I will be motivated to write more. Also I'm thinking of hosting a live writing session in the future. We will see. Thank you,

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"That's an odd place to put an abandoned car," Aero shaded his eyes with a hoof. "Did you have a reason for--"

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I'm wondering, is there is anyone willing to contribute artwork to ME:C? Of course I'm not expecting you to work for free. If you, or someone you know, is willing then please DM me or you can reach my email at oceansama@gmail.com or Discord at username Oceansama#6016

We can discuss details there.

Rating Scale:

12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film

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Record of the Year - Bad Guy by Billie Eilish

Album of the Year - When We All Fall Asleep, Where Do We Go? by Billie Eilish

Song of the Year - Bad Guy by Billie Eilish

Best New Artist - Billie Eilish

Best Pop Solo Performance - Truth Hurts by Lizzo

Best Pop Vocal Album - When We All Fall Asleep, Where Do We Go? by Billie Eilish

Best Dance Recording - Got to Keep On by The Chemical Brothers

Best Dance/Electronic Album - No Geography by The Chemical Brothers

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Yo, what's up, Kemosabes?

This is your friendly film, TV show, and episode reporter here with another review.

Today, for the 1st installment of this year's "Spook Spectacular", I'm gonna give you guys my take of "Hoodwinked".

Here's the rundown of this tale:

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Paul Thomas Anderson's third feature marked the peak of his increasingly complex ensemble dramas, marking the exceptional maturation and expansion of the stylistic and storytelling tropes he first properly explored in Boogie Nights.

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Paul Thomas Anderson's second film is a fascinating, intentionally sprawling examination of the lives of those sucked into the California porn industry in the late 1970s through the early 1980s, and not only provides a unique lens in which to view the time period, also manages to humanize these characters, while still highlighting the exploitative and demeaning elements of the industry, coupled with the allure of stardom and fame that it promises.

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In what is possibly the most beautifully confusing cinematic experience I've had, Paul Thomas Anderson's most recent feature, and his seventh film, manages to to be an absurdest, stoned out trip down the sweaty, drug addled and sex crazed summer byways of 1970 Los Angeles, as we follow an equally absurdest and stoned out private detective as he is quickly dragged into an incomprehensible conspiracy involving hippies, Neo-Nazis allied Jewish land developers, cults, and Chinese heron dealers,

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Yo, what's up, Kemosabes?

This is your friendly film, TV show, and episode reporter here with another review.

Today, I'm gonna give you guys my take of "Transformers". The 2007 film directed by Michael Bay, to be precise.

Here's the rundown of it:

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What's up, Dudes?

This is your, like, totally awesome film, TV show, and episode reporter here with his 3rd episode review.

And today, I'll be making an analysis on "Equestrian Girls: Spring Breakdown".

Here's the summary:

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