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    5 comments · 1,279 views
Aug
21st
2012

Random Episode Review of the Day: Baby Cakes · 6:07am Aug 21st, 2012

Well, let's get this project started. The RNG is set up, the episodes have been numbered, and we are rip-roaring and ready for a reviewin'! Just to remind you of the rules, all episodes are numbered 1-49 in production order, all two-parters are counted as a single episode, and whatever number we land on is what I'm looking at today. So let's give it a spin.

...

And it's...episode 36! That would be "Baby Cakes."

---

TECHNICAL SPECS:

Season: 2
Episode: 12
Written By: Charlotte Fullerton
Premiere Date: January 14, 2012

SUMMARY:

Carrot Cake and Cup Cake have just given birth to a new pair of twins: Pound Cake, a Pegasus colt, and Pumpkin Cake, a Unicorn filly. (And no, that makes no sense on any genetic level.) Nopony is more excited about this than Pinkie Pie, who is glad to have two new foals to play with. Unfortunately, it soon becomes apparent to everypony but Pinkie that she doesn't have the responsibility needed to take care of two infants, so when, a month after the birth, the Cakes have to leave to fulfill an emergency order, they try to get anypony besides Pinkie to do the job. Unfortunately, the rest of the Mane 6 are busy, and since the rest of the tow was apparently struck with the 24-hour flu and aren't available, they accept Pinkie as the caretaker only because there's nopony else.

At first, Pinkie is overjoyed. The foals love her, after all, and she loves playing with them. The minute the Cakes leave, however, the babies start crying, and nothing Pinkie does will calm them down; that is, save for dumping a bag of flour on herself, as even infants can enjoy watching others suffer in humorous ways. The pattern continues throughout the day, as Pinkie fails to feed the babies, bathe them, and worst of all, proves incapable of handling soiled diapers. Fortunately for her, Twilight has finished with her tasks and shows up to help, and Pinkie is ready to accept...until Twi unintentionally insults her by saying that she knew Pinkie wouldn't be up caretaking, at which point Pinkie kicks her out and enters SERIOUS PINK mode.

Now out to prove her responsibility, Pinkie returns to the foals (who are still undiapered...and fortunately haven't made a "mess" in the room) and quickly puts them down for a nap in her own silly-but-authoritative way. Just as she's thinking she has everything under control, however, Celestia decides Pinkie must be punished for eating her cupcake back in "A Bird in the Hoof" and endows the babies with special powers. Pound soon proves to be able to fly well enough to walk on the ceiling and carry Pinkie through all of Sugar Cube Corner, while Pumpkin can use magic on a level that puts even Twilight to shame. Pinkie tries desperately to regain control, but the foals are just too much for her now. Finally, after a long day of being beaten down, slammed about, and utterly humiliated, the party pony finally just breaks into massive, hysterical sobs. Fortunately, with their newfound powers comes a premature sense of empathy, as the two babies quickly realize the wrong they've done, reconcile with Pinkie, and lay down for their nap once again.

Pinkie is able to clean up the mess the twins made, all while narrating her letter to the Princess that being a caretaker is different than being a playmate, and that sometimes someone's desire for responsibility can exceed their ability to handle it. The Cakes return late that night, expecting the worst, and are amazed at how wonderful the place looks. So impressed are they that they offer Pinkie the chance to be their go-to babysitter. At first, she's hesitant, but the foals each say half of her name as their first word, which is more than enough to melt her heart and make her accept.

REVIEW:

Babysitting sits up there with tea parties, sleepovers, fancy weddings, and fashion on the list of stereotypically "girly" things. Not only that, but years of working at a Wal-Mart - in particular, in a Pets department that still stocked goldfish - has given me a healthy hatred of all things baby-related. So when this episode was announced, I was not looking forward to it. The fact that it was Pinkie focused certainly didn't help; while she hadn't reached her lowest point yet, she was definitely getting on my nerves by that point. This just looked like a flop in the making. And let's not forget the infamous "Newborn Cuties" this franchise spat upon the world but half a generation ago.

And then I watched it, and was amazed at how good it was.

One of the things that makes this episode work is how it's paced. The teaser and first act are spent highlighting just why Pinkie is not the pony you want to call when your kids are home alone. Her idea of "caretaking" is pretty much the same as anything else she does: throw parties, serve cake, and play games. The teaser had her break into the Maternity Ward to serve cake to minutes-old babies, all while making as much noise as possible. Needless to say, that is NOT something you want to do in a real maternity ward. The scene is short, but serves as a quick summation for why the Cakes do what they do later on. The first act builds on this. Pinkie and the foals obviously love each other, and the Cakes are happy that Pinkie is able to get along with them so well, but when it comes to diaper changes and feeding, Pinkie has no idea what to do. And during their meeting with Rainbow Dash, Pinkie is so caught up in juggling a cloud baby that she looses her concentration and lets it drop. Just imagine if that was a real baby. It's a lot of buildup for a simple point, but without it, the second and third acts wouldn't work.

The scenes with the Mane 6 are also handled well, and you can definitely see a descending order of who they would trust the babies most with. Not only that, but they have valid reasons to turn the Cakes down. Babysitting is a full-time job, and it would require them to cancel everything else for something that came up at the last minute. Fluttershy is the obvious choice, but she has a picnic with Angel. Twilight is definitely mature enough (and probably has some experience from Spike's youth), but she's busy doing a report of a report. Applejack is disciplined, but she has to deal with a caterpillar outbreak. Rainbow Dash...isn't a good choice, but she would be loyal to the job at least. That is, she would if she didn't have a Wonderbolts Air Show to go to. And finally, we have Rarity, who very quickly turns them down. Meanwhile, Pinkie is rampaging through each scene, doing her best to prove that she'd be a good babysitter. It isn't until the Cakes leave Sugar Cube Corner, though, that they finally ask her. Again, very well timed.

The second act is where things hit their stride. Most of the tasks involved are typical babysitting duties, like feeding and bathing. What makes it work here, though, is the way Pinkie conducts herself throughout. She gives the babies the food bowls, but they can't feed themselves yet, so everything just ends in a mess. She tries to pacify them in the bathtub by loading it up with "floaty things," but that fails when she overloads the tub with boats and canoes. And then we get to diaper changing, the one fact of life that very few TV shows like to touch on. Yep, this episode hits every babysitting cliche in existence, but somehow, it manages to make them work for the most part. And while a lot of it has to do with Pinkie, the babies also contribute. Most girls shows have infants as purely blank blobs (much like real babies), but here, they were given distinct, but simple, personalities. Pound likes to hit things and has a "tough boy" feel to him, while Pumpkin loves chewing on things and plays with stuffed animals. This helps alleviate the burden of the script off of Pinkie, which is good, since as a character she only really works if she has a foil.

I also loved Pinkie's way of being responsible. While she becomes a lot more straight-faced and strict, she still has an air of silliness to everything she says and does. The best moment was when she told Pound that a crib was for "napping, sleeping, and on occasion, with permission, as a pretend, old-timey western fort." The team managed to make changes to Pinkie's personality without overwriting who she is at heart. She never stops being Pinkie, she just learns to be more constructive about it.

Unfortunately, this is where the episode stumbles. Act three's problem is that the initial issue (Pinkie must learn to be responsible) has pretty much already been resolved, so another issue had to be thrown onto the fire. At the beginning of the episode, Dash and Rarity both said that baby Pegasi and Unicorns have their powers manifest in surges, and Pinkie has just walked into one. Pound has discovered how to fly and walk on the ceiling, requiring Pinkie to walk up on toilet plungers to get to him, while Pumpkin's magic allows her to levitate several objects at once, levitate, and finally walk through barriers. Of course, this is all so they could finally break Pinkie; the problem is, how does this make any lick of sense whatsoever? The only reason Pound and Pumpkin are what they are is so they can have abilities Pinkie doesn't. That's why they have to throw in a lesson on pony biology that still hurts to think about. There is also no reason why they should have this much power. Now, if Pumpkin could, say, levitate something in bursts, that's fine, but when she's able to do stuff that we haven't even seen Twilight do, there is a bit of a problem.

Oh, and chalk babies down as something else that can fly before Scootaloo can.

And then we get to the worst part: the ending. When Pinkie finally breaks and cries, the babies suddenly feel sorry and dump flour on themselves to make everything better. The problem with this is, young infant don't have empathy. At all. This could have been acceptable if the ponies aged at the same rate as real-world horses, but a comment in "A Canterlot Wedding" seems to imply that they age at around the same rate as humans. They shouldn't be able to feel sorry like that until around three-years-old. While the moment is genuinely sad, it just feels like Fullerton had written herself into a corner and had to make something up to end things. And so things wrap up in a nice, neat, incredibly cheesy - but in a good way - package.

Pinkie got two new songs this time around. The first, "Happy Monthiversary," is about ten seconds long, but helps highlight just how close she is to the twins. The second, however, is "Oink, Oink, Oink," an incredibly cheesy ditty about Pinkie bouncing on her tail. The song itself just your typical Pinkie Pie stuff, but what makes it a classic is the twins' reaction. Apparently, the song was meant to poke fun at incredibly cheesy, mindlessly lame songs from preschool-style shows, and the twins react appropriately: with stunned disbelief and horror.

The animation and background noise are, as always, excellent, but one moment in particular stands out. I would try to explain it, but I really can't do it justice, so watch it below:

This being a Pinkie Pie episode, the primary focus is on comedy, and the episode firmly delivers. A lot of the gags hit the mark, from Pinkie's disastrous stand-up routine (I always laugh when Pumpkin tries to eat the broom) to her getting slammed around the store. Still, the episode allows enough room for Pinkie to grow as a character, and while the ending is pretty rushed and leaves me unfulfilled, Fullerton doesn't give her an easy way out. Her breakdown isn't after getting kicked out of a donkey's house after ruining his stuff, but instead because she honestly tried to do a task, gave it her all, and finally couldn't handle it. That's what makes it sad; it's not because she's crying, but because we've all been in that position at least once in our lives, where we did everything right and it still wasn't enough.

CONCLUSION:

"Baby Cakes" is surprisingly good, but is held up a bit by the last act. If the resolution hadn't been so disappointing, I would have probably rated this much higher. As it stands, if you want an episode that has a good mix of Pinkie-style comedy, mixed in with some strong character development, this is one worth watching. If babies bug you, it's still worth a look. It currently stands as my favorite Pinkie episode of Season Two.

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Well, now's where you can call me out for screwing up this early in the game. After all, I have forty-eight more of these to do. Any suggestions, issues, complaints, etc? Feel free to comment below.

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Comments ( 19 )

My sister always asks me why I like this show. I've just started sending her links to your blog posts.

You do know that Scoots is handicap right?

Keep up your blogging. They are awesome!

301577 When did that happen?

301577

That was what Lauren had envisioned. She's not on the show anymore. We don't know what the current team has planned for her.

301594
Dont remember when i heard it, but apparently she is handicapped ie her wings, and thats gonna lead her to realize she cant ever be like Dash and then some other stuff yadda yadda yadda and she gets her cutie mark. Supposedly
301595
well that sucks! but she has her reasons.

Wow, I just watched this last night.
Dat trainspotting scene. dl.dropbox.com/u/31471793/FiMFiction/emoticons/misc_Rainbow_dealwithit.png That is all.

You're not wrong about the third act throwing something of a random curve ball just to stretch out the plot. The first time I saw this episode, I was convinced that Pinkie had fallen asleep from the sheer exhaustion of her efforts and was having a stress induced nightmare. Still, I think you are being a little hard on the episode. The whole babies get strange magical surges was (as you pointed out) at least setup in the teaser, and I think that's a point to keep in mind. The surges are strange and don't follow any specific timeframe or rules; they just happen and when they do shit gets weird.

The problem with this is, young infant don't have empathy.

Huge pet peeve here. I've heard this complaint made dozens of times over and it infuriates me EVERY time. 1) They don't have to be expressing TRUE empathy, just mimicking Pinkie's behavior (IE: when some cries, dump flow over your head). 2) MLPs clearly don't age the same as real ponies, but they clearly don't age the same as humans either, seeing as Pound and Pumpkin seemed a lot more actively mobile than typical month old human babies, and empathy wasn't the only higher level emotion they showed during that episode. 3) It's still only a show (and has never been all that realistic); often times things happen purely for entertainment value. It would be nit-picky to overanalyze sight-gags that brake the laws of physics, and it's just as nit-picky to do the same for psychology. It shouldn't matter whether their behavior was perfectly realistic; it was heartwarming none the less.

I don't have a problem with magic genetics, but the power surges definitely seem kind of handwavey (hoofwavey?) to me.

I'll agree that this is probably Pinkie's best moment of S2, though I've only seen "MMMystery on the Friendship Express" once, so I'd have to re-watch that episode before I could really say.

:pinkiehappy:

301620

You're right that I might be critiquing the episode a little too much, but...well, it doesn't mean I dislike it by any means. My issues isn't with how the magic surges were set up (they were foreshadowed fine). What bugs me, though, is that this creates whole new levels of disturbing if you think about it too much. Does that mean all Unicorns have incredible power before their brain is developed enough to even understand it? Or that a month-old Pegasus in Cloudsdale could fly off when its parents weren't looking, only to have the surge wear off and plummet to its death?

...Holy crap, I'm dark today.

As for the empathy thing, I guess they could be copying her, except for one thing. When Pinkie starts crying, the two look at her, and then glance at each other with guilt-stricken faces. It seems like they felt genuine remorse right there. Still, you're right. It is a show, and I should really just relax. This is still a good episode, last act notwithstanding.

301598
I've heard that as fanon, but never once from the actual staff, especially not Faust. Her statement was always just that Scootaloo is young and hasn't learned how to fly yet (link)

301639
No more dangerous really than the fact that Cloudsdale is presumably full of school-aged fillies and colts that haven't learned to reliably fly yet. Fortunately it's also full of adult pegasi that could catch any wayward foal. Likewise, a pair of pegasi parents would be better able to keep up with a surge empowered infant than a lone earth pony baby sitter. Heck, to overanalyze in a positive direction, the surges might be related to instinctual defense mechanisms (drop a young pegasi from a cloud and it abilities will automatically kick in, at least long enough for it to glide to a safe landing).

As for unicorns, yes there is some seriously scary potential for them to do some crazy dangerous stuff during a surge, then again, TV show (a mostly comedy based one at that). The twin's abilities could well be exaggerated for the sake of plot and rule of funny, without necessarily implying that all foals are ticking disaster bombs just waiting to go off.

301661

Yeah, let's just go with that. Good ol' MST3K Mantra...

As for the "Scootaloo is disabled" thing, Faust apparently mentioned it in passing to some security guard during Bronycon or something like that, along with a few other tidbits. However, I'm kind of suspicious of anything like that, since the audio on the recording isn't exactly clean, her statements outright contradict what she has said elsewhere, and this is the kind of thing that's easy to fake.

That was a good breakdown of the episode, and as for the 'trainspotting' scene I was thoroughly creeped out by it when the episode aired, I feel that this alone is a testament to the animation and sound teams prowess.

Agreed that Pound and Pumpkin suddenly turning into the Fourth Wonderbolt and the Second Coming of Court Magician Merlin seriously broke my suspension of disbelief. For comparison, Twilight is seen to study very hard, and to struggle to psychokinetically turn a page in the cutie mark episode where she talks about the period between Celestia inspiring her, and her getting into the School.

she honestly tried to do a task, gave it her all, and finally couldn't handle it. That's what makes it sad; it's not because she's crying, but because we've all been in that position at least once in our lives, where we did everything right and it still wasn't enough.

As a children's show - and it *is* a children's show - MLP usually teaches very realistic and mature lessons I think.

Most children's programming teaches much more simplistic morals that are easier to address, while others address fantasy problems with fantasy solutions.
Considering that its about candy colored ponies in a magical fantasy land, MLP stays surprisingly grounded in reality and its lessons are not learned with the flick of a wand or an easy fix.

It doesn't touch really heavy stuff where other children's programming is willing to go. I remember that Sesame Street addressed topics like divorce, illness, death, and handicap. And Mr Rogers Neighborhood did a story arc that was an allegory to the nuclear arms race of the cold war.
That's some serious stuff, and isn't the territory of MLP.

Now, if Pumpkin could, say, levitate something in bursts, that's fine, but when she's able to do stuff that we haven't even seen Twilight do, there is a bit of a problem.

I'm still not sure about that... I think Twilight could do that, but she doesn't know the spells yet. Also, if you're talking about the limitations, look what Twilight did in the Cutie Mark Chronicles when she was startled by the Rainboom. Sure she was a bit older, but turning living creatures into inanimate objects seems like it'd be a floor above what Pumpkin did. Just my opinion though.

The problem with this is, young infant don't have empathy. At all. This could have been acceptable if the ponies aged at the same rate as real-world horses, but a comment in "A Canterlot Wedding" seems to imply that they age at around the same rate as humans

On the other hand, "Monthiversary" makes it pretty clear that the foals are just a month old. Month-old human babies can't even roll over on their own, let alone crawl around.

I just chalk this all up to "ponies age differently from humans," and making assumptions on how they should and shouldn't act based on human (or real-world pony) aging schemes just doesn't work.

303371

Actually, the two walking makes sense given how real world horse pregnancies work. The gestation period usually lasts eleven months, and the foal is capable of standing and walking only a short time after birth. This is necessary in the wild, as ponies are prey animals and have to be ready to get running when predators attack. Humans don't have that ability, seeing as our huge frickin' heads force us to exit the womb before we're fully cooked, so to speak. At least, that's my understanding of the biology involved.

So yeah, Pound and Pumpkin walking (and occasionally falling, like Pumpkin did towards the start of the first act) makes sense from that standpoint. I was just bothered by how quickly they were developing cognitively.

But you know what? MST3K Mantra. It's a minor point, it bugs me, but I need to let it go for the sake of my sanity. The episode is still good.

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