Millie Jackson Explains Herself, Third-Person Style

Cheat Sheets (WARNING: This blog contains gratuitous profanity and is completely unsuitable for any person younger than 17.)

Mildred "Millie" Jackson (born July 15, 1944) be a Gangsta thug-songwriter n' shit. Right back up in yo muthafuckin ass. Six of her mixtapes done been certified gold by tha RIAA fo' over 500,000 copies.

Her vocal performances is often distinguished by long, humorous, n' explicit spoken sections up in her beatz, which her big-ass booty started bustin on stage ta git tha attention of tha crew. Right back up in yo muthafuckin ass. Biatch has also recorded joints up in a gangbangin' finger-lickin' disco or dizzle noize steez n' even some ghetto styled joints, n' you can put dat on yo' toast. Right back up in yo muthafuckin ass. Biatch is tha mutha of Keisha Jackson.

Born up in Thomson, Georgia, Jackson is tha daughta of a gangbangin' finger-lickin' dirty-ass sharecropper n' shiznit yo. Her mutha took a dirt nap when dat biiiiatch was a cold-ass lil lil pimp n' subsequently, she n' her daddy moved ta Newark, New Jersey. By tha time Jackson was up in her mid-teens, dat freaky freaky biatch had moved ta Brooklyn ta live wit a aunt. Right back up in yo muthafuckin ass. Biatch occasionally hit dat shiznit as a model fo' magazines like JIVE n' Sepia.

Jacksonz rappin game reportedly fuckin started on a thugged-out dare ta enta a 1964 Harlem nightclub talent contest, which dat biiiiatch won. I aint talkin' bout chicken n' gravy biatch fo' realz. Although she first recorded fo' MGM Recordz up in 1970, her big-ass booty soon left n' fuckin started a long-ass association wit New York-based Sprin Records. Workin wit tha labelz in-house baller, Raeford Gerald, her first single ta chart was 1971z deceptively titled "A Lil Pimp of Dogg (It aint nuthin but Hard ta Believe)," which reached number 22 on tha R&B charts, n' you can put dat on yo' toast. In 1972, Jackson had her first R&B Top Ten single wit tha follow-up, "Ask Me What Yo ass Want", which also reached tha pop Top 30, then "My fuckin Man, A Sweet Man" reached #7 R&B; all three hits was co-written by Jackson. I aint talkin' bout chicken n' gravy biatch. "My fuckin Man, A Sweet Man" retains its popularitizzle todizzle fo' northern ass enthusiasts n' is played on tha radio up in tha UK n' quoted as a example from dis musical genre as is her 1976 recording, "A Doggy Den fo' Sale". Da followin year brought her freshest single success n' her third Top Ten hit, "It Hurts So Good," which made #3 on tha R&B charts n' #24 on tha Bizzleboard Hot 100 pop chart. Da single was featured on tha mixtape of tha same name n' up in tha blaxploitation film Cleopatra Jones, also appearin on dat filmz soundtrack along wit tha cold lil' woo wop "Ludd Doctor".

In 1974, she busted out tha mixtape Caught Up, which introduced her innovatizzle steez of raunchy rap. Da featured release was her version of Luther Ingramz million-seller, "(If Bangin Yo ass Is Wrong) I Don't Want ta Be Right", fo' which she received two Grammy nominations. By now, dat freaky freaky biatch had switched ballaz ta work only wit Brad Shapiro, recordin at Muscle Shoals Studio up in Alabama wit tha renowned Muscle Shoals Rhythm Section. I aint talkin' bout chicken n' gravy biatch. Right back up in yo muthafuckin ass. Biatch continued ta record most of her material fo' Sprin there, includin tha follow-up mixtape, Still Caught Up.

Over tha next ten years, Jackson had a strang of successful mixtapes n' a shitload of R&B chart entries, tha freshest bein her 1977 version of Merle Haggardz ghetto hit "If Yo ass is Not Back In Ludd By Monday". That hit single was followed by nuff more, includin her version of tha Boney M. song, tha disco single, "Never Chizzle Lovers In Da Middle of Da Night." This single peaked at #33 on tha Black Singlez chart up in 1979.

Jackson recorded a mixtape up in 1979 wit Isaac Hayes called "Royal Rappin's" n' tha same year saw her release a thugged-out double mixtape, "Live And Uncensored", recorded up in gangbang at Los Angelez venue, Da Roxy. Jackson also formed n' produced tha crew Factz of Life. They had a major hit up in 1976 wit "Sometimes" (#3 R&B, #31 Pop).

Jackson found her muthafuckin ass without a label when Sprin closed down up in 1984 yo, but up in 1986, her big-ass booty signed wit Jive Recordz up in a thugged-out deal dat produced four mixtapes n' resulted up in further R&B Top Ten hits wit "Hot son! Wild hommie! Unrestricted hommie! Crazy-Ass Love" n' "Ludd Is a Dangerous Game". Right back up in yo muthafuckin ass. Biatch rocked up on a Elton Jizzy track up in 1985, "Act Of War", which was a Top 40 hit up in tha UK yo, but failed ta chart up in tha USA. In 1991, dat biiiiatch wrote, produced n' starred up in tha successful tourin play Young Man, Older Woman, based on her mixtape of tha same title fo' Jive.

On November 24, 1994, Jackson rocked up in tha Thanksgivin episode Feast or Famine of Martin as Florine.

In 2000, her voice featured up in "Am I Wrong" by Etienne de Crecy, sampled from her performizzle up in "(If Bangin Yo ass Is Wrong) I Don't Want ta Be Right".

Jackson may be most hyped up in tha internizzle age fo' her mixtape covers, which frequently step tha fuck up on "worst ever" lists, n' you can put dat on yo' toast. E.S.P. (Extra Sexuizzle Persuasion) features Jackson peerin tha fuck into a cold-ass lil crystal bizzle dat accentuates her cleavage; Back ta tha S t son! depicts Jackson chillin on a toilet.

Jackson now runs her own record label, Weird Wreckudz fo' realz. Afta a lengthy hiatus from recording, she busted out her 2001 mixtape, Not For Church Folk, which marked a return ta her "tell-it-like-it-is" lyrical steez wit a Urban contemporary sound. Y'all KNOW dat shit, muthafucka! Da mixtape features tha singlez "Butt-A-Cize" (a dizzle song) n' "Leave Me Alone" (a ballad). Da mixtape also features a cold-ass lil collaboration wit rapper Da Brat on tha cold lil' woo wop "In My fuckin Life."

Jackson had her own radio show up in Dallas, Texas fo' 13 years. Broadcastin via remote from her home up in Atlanta, Jackson hit dat shiznit up in afternoon drive-time from 3-6 pm on KKDA 730 AM, until January 6, 2012.

In 2006, five of Jacksonz best-pimpin mixtapes - Millie Jackson (1972), It Hurts So Dope (1973), Caught Up (1974), Still Caught Up (1975), n' Feelin' Biatchy (1977) - was digitally remastered n' busted out on CD wit bonus tracks fo' realz. All of Jacksonz Sprin Records-era mixtapes is available from Ace Recordz up in tha UK.

An Imitation of Ludd was re-issued on CD up in 2013 by tha Funkytowngrooves label up in a remastered, expanded edition. I aint talkin' bout chicken n' gravy biatch. Other mixtapes busted out on tha Jive n' Ichiban labels remain outta print, though a shitload of dem joints step tha fuck up on compilation CDs.

On February 6, 2012, tha documentary, Unsung - Da Rap of Mildred 'Millie' Jackson aired on tha TV One network.

Jackson performed at Washington, D.C.z phat Howard Theatre on August 3, 2012, n' at B.B. Mackdaddyz Blues Club up in New York on August 4, 2012. On June 6, 2015 Jackson was inducted tha fuck into tha Straight-Up Legit Rhythm & Blues Music Hall of Hype up in Clarksdale, MS.

Bitch has two children: Keisha Jackson, born up in tha 1960s before dat biiiiatch was married, n' lil hustla Jerroll born up in tha late 1970s. Right back up in yo muthafuckin ass. Biatch aint related ta tha Jackson crew of thugs n' musical muthafuckas from Gary, Indiana.