• Member Since 7th Oct, 2012
  • offline last seen 3 hours ago

Morphy


More Blog Posts7

  • 332 weeks
    Some more world building to consider

    [In a reply to a comment about a unicorn reacting with mild nausea to Pegasi seafood by saying they are too isolated to the wider world around them]

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    0 comments · 374 views
  • 403 weeks
    The Desktop Background Shuffle

    This has nothing to do with fiction but it will help fellow Windows 10 users with their pile of pony pics they use for backgrounds. (I'm just past 1300 myself so it's pretty rare to see the same image twice in a week)

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    0 comments · 391 views
  • 452 weeks
    22 Storytelling Tips from Pixar

    Nabbed from elsenet because this kind of guidance should really be shared with aspiring authors here.
    The original source: http://blakenorthcott.tumblr.com/post/122543026344/22-storytelling-tips-from-pixar


    Waaay back in the olden days (2012) Pixar storyboard artist Emma Coats gave some amazing writing tips. I love these and have read them dozens of times.

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    0 comments · 420 views
  • 522 weeks
    Story Prompt: Hell

    Speaking of Hell, or Tartarus, there hasn't been much fiction about it that I've seen. Granted, the really bad ponies go to Tartarus for certain. But what about the slightly bad ponies? Do they get the Tartarus-Lite(tm) section with visitation rights for good behavior?

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    0 comments · 404 views
  • 531 weeks
    More Random Story Ideas

    Has anyone else noticed a lack of non-NSFW fics with tentacle monsters?

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    1 comments · 462 views
Aug
26th
2015

22 Storytelling Tips from Pixar · 9:59pm Aug 26th, 2015

Nabbed from elsenet because this kind of guidance should really be shared with aspiring authors here.
The original source: http://blakenorthcott.tumblr.com/post/122543026344/22-storytelling-tips-from-pixar


Waaay back in the olden days (2012) Pixar storyboard artist Emma Coats gave some amazing writing tips. I love these and have read them dozens of times.

#1: You admire a character for trying more than for their successes.

#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.

#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.

#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.

#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?

#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.

#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.

#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.

#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.

#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.

#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.

#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.

#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.

#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.

#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.

#17: No work is ever wasted. If it’s not working, let go and move on - it’ll come back around to be useful later.

#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.

#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.

#20: Exercise: take the building blocks of a movie you dislike. How d'you rearrange them into what you DO like?

#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?

#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.

Hope you liked these!

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