Before we embark on any further essays to fathom the unicorn—and seeing as we have remarked the work of one of its chroniclers, Odell Shepard, as being also the work of the first brony, and therefore parallel to our own work in the present time—it may be worthwhile to observe its countercurrent in the twentieth century; namely, that before Howard Stern and Mike Nelson, there was already an ‘anti-brony’ in the person of noted futurist Henry Ford, whose entrepreneurial success, however

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