News Archive

  • Sunday
    SA Reviews #95

    10 comments · 609 views
  • 1w, 1d
    Round Robin Reviews # 17

    50 comments · 1,846 views
  • 1w, 3d
    Morning Sun's "Gnosis" [Royal Canterlot Library]

    7 comments · 1,105 views
  • 2w, 1d
    SA Reviews #94

    13 comments · 1,432 views
  • 3w, 21h
    Round Robin Reviews # 16

    3 comments · 1,766 views
  • 3w, 6d
    SA Reviews #93

    8 comments · 1,569 views
  • 4w, 2d
    NaPoWriMo 2016!

    Do you like to write? Do you think you could write a novel in a month? Or set yourself a high word-count objective and meet it? Welp, 5 days late here for the announcement, but if you like a writing challenge head up to the EQD NaPoWriMo 2016 blog post!

    23 comments · 1,723 views
  • 4w, 3d
    BillyColt's "I Have a Hat" [Royal Canterlot Library]

    Today's story might just prove to be magical reading.

    I Have a Hat

    [Alternate Universe] [Crossover] • 8,935 words

    Upstart is excited. His mother has hired a unicorn for a party. It will be so delightful to see a unicorn performing magic. It's sure to be fun for the whole household!

    Of course, it's just a little fun. She's not really a unicorn. After all, unicorns don't exist.

    FROM THE CURATORS: "An Equestria where magic has ceased to be a factor in ponies' lives is a fascinating AU right from the start," AugieDog said, and all of us reading this Victorian-flavored tale — a pony take on G.K. Chesterton's play Magic — found ourselves swept up in its enchantments.  "This offers a thoughtful bit of commentary on the role of magic in our lives," Chris said, "and its Equestrian mooring is a surprisingly necessary lens through which to see our own human mythologies."  As Present Perfect put it, "it turns out there's nothing to make the reader tremble in awe at the knowledge magic exists quite like taking magic away in the first place."

    And while the power of that theme might have sealed this story's feature, there was plenty more to like here — such as I Have a Hat's tonal balance and character work.  "There's a noble tragedy that suffuses the entire story, even as its surface content remains light and slice-of-life," Chris said about the former, while AugieDog praised the latter: "The characters, all OCs, are fully-formed and well-detailed." Horizon appreciated those both: "The subtle power plays among the various inhabitants of the house were just as fascinating as the bigger, flashier A-plot, and watching the visitors navigate those tensions really helped ground both halves of the story into a more unified whole."

    But our commentary kept turning back to this story's well-realized setting, perched at a carefully calibrated distance between our lives and the show.  "It was a brilliant choice, I think, to set this in a pseudo-Victorian era," Horizon said. "I'm reminded of L.P. Hartley's quote 'The past is a foreign country: they do things differently there' — both in the contrast between the setting's past and present, and the contrast between the setting's present day and our own."  Chris appreciated how that also contributed to the mood of the story: "The mix of 1800s-ish setting and moors with a somewhat more modern writing style gives the piece an appropriately uncertain, ethereal air."  But, like any good magician, most impressive of all was how seamless the presentation was.  "Justifying an AU an like this is always a challenge," Present Perfect said, "but this one rises to it effortlessly."

    Read on for our author interview, in which BillyColt discusses branding arcs, unplayed cards, and toyline invitations.


    Give us the standard biography.

    Well, I’m a 25-year-old college graduate, a musician, and an accountant. Currently desperately searching for a job here in sunny southern California!

    My chief interests are television, theatre, and classical music. I got into creative writing mainly through roleplaying, and I started with little short stories and terrible fanfictions for things like Neopets and Eragon. I got into MLP after finding it had a Sondheim tribute, and I started writing fanfiction after having some chats on the imageboards.

    How did you come up with your handle/penname?

    It was really something I came up with more or less on a dime. I wanted a snazzy handle that wasn’t one of my other online handles, and my first fic was going up, so I needed something fast. “BillyColt” seemed like as good an idea as any, and I’ve gotten fond of it as a moniker.

    Who's your favorite pony?

    Oh, I don’t like to play favorites, but Rarity is my favorite of the mane six. She’s always fun to watch, thanks to her flamboyant personality and voice work. I also just find something novel about how her character arc is about building a business and personal brand.

    What's your favorite episode?

    Hm. That’d be tricky. If I had to just pick one episode, it’d be Pinkie Pride, which is in my opinion the best episode of season 4 (which I’d say ties with season 5 as the best season thus far) and The Saddle Row Review (which in my opinion is absolutely delightful). Other episodes I’d mention include Brotherhooves Social, Just for Sidekicks, Amending Fences, Sonic Rainboom, and PPOV. I’m sure that if I spent more time on it I could name many other episodes.

    I’m also a big fan of the comics, and some of my favorites stories in there are Zen and the Art of Gazebo Repair, Neigh Anything, Reflections, Sombra Rex, Siege of the Crystal Empire, the Rarity, Pinkie Pie, and Luna micros, and too many of the Friends Forever issues to name.

    What do you get from the show?

    It’s a nice show that doesn’t feel like it’s talking down. It’s simple, sometimes clever, likable, and it has nice tunes. The musical numbers were probably what drew me to the show in the first place. I’m a big Stephen Sondheim fan, and when I found that the show did a number in the first season that was a tribute (actually two songs: "Art of the Dress" and "At the Gala" are both modeled after songs of his, and other songs throughout the series are based on other showtunes).

    Apart from that it’s just a nice, likable show. As far as childrens’ shows go, it has most of what I want to see in one. At its best it shows a good ethos and has very clever writing. Even at its worst I can’t think of any episodes that I’ve strongly disliked in the way that some other shows I also love have produced things that get my ire up.

    I don’t suppose any of that rambling makes sense. It’s just a show I like, I guess. Not much else to it.

    What do you want from life?

    Same thing as most people, I imagine. Comfort, certainty, and something worthwhile to do.

    Why do you write?

    I’ve always been someone who likes culture stuff; music, art, literature. That kind of thing. Also I crave validation from others. Creating content for a fandom is a pretty good way to scratch that itch, it turns out!

    What advice do you have for the authors out there?

    The thing that kills me more than anything is procrastinating, and it still gets me. People who follow my blog or my tumblr might recall that I sometimes say I’m gonna try to stick to a 20-minutes-a-day schedule, and I’m never able to really do that. So I’m not really the best person to ask for advice on it. Though I might pass along something from the game The Beginner’s Guide, in that one shouldn’t worry if they don’t always have ideas. Lows are just part of the process of being a creator.

    You said of this story that: "Mainly, the source is GK Chesterton's play "Magic," with elements taken from Ingmar Bergman's film "Ansiktet" (called "The Magician" in its US release), which was loosely based on the aforementioned play."  Could you elaborate on what inspired you from those works?

    Well, really it’s an adaptation in most respects. Neither of them are the most famous of their works; Chesterton’s more famous for his Father Brown stories and the novels of his that got quoted in Deus Ex, and Bergman made many movies, and The Magician never got the kind of reception that Wild Strawberries, The Seventh Seal, or many of his others did. However, I think that they’re both fine works.

    Both of those sources share the rough plotline of a traveling magician who’s invited to perform for a rich household. The title of the story actually comes from the Chesterton play. In the first scene, the Conjurer (as he’s called) says a poem to Patricia:

    I have a hat, but not to wear

    I wear a sword, but not to slay

    And ever in my bag I bear

    A pack of cards, but not to play.

    Chesterton was really a wonderful poet. I used this as a springboard for giving Enchantra the character trait of having her mutter rhyming snatches, which is always fun to do (oh, did I have fun writing Zed’s couplets).

    The broad strokes of both sources are roughly the same. You have the magician himself, you have the household, you have a woman who believes in him, and you have an obnoxious skeptic who’s determined that the magician is nothing more than a fraud. However, they diverge in some ways. Chesterton was a devoted Catholic, and so in his version, the Magician is, by most appearances, real. Bergman was an agnostic, so in his version the Magician turns out to be a fraud, albeit with one or two very odd things that seem a little inexplicable.

    Some of the particular influences from the movie are the troupe of assistants (the Conjurer in Chesterton’s play is by himself, while the Magician in Bergman’s is attended with a host of others) and the ‘invisible chains’ scene, which I ripped off wholesale from the film. It was a scene that really stood out to me, how Bergman is able to take a scene where so little is happening and make it gripping and suspenseful. All from a man quietly trying to free himself from apparently invisible chains.

    From the play itself I keep more or less the relationship between the magician and the young woman at the house who fancies him (though obviously genderflipped). This element was largely excised from the movie, where the magician was already married. Though I should point out that I deliberately left Upstart’s age vague, leaving it to the audience whether he’s a colt or a young stallion, and picking how the relationship dynamic works best (whether it’s a child who views her with a sense of wonder or a young adult who’s feeling a sense of romantic attraction).

    The characterization of Duchess is very much inspired by a similar character in Magic, an amusing buffoon of a character who tries to please everyone and pleases no one. One funny exchange of dialogue in the play relates to how he donated equal amounts of money to two opposing political movements. Many of the characters in that play are very distinct archetypes, something which I took to mind in crafting the characters for this. Letterhead is very much based on the skeptic characters from those works (Morris in Magic and the doctor in The Magician), leaning a bit more towards the doctor. Though one thing I notice in my version is that the skeptic never receives a comeuppance. Morris in Magic is made bed-ridden when confronted with a trick he can’t explain (he is made well by the end of the play when the Conjurer and Patricia come up with an alternate explanation that they don’t share with the other characters or the audience), and while the doctor in Bergman’s story isn’t shown to be wrong, he is subject to an elaborate, terrifying prank.

    The character of Penner doesn’t particularly have a close analogue in either work. I suppose he might be closest to the Reverend and/or Doctor Grimthorpe from Magic in terms of the dynamic he has with Letterhead.

    On a related note, what differences do you see in your story as relates to its Equestrian setting?  In other words, how do ponies change the nature of the tale?

    Well, the most obvious thing is that it signals that the magic is, in fact, real all along. In addition, I find I like working with alternate universes and futures and stuff with the MLP setting. I think it makes sense, given that My Little Pony is itself a toyline. I feel it invites viewers to speculate more with ‘what if?’ scenarios than most other properties. I mean, there are a number of properties I love a great deal that I would never write fanfiction for, such as Breaking Bad or BoJack Horseman, because those stories don’t seem to invite me to do alternate takes as much. They have a set sequence of events and character development and the world outside of what we immediately see isn’t as important as the main characters themselves.

    MLP, because of its nature as a toyline as much as a TV show, I feel invites it a lot more, particularly when it has a setting that feels like it exists outside of what’s shown on-screen. And I feel that the malleability that comes with that lends itself well to crossovers and other adaptive works. I also suspect that this is why shipping doesn’t annoy me in this fandom the way it does in, say, Harry Potter or the Avatar cartoons.

    Because MLP is also a cartoon, it makes it easier to work with the characters as archetypes and broad strokes. Obviously there are differences as a work of prose, but I think a good fanfic will invoke elements of the source material, and in doing so I think that the fact that it’s a story set in a cartoon universe lends it well to those kinds of characters.

    Why did you chose to reveal the truth about Enchantra at the end of the story?

    I felt that was the ending that was the most appropriate. The source subjects, like many other works about magicians (such as The Illusionist and The Prestige) play with themes of duplicity and falseness, and it’s fairly common in those works to have the grand masterstroke revealed. The revelation of the secret does, in many ways, serve as a climax of its own sort.

    Also, the fact that this is a My Little Pony story is going to betray something to the audience at any rate. The audience knows that in the story’s universe, magic really was there. It doesn’t make sense to keep it ambiguous at that point.

    How do you view the ending you wrote?  As optimistic and hopeful?  Bittersweet?  Nobly tragic?  Something else?

    I think of it as optimistic. I imagine that if it were animated or the like there would be a dramatic swelling of strings as the carriage sails across the night sky. Like in some kind of Christmas movie.

    Is there anything else you'd like to add?

    I’m just glad that people liked the story this much. I’d been working on it for years and was somewhat terrified of putting it up. But now it’s up and it seems that the people who have read it liked it a great deal. That makes me feel good. Here’s hoping I can continue writing things that I and my readers enjoy!

    And last of all, thank you.

    You can read I Have a Hat at FIMFiction.net. Read more interviews right here at the Royal Canterlot Library, or suggest stories for us to feature at our Fimfiction group.

    2 comments · 1,250 views
  • 6w, 19h
    SA Reviews #92

    10 comments · 1,774 views
  • 6w, 2d
    S6E25-26 - To Where and Back Again

    268 comments · 5,509 views
  • 7w, 2d
    S6E24 - Top Bolt

    I'm guessing most of us saw this already :p

    89 comments · 3,483 views
  • 8w, 2d
    S6E23 - Where the Apple Lies

    CIDER IS BAD

    157 comments · 4,231 views
  • 9w, 1d
    Round Robin Reviews # 15

    9 comments · 1,828 views
Apr
6th
2013

Originally posted to the Vault on 3/22/13.

Everypony grows old eventually, and it can be a trying time for their loved ones.

[Slice-of-Life] • 7,100 words

Dear Princess Celestia,

I'm sorry I haven't written in a while. Things seem to be falling through the cracks lately. Spike thinks I should go see the doctor, but...

Hit the break for a chat with Obselescence, and links to In Memory Of out on the ponynet. Don't forget to grab your own copy over on the Downloads page!

FIMFictionEquestria Daily

Where do you live?

I’m currently chilling in the rootin’ tootin’ city of Austin, Texas.

What kind of work do you do? (i.e. are you a student, do you have a career/day job, etc)

I’m a student right now at UT, studying Pre-Med Biology in the hopes that I will one day save lives with my mad doctor skills. Or, at the very least, do no harm.

How did you discover My Little Pony: Friendship is Magic? When did you realize you were a fan of the show?

I got into the game relatively late, midway through season 2, when MLP had already become something of an internet phenomenon. At the time I was hanging around on a fan forum for Terraria, where ponies had become the dominant subculture (to the point that there were a couple debates as to how to address frequent bad feelings between pony fans and the rest of the populace). I’d never had any strong feelings on ponies on way or the other, but I had nothing better to do on one fateful Saturday, so I decided to look My Little Pony up on Youtube and see what all the hullabaloo was about. I was not disappointed.

I don’t want to say I became an instant convert... but, uh, I did like it very much from almost the start.

Do you have a favorite episode?

I think I’m sold on “Sleepless in Ponyville”. Everything in that episode is just so perfect. Scootaloo and Rainbow Dash, Sweetie Belle (FRIGGIN’ SWEETIE BELLE), Rarity, Luna... Pretty much everyone is wonderful in “SiP”, and all the gags were extremely solid. I’m very much looking forward to episodes by Corey Powell in the future.

Who is your favorite character based purely on the canon of the show itself? Would your answer change if you considered the fandom in its entirety (i.e. art, fanfiction, memes, etc)?

Purely on showcanon, I want to say Celestia, just because the show hits that sweet spot where we know juuuust enough about her to be intriguing, but there’s enough information kept from us that we’re able to come up with our own ideas about her. As a writer of pony fanfiction, her role as a benevolent, seemingly immortal, god-princess is intriguing to me, and I’m really fond of writing things that look at just how deep the rabbit hole goes with her.

Taking into account the fandom in its entirety, art, fanfiction, Friendship is Witchcraft... I’d have to give it to Sweetie Belle. She’s too cute. Too sweet. Seriously. I am fizzing right now at the mouth at how sweet she is. I have to take insulin daily because she is just that sweet. All the fan artists need to avoid making her so cute when they draw her. They’d save lives in doing so.

How did you come up with your handle/penname?

I’d been using names starting with “Obs” around the internet on and off for... longer than I can honestly remember. Obsequious, Observant, etc. I don’t know why, but there it is. Obselescence was just the latest name I chose when signing up to one website, and somehow it stuck. Probably not the smartest move I’ve ever made, considering I didn’t realize I’d misspelled Obsolescence until after I’d already registered.

I SURE DO WISH I HADN’T DONE THAT.

Have you written in other capacities (other fandoms, professionally, etc)? When did you first start writing?

Actually, no, I’d never really written in any capacity before getting into MLP. I’d played around with the idea of doing short stories in an age long past, but that mostly never went anywhere.

The decision to start writing MLP fanfiction was a fateful one, and pretty much everything I know about writing now came from a constant drive to improve and not suck at making pony words. I’m really glad I started doing it, and I feel like I’m a much better author now for my efforts.

Started writing... last March, I guess. Maybe a bit earlier. Gosh, it’s been almost a year now.

What do you like to do when you’re not writing?

Video games. Video games so hard.

Who is your favorite author (published or fanfiction)? Do you have a favorite story or novel?

Oh, gosh, that’s a hard one. I like a lot of authors in the fandom, and I’m not really sure I can pick just one. Blueshift, Wanderer D, NorsePony, and Skywriter seem like good places to start, though.

Published, I’d say... Douglas Adams, maybe? He sure was a cool dude. Wish we had him back.

Favorite story overall, actually, is Romance of the Three Kingdoms. It’s the most hardcore piece of Ancient Chinese literature anyone can bother to pick up, and I’m a huge fan of the work as a whole. Go find yourself a good translation and read it sometime. It’s totes worth it, I promise.

Stephen King believes that every author has an “ideal reader” – the one person who they write for, the one person whose reactions they care about. Do you have one, and if so, who is it?

I... don’t think I do? I’m kind of all over the map when it comes to the genre. I’d like to say that I appeal to the folks who are into whatever kind of fic I’m writing at the time, but that may be a little optimistic. Hm.

My ideal reader is probably one who doesn’t want to throw a rotten tomato at me for my writing. That sounds like a good place to start. I’ll take whatever I can get after that.

Do you have any tips for aspiring writers, or writers who are struggling with their own stories?

My favorite piece of advice for authors is one I really should work harder to follow myself:

As an author, you’re going to want to learn doublethink. When in the process of actually writing your story, you should strive to maintain a mindset of “Jesus Christ on a pogo stick, this is the most brilliant thing I’ve ever written!” This is important, because the pressure to feel like you’re wasting your time and you’re not good enough to keep putting words down on paper will be enormous. You will occasionally look at the words you’re putting on the paper and desire to vomit. Try not to. You have to punch through and trust that you don’t, in fact, suck.

When you’re done with all the macrowriting and it’s time to sit down and edit before posting it up somewhere, you want to switch your mindset to “Jesus Christ on a bicycle, this is worthless garbage!” This is important also, because now that you’ve got the skeleton of a story and it’s too late to turn back, you want to leave yourself open to any and all criticism that might help you improve upon it. Very rarely does anyone get things right the first time, so once you’ve ego’d your way over the hill and written a story, it’s time to humble yourself and make the thing you wrote as great as you can possibly make it.

One thing that helps is to find yourself an editor/prereader whose opinion, advice, and criticism you respect and trust. Self-editing is workable if you’re absolutely in a pinch, but another pair of eyes on your work is enormously helpful for catching flaws you might’ve missed.

What is your typical writing process? (Do you work through multiple drafts, do you have any prereaders/editors, etc?)

My typical writing process goes thusly:

-Sit around for five hours like a lazy heap of junk.

-Suddenly have stunning epiphany, in which the seed of an idea is formed.

-Sit around for five hours like a lazy heap of junk as I think about how the idea can be turned into a story.

-Sit around for five hours and do things that aren’t writing because I don’t want to ruin the perfection of this new idea.

-Finally open up Google Docs and start typing.

-Maybe play some tunes to get me pumped up.

-Go back over things repeatedly while writing to see if there’s anything I can make better.

-When finished, beg everyone I know to look at it and tell me how it can be better.

WOW, WHEN I WRITE IT ALL OUT LIKE THAT IT LOOKS SUPER BAD. Just pretend story pop fully formed from my head like the Goddess Athena or something. I dunno.

Incidentally, for editing, I really have to give a shout out to user NorsePony. He is unfairly good at fixing up a story and making it look nice, and without his help I probably wouldn’t be half the dude I am today. Seriously, go read his stuff right now.

What inspired you to write In Memory Of?

I think the start of what would become In Memory Of was a random brainspark I had about what it might be like for Twilight to lose her memory, which’d be really big for Twilight Sparkle, because she lives for knowledge, and her memory is everything she stands for. Confronting her with the loss of that seemed like a really interesting conflict, so I filed the idea away to be written at a later date.

From there, the concept kind of evolved over time, shifting in new and different directions as I thought more about where I wanted to take the story. I don’t really outline my fics that often, so sometimes they end up in places I didn’t quite expect when I started. That said, I’m pretty happy with where it ended up.

Did you run into any tough spots or challenges when writing In Memory Of?

Uh, yeah, actually. Anyone who happened to be near me at the time could probably tell you that I obsessed over making absolutely sure every letter was perfect before I moved forward. It got particularly hairy near the end, when I was asking people to look at variations on the same letter, like, a dozen times or more.

Don’t be like me, kids.

When you set out to write In Memory Of, did you have any specific messages or themes in mind?

Not in particular. The initial thought was, as I said, focused on how Twilight would confront the idea of slowly losing her mind. It quickly evolved into an exploration of the Twilight-Spike-Celestia relationship, though, and I think it ended up becoming a pretty worthwhile deal on how they’re sort of a family, in their own way, with Twilight and Spike as siblings and Celestia as the mom. Thinking about how that dynamic would work with an older Twilight and Spike was really interesting for me, and I’d like to believe it was interesting for everyone who read In Memory Of as well.

Where can readers drop you a line?

Readers can generally reach me by sending me a message on Fimfiction, or dropping a comment on my profile wall. Sometimes my school schedule makes it tough for me to get a quick response back, but I do see pretty much everything that reaches me by those means.

Is there anything else you’d like to add?

I love all of you.

Report RBDash47 · 13,652 views ·
#1 · 191w, 2d ago · · ·

I definitely agree with that writing process!:twilightsmile:

#2 · 191w, 2d ago · · ·

We love you too! :pinkiehappy:

#3 · 191w, 2d ago · · ·

If it weren't for that penname explanation, he would still be OBAlescence for me. :facehoof:

Dear Lord, how did I manage not to notice it sooner? :rainbowlaugh:

#4 · 191w, 2d ago · · ·

I have problems with writing. I think all my stuff is crap, and then I erase it all and start over, no matter how far in I am. If I don't, I just let it sit. I don't want to do that, but I do. Right now, I'm working on a story (i hope i actually finish this one), but I'm gonna need a lot time and patience

#5 · 191w, 2d ago · · 9 ·

Why are you doing interviews on fanfic authors?  I mean what is the point?  Everybody will forget that person or that the interview actually happened.

Wanderer D
Moderator
#6 · 191w, 1d ago · 2 · ·

>>985772 The point of the vault is for that not to happen. As for people forgetting? Who knows. I still remember fics from back in 97, and very few of them had half the quality of Obs' work... so... maybe the problem is that if you write forgettable stories people will definitely have nothing to remember you by.

#7 · 191w, 1d ago · · ·

>>985839

Is there a way to not receive notifications for site blogs?

#8 · 191w, 1d ago · · ·

>>985839 If that's the case, why not interview every author on FIMfiction?

Wanderer D
Moderator
#9 · 191w, 1d ago · · ·

>>985923 Nope. But you can just ignore them. This month has had a few more than usual, but traditionally, you'd get only a few at the beginning of the month, and then sporadically in between. So don't panic, you won't be getting 3 or 4 daily.

Wanderer D
Moderator
#10 · 191w, 1d ago · 3 · ·

>>985934 Various reasons, but here's three:

1- Quality. Because the work some authors here put into their stories goes far beyond a simple act of re-writing My Little Dashie, but with Luna, or Twilight or anyone else for that matter.

2- Like I said, this is something from theFanfiction Vault and it has a FAQ on how stories are selected.

3- Quality. Why would anyone interview someone that has a rapefic with barely legible sentences and horrible characterization?

Bottom line is, some authors deserve to be recognized for their writing, and the Vault interviews those that RBDash47 thinks have written something exceptional. It's his own choice... same as when Seattle's Angels write reviews recognizing fics that deserve more attention, or I organize the Author Panels and many others do the same with artists and musicians. We're a community, and some members of our community feel that there's more to simply reading/following/admiring their work and we like to let them know.

#11 · 191w, 1d ago · 2 · ·

Not a fan of Ob, but glad to see he made it into the vault. >>985772 When everything ends, when Hasbro stops making seasons of MLP and the fandom dies down (it may or may not, it all depends), literature-hungry bronies will want to look back and find some of the best writing works in the fandom. That's what the Vault is for. As a Vault writer myself, I can tell you that I think it's an honor.

#12 · 191w, 1d ago · 1 · ·

This was a fantastic story. I like to think I can write sad well, but In Memory Of was almost physically painful to read as Twilight kept going downhill.

#13 · 191w, 1d ago · · ·

> Probably not the smartest move I’ve ever made, considering I didn’t realize I’d misspelled Obsolescence until after I’d already registered.

>

>I SURE DO WISH I HADN’T DONE THAT.

You know you can change it, right?  Obselescence -> Edit account

My current favorite Obs story is "Let's Just Say". And it's only 1600 words.

Obselescence
Moderator
#14 · 191w, 1d ago · · ·

>>987063

Haha. I know I could, but I've been Obselescence for so long and at so many places that it'd feel weird to go back and fix it. The typo's more or less permanent now, for better or worse. :P

#15 · 191w, 17h ago · · ·

This was one of the first fanfics I read, I think I found it on creepy pasta. :rainbowkiss:

Love ya Obs! :heart:

#16 · 190w, 6d ago · · ·

I really dig the advice to have a dual mindset that is different for writing than for editing. I think that would be helpful for a lot of writers, most likely.

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