John Kenneth Galbraith was an eloquent man, who wrote for decades mostly on economics and as a social commenter. Apparently that was enough for him to receive an unsolicited offer of a professorship in rhetoric at UC Berkeley. He didn’t accept, but it did prompt him to share what he’d learned from all that writing with the readers of The Atlantic in his 1978 article, “Writing, Typing, and

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For the last couple of years, Chris, of the One Man's Pony Ramblings fanfiction review blog, has invited his audience to submit guest posts to cover the couple weeks he's away on vacation towards the end of summer. Today, my second guest post for him went up. It's available here, and reproduced, with Chris's opening and closing remarks, below.

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HoofBitingActionOverload's Twisting Between the Sheets is an unexceptional shipping story in terms of structure, but due to its powerful hook and intense focus it's stuck in my mind in the couple of days since I read it. It is centered around the discovery that Rarity has been employing an escort, who impersonates Applejack during their sessions, and the aftermath as Rarity tries to salvage her romantic life and

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I don't see movies that often in theaters. Planning, expense, time investment, and not being all that excited for more than a few movies per year all kind of come together to just make it not happen. But I was invited to go to Jurassic World today as part of a group I haven't seen much in a while, and won't see much of past a couple months from now due to moving. So I did go, despite not having much attachment to the franchise or particular enthusiasm to see the movie itself. Didn't have much

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. . . and the next isn't quite ready to begin. (It's okay, Celestia, you can sleep in.)

As of tonight, I've left my first job, excluding summer work and part-time jobs during the school year. This August I'll be starting graduate school, in a field pretty strongly unrelated to what I've been doing these last two years, but until then . . . not much.

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Line by Line was something of an impulse read for me, as I saw it in the writing section of the small library from which I’d borrowed Artful Sentences. Although it is subtitled “How to Edit Your Own Writing” and I expect my own professional needs for the task to be limited over the next year or so, I figured that its content would similarly apply in going over others’ writing. In this, I was not disappointed. As far as I can tell, nothing in the text need be limited to that context.

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Prompted by the impending loss of access to the library I was going to check it out from, I’ve finally gotten around to reading something I’ve meant to for quite some time: Virginia Tufte’s Artful Sentences: Syntax as Style. It was on my plate as what seemed a decent first try for an alternative to TheJediMasterEd’s suggestion [1] to Bad Horse that to learn to write beautiful prose, you should study books on reading poetry, since I’ve always had more difficulty with poetry. (That said, I

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This two-parter has a lot of the problems of the last one, but I'll just focus on issue 28 itself.

It's ten pages into a twenty-two page comic, which has four pages of denouement, before anything that isn't insipid and often insulting stupidity happens.

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Since I just posted something for the first time, might as well keep it going, and this time actually include at least some pony.

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Today, while waiting for my cream cheese and lox to warm up a bit to make brunch, I thought I'd try to make something light and refreshing, targeting an end result along the lines of a flavored soda, with just a bit of a kick, especially after being reminded of TheJediMasterEd's suggestion for a Rarity-themed drink of crème de violette/d'Yvette layered atop white crème de cacao while searching for his blog post on a real-life Big Macintosh.

And so we have:
3 parts St. Germain

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