Rating Scale:

12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film

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Rating Scale:

12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws

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Rating Scale:

12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
8/10–a great film with numerous flaws but not enough to ruin it

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Aloha, Amigos.

This is your friendly film and tv show reporter here with another report.

Now, before I get into what I think of this film, I’d like to ask you all a question:

Has anyone ever wondered what film I believe is one of the worst, if not the worst, movies in existence? One that’s so terrible, I would rate it even below just a one?

Well, look no further, because the answer to your 2-part question comes in the form of THIS COMPLETE MONSTROSITY RIGHT HERE:

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Yo, what's up, Kemosabes?

This is your friendly film, TV show, and episode reporter here with another review.

Today, for my 145th film analysis, I'm gonna give you guys my take of "Night at the Museum: Battle of the Smithsonian".

Here's the summary of this sequel:

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Rating Scale:

12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
8/10–a great film with numerous flaws but not enough to ruin it

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Yo, what's up, Kemosabes?

This is your friendly film, TV show, and episode reporter here with another review.

Today, for my 135th film analysis, I'm gonna give you guys my take of Ben Stiller's "Night at the Museum".

Here's the summary of it:

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Greetings, my friends.

This is your top-of-the-line film, TV show, and episode reporter here with another review.

Today, for my 155th film analysis, I'm gonna give you guys my take of "Night at the Museum: Secret of the Tomb".

Here's the summary of this sequel:

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In what is possibly the most beautifully confusing cinematic experience I've had, Paul Thomas Anderson's most recent feature, and his seventh film, manages to to be an absurdest, stoned out trip down the sweaty, drug addled and sex crazed summer byways of 1970 Los Angeles, as we follow an equally absurdest and stoned out private detective as he is quickly dragged into an incomprehensible conspiracy involving hippies, Neo-Nazis allied Jewish land developers, cults, and Chinese heron dealers,

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