Awesome movie BTW!
So happy that I got to watch in a movie theater again! :)
You should watch it on either in theater or Disney+ premier access if you have Disney+.
I figured I should do an OC for my second reading. After all, some of the canon pony-Arcana matchups are so obvious that they wouldn't be very fun or interesting. (I'm looking at you, Rainbow Dash.) Besides, I think it'd be fun to take a closer look at the extended universe the fandom has created. So today, I'm drawing for...
...Cruise Control. Poor Cruise Control.
What do you mean it's Saturday? You're going to make Sonata cry, you big meany pants.
In all seriousness, though, Sunday will be a dual story update, since I just finished another chapter of Chaos Theory and it necessitates me keeping my continuity up to date, we will get a chapter in Raison d'Etre and Cruising, both featuring our aforementioned Siren.
And tacos. She's such a diva....
Eyes Wide Shut was Stanley Kubrick's final film, and in many ways, his most complex and disturbing, being a disturbingly voyeuristic psychological study of infidelity and human sexuality and marriage.
I lied. It’s clickbait. It’s really Fanfiction Reading Update #180. There’s enough political shit and wanting to start civil wars in everyone else’s blog posts. Go read theirs or Knighty’s, which started all this, if you want to dive into what will eat the next six months of this site’s life. I, meanwhile, will talk about horse words one last time before the partisans knock down my front door.
Just returned from a week in my current favourite country Finland, where I went to a ShowScience workshop in Turku. I was travelling with a large suitcase full of physics toys. Just the basics: cloud chamber, silicon detector, radioactive objects, Lego kits, LHC posters; as well as an electron, proton, positron, Z boson; up, down, top, bottom, strange and anti-charm quark plushies; and laptop loaded with virtual model of ATLAS detector. I was very restrained in my packing compared to some
Rating Scale:
12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
Rating Scale:
12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
8/10–a great film with numerous flaws but not enough to ruin it
Rating Scale:
12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
8/10–a great film with numerous flaws but not enough to ruin it
Christopher McQuarrie's directorial debut is a wildly enjoyable film, albeit one who's goal is to entertain first, and make sense second.
Paul Thomas Anderson's third feature marked the peak of his increasingly complex ensemble dramas, marking the exceptional maturation and expansion of the stylistic and storytelling tropes he first properly explored in Boogie Nights.
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