So I decided to watch what many say is an underrated Tarantino film, his low-key ode to Blaxploitation and so far only adapted work, Jackie Brown, based on the novel Rum Punch.
And I thought it was pretty damn good.
So, I finally got to see Ant-Man, and it was a very entertaining film.
Dear lord above on the glen this film is bad.
1995's Rob Roy is a sluggish, two and a half hour bore fest that drags itself along, driven by a horrifically idiotic and badly put together plot, and acting that, with the exception of John Hurt and Tim Roth, is monotonous and bland.
I have a couple of ideas for some YouTube videos I want to do.
This has nothing to do with the regular content that will be on my YouTube channel. This will more be like the fan related content. I might start off with making fan-related stuff and slowly move up to doing original videos (which I have pages of notes about).
Yo, what's up, Kemosabes?
This is your friendly film, TV show, and episode reporter here with another review.
Today, for the 7th installment of this year's "Spook Spectacular", I'm gonna give you guys my take of Angelina Jolie's "Salt". The theatrical version to be precise.
Here's the rundown of this thriller:
When I first saw True Grit not long after its release, I didn't quite understand it. Here was a film that seemed to be a straightforward revenge tale, but with an ending that, at the time, seemed a bit of a downer. However, I have now revisited the film, and have done so with a far better knowledge of the style that the Coen Brothers have carefully cultivated, and now I can say that I have come to an understanding with the film, and in doing so, have found yet another excellent western
The next chapter is still being edited at the moment, I doubt it will be much longer though as it practically where I would like it to be. In the meantime I have finally figuired out Fanfiction.nets posting system (
).
So I give you my crossover fiction: Zootopia; Lightning!
So yeah, after catching this on AMC about two or three years ago, I stumbled across The Departed on the HBO Go app (which I love, thank you HBO).
Anyways, I used this as an opportunity to reintroduce myself to the film, and suffice to say, I did enjoy it.
State of Play, the 2009 cinematic adaptation of the 2003 BBC One miniseries of the same name, is a film that has an ambitious, complex plot, some solid performances from it's cast, but in the end, stumbles over itself by trying to make a story built on shades of gray, into something more black and white, and therefore suffers.
Salutations, Dahlings.
This is your friendly film, TV show, and episode reporter here with another review.
Today, following my previous film analysis, I'm gonna give you guys my take of "Incredibles 2".
Here's the rundown of this adventure:
Greetings, Dahlings.
This is your friendly film, TV show, and episode reporter here with another review.
Today, I'm gonna be giving you guys my take of Disney-Pixar's "The Incredibles".
Here's the summary of this adventure:
Scott Cooper's slow burn character study of infamous Boston mobster James "Whitey" Bulger is a showcase for a truly transformative performance by Johnny Depp, and while slow moving, is still an effective and engrossing portrait of Bulger.
Trying to describe the sheer epic scope, drama, and downright awesomeness of Gone with the Wind in a single review, as opposed to several thesis papers is pretty much impossible. There's so much in this film to touch on, from the character arcs, to the subtext, to metaphorical imagery to it's impact on the film art form as a whole.
That being said, I will still try to explain why I think it's probably the greatest American film ever made.
Nicolas Winding Refn's brutal, bare bones neo-noir tale is a dreamlike, intensely cerebral thriller, interspersed with explosions of brutal, uncompromising violence. Combine that with Refn's supremely singular visual motif of primary colors, and hyper stylized slow motion, and you have an incredibly unique, yet vital entry into the genre.
Hey all. Guess I'm still alive. Haven't been feeling much inclination to doing much on the site, but I'm still reading almost nothing but pony fanfics (re-reading, mostly). I am actually working on the next entry of Grammar for Real People, and a while ago I made a lot of progress sprucing up my plans for Minoan Crisis, as well as preparing for a large project I may or may not have hinted at in the past. Here's hoping any of those actually bear fruit anytime soon.
Bennett Miller's cerebral, almost surgically precise retelling of famed writer Truman Capote's writing of Capote's magnum opus "In Cold Blood", is not only a vehical for a tour de force performance by Philip Seymour Hoffman, but also a fascinating character study of Capote, and his obsession with the brutal murder and one of the murderers themselves.
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The Nightmare Factory:
Yo, what's up, Kemosabes?
This is your friendly film, TV show, and episode reporter here with another review.
Today, for the second installment of this year's "Christmas in July" saga, and following my previous analysis...
Well, I'm not going to sugarcoat it. This review is on one of the worst Christmas films and sequels of all-time:
"Home Alone 4: Taking Back the House"
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