News Archive

  • Friday
    ChibiRenamon's "Conquering is Easy, Being Conquered is Hard" [Royal Canterlot Library]

    Royal Canterlot Library

    It wasn't hard to let today's story conquer our hearts.


    Conquering is Easy, Being Conquered is Hard

    TConquering is Easy, Being Conquered is Hard
    Rarity has conquered Equestria, but she is unsure how to deal with a cult led by Fluttershy and the cult's second-in-command, Twilight Sparkle, who seems to have plans of her own...
    ChibiRenamon · 27k words  ·  210  14 · 1.6k views

    [Romance] [Comedy] [Drama] [Alternate Universe] • 26,653 words

    Rarity's quest for love led her from Tartarus to Canterlot. Now, wielding powers beyond comprehension, she rules over Equestria.

    Read More

    8 comments · 1,152 views
  • 1 week
    Coyote de La Mancha's "Twilight Sparkle Was Shot" [Royal Canterlot Library]

    Today's story starts with a bang.

    Twilight Sparkle Was Shot
    [Adventure] [Equestria Girls] [Alternate Universe] • 9,173 words

    After the reformation of Sunset Shimmer, the Mane Six united their powers against all manner of threats. Then, Twilight Sparkle joined their number, and over time the bonds between the Mane Seven have become stronger than ever.

    They have called upon their power to aid their friends, to protect the innocent, and even to defend their world.

    Never have they called upon their power out of anger, or to seek revenge.

    Until now.

    FROM THE CURATORS: Vengeance isn't a goal typically associated with a hero, especially a hero in the My Little Pony franchise. And yet in this week's feature, the drive for vengeance that binds together our protagonist and antagonist in a yin and yang of pain feels almost breathtakingly real.

    Read More

    12 comments · 1,489 views
  • 2 weeks
    Jack of a Few Trades' "Without Another Word" [Royal Canterlot Library]

    We'd like to give you a good word about today's story.


    Without Another Word
    [Drama] [Sad] • 11,912 words

    Seven years have passed since Grand Pear moved to Vanhoover, and time has dulled the pain of leaving Pear Butter behind. Though the scars remain, life for the Pear family has done its best to return to normal.

    But one day, a letter from Ponyville comes in the mail.

    Read More

    3 comments · 676 views
  • 3 weeks
    Flutterpriest's "Feathers" [Royal Canterlot Library]

    Fall into today's story for some gripping drama.


    Feathers
    [Dark] [Drama] • 2,466 words

    Read More

    7 comments · 2,091 views
  • 4 weeks
    fourths' "You and Her" [Royal Canterlot Library]

    Today's story aches.


    You and Her
    [Romance] [Sad] • 7,335 words

    [Note: This story contains sexual themes.]

    You told me that a young designer from out of town would be coming to stay with us for a few days while she discussed business plans with you. I told you that would be fine, that I wouldn't mind.

    I lied.

    FROM THE CURATORS: Relationships are rarely easy. Feelings wax and wane, ebb and flow, and even at their easiest and most effortless, relationships take effort. But maybe you don't want to put that effort in any more. Maybe it takes less effort to start something new than to maintain something you've had for years. Maybe your partner won't catch on. Maybe they will.

    Read More

    13 comments · 2,285 views
  • 5 weeks
    anonpencil's "Broken Bindings" [Royal Canterlot Library]

    Today's story is a real page-turner.


    Broken Bindings
    [Dark] [Horror] [Mystery] • 23,036 words

    Twilight has given you a new book to read. Well, she didn't exactly give it to you, you actually just found it in the back of the library. Behind a shelf. On the ground. It looks very old, downright ancient, and it smells like moss and rot. The binding is a little cracked, and there's no title on it. You can't help but wonder what might be inside, and the only way to find out is to keep reading.

    Just turn the page.

    You can do that much, can't you?

    Please?

    Read More

    22 comments · 2,568 views
  • 6 weeks
    wYvern's "Of Flies and Spiders" [Royal Canterlot Library]

    Today's story will ensnare you.


    Of Flies and Spiders
    [Romance] [Dark] [Tragedy] • 8,065 words

    Glitter was banished from her hive because she's different: instead of feeding on love, she feeds on anger, fear, and sadness. Ponies are easily fooled and more easily manipulated. Staying undetected and sustaining her dietary needs, she goes through life bringing misery to those around her. All changes, though, when he turns up, tearing down walls built throughout a lifetime.

    Read More

    7 comments · 1,591 views
  • 7 weeks
    Epic Yarn's "A Slice of (Cake) Life" [Royal Canterlot Library]

    Today's story bakes up some — PUMPKIN, PUT THAT DOWN.


    A Slice of (Cake) Life
    [Comedy] [Slice of Life] • 1,178 words

    Mrs. Cake’s life isn’t always a piece of cake. The bakery needs running, Pound and Pumpkin are always up to something, and babysitters aren’t always easy to come by.

    Read More

    5 comments · 1,761 views
  • 9 weeks
    Cerulean Voice's "Essenza di Amore" [Royal Canterlot Library]

    [Ed. Note: The Royal Canterlot Library will be taking next week off for Bronycon!]

    You'll grow to love today's story.


    Essenza di Amore
    [Adventure] [Drama] [Alternate Universe] • 53,665 words

    Orphaned as a filly, a young pegasus named Kaviyayu is raised by an adoptive Earth pony family in a secluded, peaceful village. When a strange unicorn drops by the village, Kaviyayu and the other foals are captivated by her tales of the world, as well as her various spells and illusions for their amusement. But there's something about the way she doesn't speak of her own family ... how she never removes her traveller's cloak ... how she seems to take a very strong interest in Kaviyayu ...

    Who is this mysterious mare, what does she seek, and just what is so special about that pendant she wears?

    Read More

    8 comments · 1,979 views
  • 10 weeks
    NaiadSagaIotaOar's "Who We Are in the Dark" [Royal Canterlot Library]

    Today's story, unlike its protagonist, doesn't have to cheat to win your heart.


    Who We Are in the Dark
    [Equestria Girls] [Romance] [Tragedy] • 11,505 words

    [Note: This story contains sexual themes.]

    Adagio, who everyone knows is an immortal sex goddess, is determined to give her girlfriend a perfect eighteenth birthday. If only she weren't secretly a virgin, it would be easy.

    Read More

    16 comments · 2,322 views
Jan
5th
2018

Author Interview » Thornquill's "Carousel" [Royal Canterlot Library] · 1:24pm January 5th

Today's story will haunt you.


Carousel
[Dark] [Drama] [Horror] • 69,824 words

The Millennial Summer Sun Celebration is only a few years away, but Rarity’s fashion career seems to be ending before she can begin it. Now, she has one last chance to find a place for her talent.

But as she works to create the boutique of her dreams, a forgotten piece of Ponyville’s past is waking up. Secret memories lie forgotten in dusty basements, unrighted wrongs scratch at locked doors, and Rarity finds herself caught up in a history that may be doomed to repeat itself.

For although she is the first to set hoof in the Old Town Hall in thirty years, she can’t help but feel that something inside was waiting for her.

FROM THE CURATORS: The sort of story that can inspire top scores from our curators is almost certainly going to accumulate superlatives along the way, but even so, there were some head-turning compliments in our discussion.  "This is a fic that works on so many levels that it has to be read, and is certainly one of the best stories produced by the fandom," Soge said, while Present Perfect had superlatives of his own: "The horror bits are always effective; chapter 8 in particular is one of the most frightening things I've ever read."

Much of our commentary centered on the story's original approach to its horror elements.  "This is a pre-show mix of slice of life and drama woven through with a consistently unsettling gothic horror," Present Perfect said in his nomination.  "It feeds on fear of not just the unknown, but the known, daring to cross that old standby of 'don't show the monster' and still make it work."  You wouldn't think a horror tale could work so well as a prequel for canon, either, but it got repeated praise for squaring that circle.  "This is a very Pony horror story, because if friendship is magic, well, it stands to reason that there ought to be an opposite sort of magic when friendship curdles and goes sour," AugieDog said, while Soge praised it more broadly: "The horror elements are genuinely unsettling, benefiting from a sufficiently original monster, great atmosphere, and most importantly, the ability to merge its most gruesome elements seamlessly with pony world. Were that all this fic did, it would still be worthy of a recommendation."

But it went beyond that with exemplary character work, illustrated by Present Perfect's praise: "Rarity's characterization is fantastic, as she matures ever so haltingly from a stuck-up would-be fashionista into more of the generous, caring pony we know.  The original characters are also memorable and fit into the setting effortlessly."  AugieDog added: "The picture the story paints of several of Our Heroines in the years before the show starts is just about perfect as well."  That was, as Soge said, just part of the magic at work here: "The way Thornquill weaves characterization, world building, and pre-show history together works flawlessly, so that even its most out-there elements — like Pinkie being a real estate agent — work in the story's favor without ever feeling forced."

Read on for our author interview, in which Thornquill discusses biting bugs, dead approximations, and reflective escape engines.


Give us the standard biography.

I was content enough to enjoy the show and fandom at a distance as far back as 2012, but sometime in late 2014, I got bitten by whatever pernicious bug is out there driving us all slightly over the edge of madness and into content creation. Since I didn’t have any ideas I wanted to explore on my own through fanfic, I started off doing audio versions of other fanfics instead. As time’s gone on, I’ve shifted more and more to the writing side of things, which is kind of where I wanted to be all along. As to which I’ll do more of in the future, no one knows less than me. My interests tend to be annoyingly unpredictable.

How did you come up with your handle/penname?

I’m not exactly sure when the idea and the name hit the current form, but it keeps present for me the nasty double nature language has — so much potential for beauty and growth, but so easily turned toxic and harmful too.

Who's your favorite pony?

Even though her character has developed pretty far beyond what first drew me to her, it will always be Twilight Sparkle. I liked that she was something of an acknowledgement that we can get things wrong in relationships. She was a very smart character, a resourceful, determined character, who still had a lot to learn. And she wasn’t above changing her mind when it became necessary.

What's your favorite episode?

There are so many I love, but I usually point to “Suited for Success.” It was the episode where I thought I knew exactly what they were going to do with a predictable character, and it could have so easily been vapid and shallow. Instead, they showed the technical, driven side of Rarity. That kind of unexpected nuance is something I've always seemed to look (and strive) for ever since.

What do you get from the show?

I have gotten so much from the show, it’s difficult to pick something and discuss it in a short enough time. I think the biggest thing it did for me on the whole was its many explorations of talent and passion for work. It actually helped guide me away from a bad career choice and back to what I really love to do.

What do you want from life?

To do good work, share it with whoever will enjoy it, and leave some small part of the world a little better than I found it, if it’s within my power.

Why do you write?

Here on Fimfiction, to give back. It’s the same reason I started doing fanfic narrations — I wanted to give something back to the fandom that had given me so much. Once I got the idea for Carousel, it was a natural continuation.

Ultimately, I hope I can develop my skills enough that I can publish original work. That’s been a goal of mine for about as long as I can remember, though I abandoned it for many years. When I experience stories, the ones I love the most are the ones that create worlds so other and so real, you feel a sense of awe just to take it in. I want to help create those experiences too.

What advice do you have for the authors out there?

This one’s pretty simple for me right now: Don’t forget to have fun. For some time now, I’ve been struggling to find a balance between studying this craft, focusing on the technicalities, getting better at it, and actually enjoying it while I do it. It’s important to focus on the nuts and bolts and try to improve. It’s vital. But here’s the thing: I can forget the nuts and bolts for an hour and just have fun writing a crazy scene. I will almost certainly need to fix it later, but at least it exists. But if writing feels like something I have to do — if by choice I’d be in the other room gaming — the scene will not get written or fixed. Period. So have fun.

First, an easy question: What do you consider to be the purpose of art?

I think part of the unending fascination and frustration with that question is that everyone is going to answer a little differently. Art is so many things to so many people. Art is a reflection of the world; art is an engine of betterment; art is an escape; art is exploration; art is the only way we can explore the worst parts of ourselves; art is a pastime that makes the daily grind endurable. It is so many things, and so many gradients in a spectrum from casual to serious, that we all find something in it.

To me, then, the purpose of art is to explore purpose.

When we meet Rarity in the show for the first time, Carousel Boutique is operating, her sister is unharmed and she hasn't lost her mind. How did you tackle writing scenes that needed to be tense while their ultimate outcomes were a foregone conclusion?

In a way, I think knowing from the start where things would need to end made it easier, not harder. I knew there were limits, things I couldn’t do. So the question became, “what other awful things can I put these characters through?” I might not be able to kill certain characters, but then it becomes a game of, what boundaries can I push them over? How far can I go with it? Even though I intended to bring them back from the brink, I didn’t initially know just how badly certain characters might get hurt, or how badly they might hurt others. And since I didn’t know it, my hope is the readers don’t either. They’re discovering with me just how far we can lean over that edge and wondering how we can possibly get back.

"Don't show the monster" is a common adage in horror writing, yet you showed us Toola Roola, and she was terrifying. What was your approach not just to this scene, but to the horror in this piece as a whole?

I think the thing about showing the monster isn’t so much whether or not to do it, but knowing what happens with your audience when you show the monster. Toola Roola is seen several times throughout the story, but never clearly. She’s often mistaken for other characters, always at a distance, or otherwise unreachable and other. Even the portrait Rarity finds early on isn’t really “the monster”; it’s a dead and distant approximation.

As the story goes on, readers get a little bit more of a glimpse of Toola each time, whether it’s about her background or getting a slightly clearer view of what Toola has become. They learn just a little bit more each time they go on, almost like slowly opening a door, and with every glimpse, things get worse. But they never get the whole picture until the absolute end.

This means readers are always able to fill in the gaps with their own imaginations, and that’s the real heart behind “Don’t show the monster.” They’re guessing, they’re curious, even if they dread the answer. Once the monster is seen, though, that is when you’ve hit the height of your pacing. There is nothing more you can hit the audience with. You have told them, “This is what you’re up against.” And once you do that, your story has to change direction. It’s no longer a mystery — it’s an adventure where the characters figure out how to beat the monster or a tragedy where they fall to it.

I think that is where some horror stories can stumble. They show the monster too early, or they show too much too quickly, and then they try to keep the story going the same as it has up to that point. They don’t let their characters change gears. It’s also a very serious problem for sequels. For me, Carousel had to end immediately after Toola was clearly seen. And in the final scene between Rarity and Toola, there is still a little bit more to learn about her, a little bit more to see, but the tension doesn’t come from Toola. Instead, the readers are guessing about Rarity this time. What is she planning? What new idea is she bringing to the table that Toola now has to contend with? And will it work?

You can show the monster, but only if you’re ready for something else to help drive the story.

Please tell us about any other influences that inspired this piece.

Classical horror writers such as Bram Stoker, M.R. James, and especially J. S. Le Fanu; MLP horror pieces such as A Hoof-ful of Dust’s Synchronicity, MrNelg’s A Night at Shadow Station, and Aquaman’s NIGEB; and films such as The Woman in Black, Oculus, In the Mouth of Madness, and The Babadook.

Is there anything else you'd like to add?

My thanks. To everyone who has helped grow this fandom; to the friends it has brought me; to everyone who left the scores of insightful and constructive comments on my work; and in this feature, most special thanks to AShadowOfCygnus for the phenomenal reading he did for Carousel; and to Present Perfect and the Royal Canterlot Library for the spotlights they have shone on it. I am more grateful than I can express.

You can read Carousel at FIMFiction.net. Read more interviews right here at the Royal Canterlot Library, or suggest stories for us to feature at our Fimfiction group.

Join our Patreon to remove these adverts!
Comments ( 8 )

Yyyyyes, this story was excellent. One of the few that had me utterly beside myself waiting for updates.

One of the better stories I've read. Definitely one of the best 'dark drama' stories out there.

Finally, thank God this one is getting the support it deserves! I was worried it'd sink away in to obscurity

Huge thanks for pointing this story out. It's an excellent piece of horror -- and yes, chapter 8 has been truly frightening!

Carousel? Now all i tink about is Melanie Marinez Thank you ver much

I'm glad this story is here. It definitely deserves it's place in the RCA. It combines heavy atmospheric horror with great character development and a struggling journey that makes reading all the way through to the end immensely satisfying. What more could you ask for?

remember that you can't spell "carousel" without "arouse." not that i'm saying people got off to this, or anything. :trollestia:

a short one shot that I ever seen in a horror fiction.

Login or register to comment
Join our Patreon to remove these adverts!