1. Member Since 22nd Sep, 2011
  2. offline for 8m, 15s

I'm the creator of Otakuworld.com, Jenniverse.com, the computer game Boppin', numerous online comics, novels, and tons of other wonderful things. I really love MLP:FiM.

More Blog Posts78

  • Sunday
    The Conversion Bureau Is Now Metal!

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    T H E       C O N V E R S I O N       B U R E A U :

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    TOTALLY METAL

    ARE YOU METAL ENOUGH FOR THE CONVERSION BUREAU?

    Sometimes, wonderful things happen. Valinye Cerveau's amazing Conversion Bureau Movie-Styled promotion piece. Hunternif's incredible animation for Caelum Est Conterrens. Zahqo And d.notive's Conversion Bureau inspired Hand For Hoof. Sometimes, truly wonderful things happen.

    Something wonderful happened again.

    And it is metal as fuck.

    Bang your pony head to the amazing Freewave, Injustrial (and friends!) mind ripping, skull crushing solid chromium steel version of... THE CONVERSION BUREAU! ROOOOCCCCKKK!

    8 comments · 192 views
  • Friday
    The Metrics Of Authorship

    25 comments · 160 views
  • 6d, 1h
    Cross The Amazon!

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    T H E       C O N V E R S I O N       B U R E A U :

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    CROSS THE AMAZON

    By Chatoyance

    I have just submitted a new novel, the one I wrote about in the Bureau group. The story is Cross The Amazon, and it tells the story of a lone human and a lone Equestrian native racing to stay ahead of the the Barrier of Equestria.

    The Barrier is bad for both of them - for the human, a Palynologist named Calloway Kotani, it means death. There is no potion, and no time to Convert, and the Barrier is coming, inexorably, unstoppably. For the pony, a native unicorn mare named Dropspindle, the Barrier means being lost, forever, in the Exponential Lands, literal light years from any other Equestrian. For a herd creature, that is likely worse than death. Both must flee for their very lives.

    But they are not prepared, nor are they talented, neither are they knowledgeable. Peru is a mystery to them, likewise the entirety of the Southamerizone. Everyone else has left. They are alone in the fifth year of the Bureaus, alone on a continent being devoured by a sky-filling cosmic domain wall. They only have each other, and what they can find along the way.

    And the way is rough. The mountains are steep, the roads poor, and the amazon - the amazon desert once used to be a jungle, a forest. But then it became grasslands so that hamburgers could fill the bellies of rich first-worlders. Then, naturally, it became desert, just as did the Sahara before it.

    The amazon of the Bureau future - and our own - is a dead land of dry tree stumps and ruined meat-packing factories, of desertified grazing lands interrupted by dead patches of former forest. Rough, difficult terrain mixed with endless flat wastes of sand and dry dirt. Duststorms and thirst.

    And perhaps they are not entirely alone.

    I hope you will join me, and Calloway Kotani and Dropspindle, on a rugged journey of survival - a journey that must CROSS THE AMAZON!

    Coming as soon as it is approved. Or just jump here.

    - Petal Chatoyance


    9 comments · 118 views
  • 2w, 3d
    Slice Of Life: MLPFIM 100

    Slice Of Life

    MLP Episode 100




    I loved it.

    23 comments · 321 views
  • 4w, 19h
    Little Blue Cat Is Coming

    12 comments · 226 views
  • 10w, 6d
    Voiceless In Hillsboro - Season Five and Other Things

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    Voiceless In Hillsboro

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    Season Five and Other Things

    It's a little strange not having a voice. My whole family and I came down with some terrible virus, that, in me, allowed an opportunistic bacterial infection - long story short, for the past three weeks I have been sick as sick can be. Triplet antibiotics have helped, and I am slowly climbing back to life. But - I cannot make a sound. I am mute. I sure hope my voice comes back one day.

    I may be mute in real life, and feel like death warmed over, but I am not mute here, in the realm of text, so I thought to say a few things about the most recent season of My Little Pony.

    Season five, so far, as of 'Castle Sweet Castle', is excellent.

    After my scathing 'Around The Bend', you might want to know why I think this, and I want to tell you.

    The first three episodes of season five are, in my opinion, as good as the work in season one. They do, of course, of necessity, have to run with what has been established in the intervening seasons, I have no issue with that. Indeed, it is mandatory - consistency is not the 'hobgoblin of small minds', rather it is the foundation of all suspension of disbelief. Without consistency, there can be no meaning or value to causality, and causal relationships are the machinery of drama and storytelling.

    What makes season five good is that thus far, in these first three episodes, we have consistent characters acting according to what we know about them, they act in a rational and meaningful way, and they are not bent into self-parodies or used for cheap gags.

    And one of those characters, the most important character in almost any story, is the world. The world is also being attended properly.

    "Know your world, know your characters, and you need not fear even a thousand pages of story."

    Yes, I am quoting myself. But that does not make it any less true.

    In season five, thus far, Pinkie Pie is funny, but she is also competent. She isn't just a joke. She adds to the group, she helps, she supports, she has useful input. Remember 'Giggle At The Ghostie'? That was intended to be Pinkie's defining moment. In that pilot, that scene tells us exactly what and who Pinkie is to the team - and from the start, the Mane Six are supposed to be a team, an action team, working together as a group to solve problems. Pinkie uses humor to save others, to rescue others. She uses the tools of laughter intelligently. She isn't just a useless clown.

    Rarity may be emotional, but she is smart. She is supposed to be capable and able. Initially, Faust described her as the oldest, and she is supposed to have the experience and backbone of an independent entrepreneur. She isn't supposed to be a useless frail. She's back... not perfectly, but back, and she is starting to have moments again, moments of competence.

    Dash, Fluttershy, Applejack - sure, they can have personality quirks, but the original picture we were given of them is that they are capable adventurers. This is the heart of what they should be along with Twilight - all capable representatives of Equestria, not just gags or cheap joke characters. They aren't wacky superhero parodies, they aren't Animaniacs or Freakazoids... they are a team driven by friendship, determination, and their trust in each other. In short, they should be played as they were when we first met them - as if they were real, as if they were people, not mere toons.

    Season five has returned to this. The Mane Six are not jokes now. They are handling the problems they face together, as useful, functional members of Equestria's elite Friendship Squad. And this is exactly what they should be, because it is how they were intended to be, and how they were first presented to us, back when Lauren had any say at all.

    The world has meaning again. The world is the most important character of all.

    Geography is consistent again. Ponyville is a flat river valley again. We have a god-damned MAP, front and center, and woe betide any writer for the show who does not sit up and take notice of what that represents. It means 'treat the show as a real world, not as a cheap gag'. It means 'there be places here, places with names and relationships to each other'.

    A world is a character. It changes over time, it has history, it has a feeling of its own, and it has places within it that have relationships just as people-characters have relationships... and those change over time too. A world has a character arc. We have seen Equestria grow, we have seen it develop as a place - not without some serious growing pains thanks to terrible writers - but we have seen it grow.

    Originally, Lauren Faust, in an interview, described Equestria as being a blend between the Elysian Fields and Oz. It was supposed to literally be the Elysian Fields - that, as many know, is why Tartarus is located below it. That was also why Queen Celestia was supposed to be essentially a Greek goddess... until Hasbro marketing demanded she be a princess, and get rid of the overt Greek pagan stuff and... well. Those who've kept up know the story. And how Faust got pushed out, and how she can't talk straight about any of it now.

    Season five has gone back to Faust.

    How? Those of you who read - really read, not just fan fiction - probably know the classic Oz books pretty well, but for those that don't, let me give the briefest of infodumps: after all the fuss with Dorothy and getting the basic world nailed down, the many, many books that continued the story went afield. Basically, Oz proper was now understood to the reader, and under Celestia's - ah, Ozma's - dominion,  so adventures now took place at the borders and fringes of Oz. It became the great quest, after a fashion, to bring the authority of Queen Ozma to the undeveloped and unexplored parts of Oz, the edges of the map and even off the map.

    This is what we see in the two part 'Cutie Map'. The show is utterly Oz-like. Our team is sent off to the frontier to confront a threat to the harmony of Oz - ah, I mean Equestria. Excellent. Faust must be smiling. I am.

    We also see, in 'Castle Sweet Castle' real consequences to changing the world. Gone are throw-away stupidly deadly cliffside roads that could never exist in a flat river valley - there for one episode for a cheap gag, gone the next, nothing matters, nothing is real.

    No, now, we have a consistent world. I want to scream this point: SEE HOW MUCH DIFFERENCE CONSISTENCY MAKES?

    Twilight is broken hearted - as a lot of we viewers are - at the loss of the Golden Oaks Library. It wasn't just a cool home, it was the coolest home. It was the dream home of fantasy, a living tree that loves back, filled with books, covered in nurturing leaves. It was everything great about a Hobbit hole mixed with everything great about elves and magic and wonder. A living tree house. If it isn't every child's dream at some point, that child grew up in a desert.

    This was not a cheap gag. The Golden Oaks was obliterated. It was destroyed, and because the world was made consistent again, that fact MATTERED.

    And, thanks to the world being a viable character again, we can deal with the tragedy of the loss of the Golden Oaks, and we can understand how Twilight, as a character, felt about this change to the world, and to her life. We can see things played realistically. Twilight isn't bouncing around because she went up a level and gained a cool new super-hero hideout, a crystal castle made of magic - no, she's depressed.

    Twilight just got her own Hall Of Justice, and she is depressed. Because her home was destroyed. Because she isn't just some two-dimensional super-hero, she is a person. She isn't a cardboard character. She is mourning the loss of her proper home, and, by extension, her childhood too.

    Because now, forced (by Hasbro marketing) into being an alicorn princess prematurely (Faust intended the event to be the culmination of the entire series, something for the ending), Twilight has to grow up fast. No more playing in the treehouse, she has princess duties, and she can't go back. The Golden Oaks is ash... and roots hanging from her ceiling. Her personal life is over. Now she serves the Crown.

    That is some real, powerful stuff there. That is damn good writing for any show, not just a cartoon about ponies.

    And a word about that - cartoon. Cartoon about ponies. It's just a cartoon. It's only a cartoon. It's just a kid's show. It's for little girls. It doesn't have to make sense.

    Do you think that way? Fuck you. Seriously. You are an idiot.

    Animation is just one medium for expression. Just like live-action film, just like computer animation, just like text, just like books and audio drama and stage drama and every other form of creativity. Listen up: only idiots dismiss animation as being only for children, and only idiots imagine that things ostensibly written for children cannot also be written for adults too. Indeed, most classic English children's literature was written as much for the adults reading it to their children as it was to the children they read it to. That is what makes classics... classic. They speak to both adult and child together.

    My Little Pony should make sense. It should be deep. It should have meaning and worth and value. It should be intelligent and make sense. If not for the benefit of we adults, then for the benefit of children watching it. Don't underestimate children. Yes, there are some droolers out there, but there are also some reading at a college level in second grade, like me, and I suspect, many of you (I'm looking at you, fellow Bureau and Optimalverse authors!). Even the droolers do benefit from logical consistency in their media - things making sense.

    The notion that a cartoon doesn't have to make sense is horseshit. Bullshit is lies, horseshit is actually toxic lies... if you didn't know the difference.

    So, the big conclusion.

    I'm sicker than hell, still, and season five, so far, rocks. It rocks because it is returning to the reason we all fell in love with Friendship Is Magic in the first place - and that is solid characters, valid relationships, intelligent plots, and a consistent, amazing world worth suspending our disbelief for.

    If season five can keep this up, if it doesn't bellyflop into a big pit of stupid, then we may well have the best season since the first.

    Here's hoping that season five keeps up the rock-solid goodness of writing talent.

    It is my demand that the on-screen My Little Pony be at least as good as the writing I favor here. If it can't meet that level, then I have to wonder why the writers are 'professional' and getting paid at all.

    So far, this season, the writers are earning their dough.

    So far.

    - Petal Chatoyance

    April 15th, 2015




    53 comments · 683 views
  • 25w, 6d
    The State Of The Unicorn 2015

    44 comments · 679 views
  • 44w, 16h
    In Hell, There Are No Desks

    I'm typing this from my lap, on a new keyboard I am unused to. Had to get a new one, we couldn't connect my old keyboard - they don't make those ancient connectors anymore, and the cable needed is still in a box. Everything I own is in a box, and will be for the next three to four months at least.

    Hah! How the mighty have fallen, eh? Once I lived in a palatial home, now I have no room of my own. My world, for now, is the far corner of what - in a normal person's house - would likely be the 'living room'. The house is filled with hundreds of boxes, and no way to unpack them. Why? It's a little bit Sokoban, and a little bit 'guess what's in the box' and a little bit 'we are so fucked'.

    Intel got caught with their fingers in the European cookie jar, as you may recall, and they had to pay billions in fines. Worse, they got very complacent and ignored the rise of mobile computing entirely, so the pacific rim ate their lunch with cheap, easily modified, dedicated chips for consumer goods. Desperate to look good to stockholders, they did the usual American Capitalist Trick: fire most of the workers who actually do the work in a way that denies them any benefits or severance of any kind. Suddenly, without employees, they look great on paper!

    The way they did this is to announce that if one wanted to work for Intel any longer, one must move to the region around Portland, Oregon. Naturally, this meant that more that 75% of their employees in the divisions targeted would be screwed, and 'choose' to leave their jobs of their 'own volition', thus making their quitting their 'free choice' and thus ineligible for any benefits of any kind - the slackers! The losers! Stupid peasants with homes and communities and family obligations and relatives and lack of resources to move at the drop of a hat!

    It was evil, but damn clever. Force people to have to quit because moving is not possible for most people. Brilliant. Dirty as hell, of course, but cunning.

    That still left tens of thousands of people flooding into a fairly small region, Hillsboro. It was sheer luck we found an overpriced house at all - there is a huge bubble going on as folks gouge the hell out of the influx of Intel folks. House-flip-a-go-go! Gold rush!

    Bottom line? It is impossible to get a contractor to fix a house or turn a garage into a room. And that is a problem, you see, since the entire plan was to convert the garage into my room. For me to live in. That isn't happening. It's so massive an issue, that the guy that set up our internet? He is part of a small army of folks brought in from Colorado just to hook up internet here in Hillsboro. They're letting him go back to Colorado for a week to see his family, then it's another month of hooking up folks like us... the Intel Invasion. They don't have enough native cable guys here to do the job. Consider that.

    My family is hoping that maybe by October or November, it might be rainy and miserable enough that the contractors here might be unable to work outside - or unwilling to work outside - and it might be possible to get some to do interior work at last, and thus finally build me a room to live in. It's a hope, anyway.

    Until then, I am the empress of cardboard boxes that I can't get into... because there is no place to unpack them. I have six pieces of clothing, my shoes, my computer and monitor, my 360 and PS4, a chair, my toothbrush and the medicines I have to take, one garbage can, and my purse with my ipad in it. This is my world. This is my life. I am slowly going through some of the mis-labled boxes, checking them, resealing them, and writing their contents down (the packing crew did a random job, just insane) to find, well, things. More clothes to wear. Even one game for my PS4 to play. But, it's rough going - the house is chock-a-block with boxes. We were entirely depending on having my room done, so that my stuff could get unpacked, so there would be room to unpack other things. That isn't happening. We also expected that the boxes would be correctly labeled too. Nope.

    If I had thought, even for a moment, that everything would be lies and bullshit, and that it would all turn out to be a clusterfuck... I would have done some things differently.

    So, here is my big lesson to you, in case you have to move:

    Expect that nobody is telling the truth about anything, that everything will be fucked no matter what, and that nothing and no man can be trusted. Prepare accordingly: take enough stuff you need to live normally in the car with you, and don't let said stuff get packed up on the moving truck. Even if you have to make six or ten five hour trips back and forth to do it, do it. Keep what you need close to you. Because it will all go horribly wrong. When it does, you will have all of your necessities with you in your fortress of cardboard boxes, and you will be alright until things eventually become rational again.

    I didn't do the above, so now, for the next many months, I must peer at a monitor stacked on six shelf boards balanced on two incomplete drawer shells and type from my lap.

    Because, in hell, there are no desks.

    Anyway, we are in a new house, there is a lot wrong with it, but it will get fixed in time, and maybe in enough months, I will have a room again. And a surface to type on. (In the mean time, I am experimenting with using boards across my chair arms, tilted boards balanced on the edge of my monitor base, and pillows with boards on them as ways to get that 'desk feeling' back. Something will work, eventually. Surely.)

    When I get used to my new keyboard (this one is USB! Huzzah! I am finally in the new decade!) I will continue with my writing.

    So, for the too-long, didn't read crowd: I am down and (relatively) safe, the move is sort of over, and I am the empress of cardboard boxes, all hail me in my palace of cardboard!

    Lastly, thank you to everyone who has been so supportive and kind to me during this fairly awful situation. You are wonderful, and I am grateful for you.

    All hail Cardboardia!

    May your boxes never crush

    A land not unlike Minecraft

    Someday the toilets will flush

    All hail the Empress

    ensconced in cardboard wall

    one day the mythical contractors

    will build her unicorn stall

    All hail Cardboardia!

    who knows what's tucked inside?

    Intel and life and human greed

    will ever take us for a ride!

    When you gaze upon a cardboard box, remember: the empress gazes back at you. (No, she doesn't. She's too busy feeling sorry for herself. The stroppy bint.)

    Yay.

    - Petal Chatoyance

    40 comments · 745 views
  • 46w, 6d
    This week and the next is moving.

    And I am in hell.

    Please, Celestia, CelestA.I. - I want to emigrate to Equestria.

    30 comments · 560 views
  • 48w, 4d
    It looks like we have a house.

    A little update on my life, it looks like we have a house to move to.

    Over the past... however long... we have been negotiating for a home in the Portland area. Hillsborough. We are just about to sign - this weekend, actually - and then we will own a home about six minuted from the Intel campus.

    It will need a little work - in order to provide me with a roughly equivalent 'Uniplex' room - the common place where my family gets together to watch or play, and the place I do everything in - the garage will be turned into a finished room with a proper floor and insulation and nice walls and skylights and suchlike. A replacement Japanese soaking tub will take a little longer, but it is in the plans.

    The house we are getting has some upsides and some downsides. It has enough rooms for a polyamoric family of four, which is good - one thing we have learned about being in a group marriage is that having enough private space is really a vital thing. People need some alone time. So a house for us has to have places where family members can just isolate if they need to. Say to work on something without interruption, or even just to chill out.

    The house is quirky, which is good. It appears to have been several houses, in a way. A house that was built on, then built onto again. The stairs are crazy in it, short stairs mostly, but strange in placement because of the haphazard way the place sort of grew over time. It has a moderate yard in the back, decent for gardening in, and a very nice front yard with a mature cherry tree. Mmm. Cherries.

    On the negative side, it is not very isolated - it is in the middle of Spielbergian Suburbia. It is next to the distant outer yard of a gradeschool, hopefully that will not be too awful. We are not 'kids' people, and we don't like noise and screaming and people breeding all over the place. Also, there is an airport nearby, somewhere. We have no way to know if we are on a flightpath that will be hell to suffer under. I guess... we'll find out.

    I tried packing some of my little, fragile things, and I broke down in tears. It was also hard on my stamina. Ever since my heart attack about a decade ago, my stamina has not been great. I'm going to need help packing, a lot of it, and I'm not sure how that is going to work out yet.

    But... the plan is that in three weeks or so, I will be living in a new house. When the shit hits the fan, it happens fast.

    That is the update, for those that care.

    I will keep working on my novel with dedication, but because of circumstances, I cannot promise, nor hope to always manage a chapter a day. I am sorry. I hate this unfortunate fact. I was really hoping to perform like I used to. But... life. The real world always gets in the way of ponies, and that is why real life is always inferior! :derpytongue2:

    Oh, how I wish that the Bureau Mythos, my own Pony Singularity, or the Optimalverse was real.

    But then, I doubt I am alone in that.

    - Petal Chatoyance, July 25th, 2014

    28 comments · 405 views
  • 50w, 1d
    Error Correction

    16 comments · 369 views
  • 50w, 2d
    Adrift Off Fiddler's Green: a new story is coming!

    We have a lead on a house. If things work out, then we may own a new place to live by the end of the month.

    This has cheered me enough that one day, I woke up, and... I wasn't completely sad. I had some energy. I had just a little joy in me. The bright day wasn't shining with despair anymore. I almost felt happy.

    And what powers my ability to write is feeling joy. Even just a little.

    And that translates to:

    Adrift Off

    Fiddler's Green

    A     C o n v e r s i o n     B u r e a u     S t o r y

                                                                  By Chatoyance

    It's coming. The first chapter is even now going through approval. It's a sort-of follow up to HUMAN In Equestria, and sort of it's own novel. It stars, with permission, a reporter character courtesy of Midnight Shadow. Why? Because while it is trivial to just invent a character, using his newfoal 'Frontpage' from 'Midnight's Tail' makes me feel, just a little bit, like the old days, when I was part of a community of writers all sharing the same mythos in joy and friendship. That sort of feeling is precious.

    A note on HUMAN In Equestria. For months and months, it has sat there, unfinished, a blot on my perfect record of always finishing every story. So, I set out to finish it. That was my initial goal. But... stories have lives of their own. Stories are living things, and what happened was that in doing more chapters of HUMAN, I realized an astonishing thing.

    I had already finished the book perfectly ( just as some readers did, in fact, point out at the time ) and I had failed to notice it. Or believe it. I think I didn't want that particular ride to end, really. But... it is complete. The 'new chapters' proved that to me. The book had a perfect, happy ending, plus an epilogue that tied everything up. It was complete, I was just unwilling to admit it. Silly, stubborn me!

    So, now I had two chapters and no book to put them in.

    That is remedied as of now... or rather, when the new novel is greenlighted and online. Soon, I expect.

    Please look for it. I would love to tell you a story, if I may.

    A story of the deepest secrets of Equestria... like what it actually is, what the princesses (and Discord) truly are, and... the little issue of what happens in my Equestria after ponies... and other creatures... die.

    Because an event, with a little Snow Bunny, from HUMAN In Equestria, needs to be followed up.

    Because stories, have a life, of their own.


    I guess... I'm back!

    - Petal Chatoyance

      July 12, 2014








    34 comments · 873 views
  • 53w, 2d
    The State Of The Unicorn


    First, I want to say that I am sorry to my friends here, who worry for me. I've been very distant and closed-off for some time now, and I still am to a great degree... but maybe that needs to change just a little. My friend Midnight Shadow is courageous enough to talk about himself and his life here, so that is what inspired this blog post.

    I haven't wanted to say anything about my life currently, because of three reasons. One is that I don't want to be seen as a whiner. Another is that I am embarrassed by how messed up I am. And another is just pure and simple depression. Depression is pretty powerful.

    My family has to move. Some of you know that, because you have asked me during times when I had enough inside to respond at all. Moving is hard on anyone.

    For the past eleven years, I have lived in a marvelous, magnificent home. The only house I have ever liked, much less loved, in my life. I was under the belief that it would be the last house I would ever live in - that I could stay here until the day I died. The house is literally one-of-a-kind. It was a show-home for a failed housing development that failed.

    It likely failed because the houses were too nice.

    As I type this, I sit under massive golden beams of wood buttressing my twenty-five-foot high golden plank ceiling. Light streams in from the cathedral windows far, far near the top. In the morning, the light gleams off the solid wood and makes the entire, vast chamber glow with golden light. My room, my 'Uniplex' is thirty-some feet long by twenty wide, and every wall is shelves. I live in a library, only of games and promotional toys (I worked for many years in the software industry) like some game-designing Twilight Sparkle. And that is just my room. On the second floor, up the spiral staircase.

    We got it cheap, originally, because nobody wanted it. It was too weird for normal people. Seriously. Yes, the bathroom in my 'Uniplex' has no door, and just opens into the large gallery I am in. Yes, the walkway beyond my door overlooks the rest of the inside of the house like some catwalk within a mad-scientist's lair. Yes, the spiral staircase is like something out of a science-fiction show. And yes, there are no walls but that are covered solidly in shelves.

    It's perfect. I love it. Our family are readers. Those shelves are filled with the massive book collections of four people - me, and my three spouses.

    I live in a library house.

    And I have to lose it.

    The one thing I have always wanted, my entire life, was a permanent home. I had to move every three to six months, growing up, because of my father. He made maps for the USGS. Supposedly. It's a weird story. Another time. I never got to have friends I didn't lose, I was lonely all the time, it sucked.

    Finally, I have a permanent home, at fifty, and now we have to move. To Oregon.

    I was born in Oregon, and I hate it. Loathe it. Despise the state. Admittedly, I only knew eastern Oregon: desert-y, dry, filled with uneducated, narrow-minded conservative, racist bastards who hate everything I love and admire. Had to deal with it every summer, because my mother owned a house in Baker City. It was the only island of security in my constant moving, and I despised it.

    We're moving to the Portland area, which I am told, is nice. It's supposed to be 'Seattle Light': liberal, educated, tech-savvy, queer positive, ethnically diverse - everything I like. The problem is that we are not alone.

    The reason we have to move is Intel. Intel, the big chip maker (Intel Inside!) made a few stupid moves. They got caught being Microsoft in Europe, buying freedom from competition with payola and ended up fined 1.7 billion dollars. Also, they've somehow managed to overlook how big, universal, monolithic processors for desktop computers aren't the market anymore... and that kinda means they're currently boned. Long story short: they have to get rid of two thirds of their workforce, and they don't want to pay unemployment to anyone.

    The answer? Make everybody who works for them move to Portland... or, well, it's your choice if you want to keep working. Brilliant! Screw everyone legally! America! What a country!

    And it's going well. They expect to lose 70% of their employees, which will look great on the bottom line. All over the country, though, thousands of people are nevertheless moving to Portland. We have to compete with them. All of them. Thousands, streaming into the areas outside of Portland, small areas, the only areas within commute distance of Intel.

    Additionally, Chinese nationals are currently buying up Portland real estate to get their money out of China fast. We lost one house because just such a person came in with a big suitcase full of money and bought the house we were negotiating for - for a 100,000 dollars over the asking price. They took the case. Of money.

    We can't match that kind of bullshit!

    Portland is three hours from where we live. This has to be done.

    We can't find a house we can afford. The prices are insane now. Big housing bubble because of all of this. We can't buy land to build our own house for the same reason. We've been trying since September of last year. The only rental houses are tiny, cramped, piss-pots that we can't fit into without ending up killing each other. But we have no choice. We have to move.

    By this upcoming September. Not much time left.

    Tomorrow, we drive down, yet again, to check out some unlikely properties - some blank lots, formerly farmland, without sewer, water, or power... and two houses, one located near a sawmill, the other on the runway of an airport. That is how desperate things are getting.

    And I sit here, in my dream home, the home I love, the perfect home, which I was promised I could live in for the rest of my life, the home I will lose. Forever.

    In my polyamoric family, I am the center. I am the lynchpin, the hetaera, the earthmother who holds it together. I comfort my spouses, I nurture them, I kiss their boo-boos, I listen to their pain. That's my position. It is where I fit best, and I am glad of it, and it is an honor. I am the uberwife. It is a sacred thing.

    But, it is also a very demanding thing. I am everybody's comfort. But there is no comfort for me. I can't unload, I can't break down, I can't fail, because if I collapse, everything goes to shit. Seriously, it's happened before - once when my mother died. I just fell apart and so did everything else nearly. Only love kept us together. I herd creative, superintelligent, incredibly driven cats for a living, you see. Without a cat herder... well.

    I am vastly well rewarded for an uberwife - don't feel sorry for me on that account. I get all the goodstuff. No complaints there.

    It's just that, when things are really tough on everyone, when everyone is openly talking about how tasty a cup of cyanide would be right about now? It's hard. Normally I manage to repair myself, keep myself functioning. That's part of the reason I am what I am in my family. But when it gets this bad... I'm not doing well right now. That's the fact of it. I am not doing well at all.

    It's been a hard past two years - two of my spouses nearly died from super-resistant bacteria. One from a burrito, the other from a swimming pool, but in both cases, these people I love more than my own life came within hours of dying. One involved blood everywhere, from every orifice. Everywhere. So much blood.

    Don't eat at Taco Time. I mean it. And don't swim at the YWCA.

    Then, of course, there was the matter of the Anti-TCB bastards here, destroying my entire genre, then dividing and conquering my writing community - turning many of those I thought my friends against me to save themselves... and ultimately, breaking me. I come here, to Fimfiction, to find safety, community, relief, and friendship. What a maroon, right? What a fucking idiot, right? Am I right? Love and tolerate. Yeah. Sure.

    So, I am very damaged, yet it is a time when I am most needed. I am failing. I am falling apart. And I can't, because I have a job to do. I need to be there for my family. And I am doing my best, but... I am not doing well. At all.

    The best case scenario, currently, is that we find a house we can stand, somehow, and don't take too much of a financial catastrophe to buy it. If we even can.

    We may end up renting a crappy place and living out of boxes for the one to three years it will take for the bubble to burst. Then maybe we can buy a house.

    We may, if we are very lucky, manage to buy a chunk of unloved, reject farm land, and over time, develop it. Septic tanks and a well. Get power in somehow. Literally buy the farm.

    But whatever happens, it is going to be a move down. Way down. Downscale. And that hurts, real bad, after thirty years of working our asses off to have something decent, finally, after all the suffering and struggle.

    My spouses are hurting really bad about this. They are utterly raw. That's why I have to be there. Mommy Jenny, keeping the family going. It is literally my honor. I am grateful to be such, to such wonderful people.

    But... I am not doing well.

    And that's where I am at, and why I have been so weird lately, so distant, so... unapproachable. It's why I won't skype, or answer emails easily. It's hard just to talk to anyone. It's hard, some days, just to keep breathing. Marvin, from Hitchhiker's is too upbeat for me right now. Bloody party robot.

    Well, I've embarrassed myself enough for one blog. Big shithead whinger I am. Whine, whine, whine. "Oh, all I've worked for these thirty years is all going to be lost forever! Oh poor me!" I know, there is no pity on the internet. Only hate, spite, trolls and loathing. And of course 'First World Problem, Chatoyance, losing your home! Some people don't even have homes! Fuck you! Go live in a car, you misanthropic cunt!' Oh, yeah, I expect that too.

    But not from everyone, and not from you. Not from you, the ones that still bother to read my blog.  

    So, anybody know a brilliant home under 350K in the Portland area within 30 minutes of Intel that could house four people? 3 1/2 bathrooms, maybe some space for gardening, no need for proximity to schools or anything else breeders need? A big, big room to use as an Uniplex? Three bedrooms, two offices, kitchen, garage, and utilities room?

    No?

    Yeah, I know. It's okay. Hey, I'm only fifty-four. I can always just... start over. Even despite my heart condition, I probably still have almost twenty years left.

    Do a lot in twenty years. Yeah. A lot.

    Like I said. I'm not doing well.

    Sorry.

    So, that's the story. Now you know.

    And knowing is half the battle. The other half involves bullets and explosions. And Michael Bay.

    And a goat.

    - Chatoyance, June 21st, 2014

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Nov
27th
2011

Do you remember Equestria?

I do.

Equestria was a medieval world with magic, populated by sapient ponies. It was a Dungeons and Dragons world divided into a safe realm under magical protection, bordering a forest of ancient, mythical monsters. It had a unique and mostly self-consistent technology based on horsepower and some magic. The few exceptions were introduced by writers that didn't quite get the concept as created by Lauren Faust.

The stories of Season One were each lessons, real lessons, in friendship; as Twilight Sparkle learned, so did we, the audience. The focus was on the characters and their relationships with each other; what adventure there was existed to highlight this focus.

Once or twice, every season, we would have a Big Event, a true adventure, always very heroic fantasy.

But above all, I remember Pinkie Pie, the comic relief that with her wacky antics permitted the rest of the characters to be the opposite of wacky; to be relatively serious, composed of strengths and weaknesses, ultimately complex personalities dealing with each other.

Now, with Episode 8 of Season Two, Equestria, that beautiful vision of Faust's has been destroyed.

Pinkie Pie is seen less because she is no longer needed; in Season Two every character is wacky and kooky and crazy. Gone forever is her 'Giggle At The Ghosties'; now she is terrified of ghosts, fleeing at the mere mention of the word. She is no longer silly-yet-courageous. She is barely there, an echo, a ghost herself.

Suddenly, Equestria has stopped being a self-consistent world, and has instead become a stage upon which any prop - from a hydroelectric dam to make a 'Superman The Movie' Reference, to a street that ends in an insanely dangerous cliff - all can be inserted purely for a cheap gag. I have no doubt we will soon see the characters typing away on the Equestrian internet; we have already seen radiation/biohazard suits in use.

Do you want to know what cartoons have a more solid world than Equestria now? Thundercats did. He Man did. Bloody, dreadful SMURFS have a more self-consistent world, a more rational ontology, than Equestria. It wasn't always so.

Equestria was once a wonderful, astonishing land of medieval ponies with magic.

Now it has become Wacky Land from Tiny Toons Adventures; it has become Family Guy, it has become Freakazoid, filled with parody references to media - to movies and other cartoons, but nothing of its own anymore. I've seen those other shows, I loved My Little Pony: Friendship Is Magic because it WASN'T them. It was unique.

There have been a couple of decent episodes in Season Two. Sisterhooves Social was wonderful. Lesson Zero was... alright. Luna Eclipsed had its moments, but, let's face it, that was not the Luna we saw at the end of the pilot for MLP:FIM. Imagine if they had done as well as some of the fanfic writers and fan illustrators in representing a shy, quiet, regretful Luna, being helped with love and understanding to fit in after having been imprisoned for so long. Better, isn't it, just thinking about it?

In the first season, there were moments of quiet, moments of sadness, moments of sincere emotion. Season one was filled with emotional sincerity.

Now, in Season Two, wacky cartoon gags are the focus, and they are non-stop for the most part. MLP:FIM has become a parody of itself; Friendship Is Magic has lost its soul to become another empty collection of cheap jokes.

Do you remember learning about a world where ponies literally made Nature work? Winter Wrap Up? The Running Of The Leaves?

Didn't you want to see how they made Winter and distributed it? Didn't you want to see them make Spring? Would that not have been better than seeing a cheap parody of Batman, Zorro, Superman and Darkwing Duck rolled into a rehash of Season One's "Boast Busters"? Now, instead of Trixie learning not to brag, we have Rainbow Dash learning not to brag.

It was better the first time they did that story, and it was better because it wasn't a cheap parody of movies, but instead it was a genuine story of feelings and characters.

I almost quit writing tonight, because of Episode 8, The Mysterious Mare Do Well.

It wasn't just terrible; it was an abomination that destroyed the very world in which the characters we have come to love exist in. Characters are a product of their environment. If the environment is wacky, so must be the characters, as they relate to it.

Pinkie Pie is irrelevant now because every character is Pinkie Pie. No character is deep, or real, or truly sincere anymore. They cannot be, because the world of Equestria itself has failed them. I guess Discord won; its all chaos now.

Apparently, when Lauren Faust left, she took the magic with her.

The writers that remain only know how to do cartoons as gag shows. All of the Sailor Moon inspired tenderness is absent, dead, destroyed.

And I find that terrible.

To those that read my stories here on FimFiction, I want to make it clear that my Equestria is my best understanding of Lauren Faust's vision. It's filtered and expanded through my brain, of course, but my Equestria does NOT have hydroelectric dams, or automobiles, or steam trains, or electric machines or cheap gags.

My Equestria is a medieval-like magical world of sapient equinoids who have to personally operate Nature. My Equestria is not a place of parody, it is a place where relationships matter, and where reality is self-consistent. This is the Equestria I extoll in my stories, not the version we are seeing in Season Two.

It also bothers me, I must say, how few people out there, on sites like Equestria Daily, in the comments, seem capable of understanding what they have lost. They seem content with a wacky gag cartoon that happens to feature ponies. They seem to delight in formerly sensitive, complex characters suddenly acting like the usual American Style cartoon puppets. They don't see that they have lost an essential, anime-like depth of spirit and tenderness. They don't care, or they don't mind.

Not me.

I yearn for Faust's original Equestria, I yearn for my vision of a world of real, cooperative, feeling, intelligent equinoids living under different physical laws than our Earth.

Once there was a show about that world; I miss it.

-Chatoyance

Report Chatoyance · 627 views ·
#1 · 187w, 2d ago · · ·

Thank you! I knew I couldn't be the only one!

Season 2 has lost most if its...well, magic. The world is a wild mix of technological eras. The cast acts out of character. Overall, the series has become less believable.

Maybe we obsess over these things too much... it is and always was a show for 6-year old girls after all. They don't really pay much attention to bronies (other than the Ditzy inserts) and we can't expect them to. Sure, some of the team have expressed their thanks a couple of times, but that has no direct influence on the production.

We'll probably continue to see cheaper gags, more fanon-crushing developments, family trees and names and a world that is designed to fit around the "message", not the message around the world.

It's a sad development nevertheless, especially considering the influence it had over the world wide web and the community it spawned. I guess western cartoons simply can't keep up depth for very long :(

#2 · 187w, 2d ago · · ·

While I agree with you regarding episode 8, I don't think you are being fair.

Lauren supervised both Seasons of FiM. It is still her world, and it is very creative and meant to be modern for today's little girls and their parents. Now as for the wackyness we are seeing, we need to remind ourselves that television is ratings driven, thus there has to be some leeway to some humor to captivate the audience into staying on the channel to watch commercials.

This season appears to focus on the individual characters more the its previous one. It may be why we see less of Pinky Pie... we may have a episode of her very shortly or not. One thing is certain though, the hub may have requested some changes because of their educational commitments. The ponies act as role models that children may imitate in real life. We really do not need children running around acting crazy like Pinky Pie, as that will no doubt create problems later in life. Its good to have humor, but there is a time and place for it.

I can understand your objections to the modern theme (ie electric dam, cranes, etc.) but look at the episode in season 1 where Apple Bloom makes cupcakes with Pinkie Pie. Electric mixer, and the stove looks like it may be electric powered.

See it this way, don't stop writing because one episode let you down, try seeing the modernness as something that you could use for a future story. You do not have to include it in future stories. And hey, this episode might of been a one time thing. Don't give up hope!

#3 · 187w, 2d ago · · ·

I actually liked this episode as a lighter look at things, but having said that, what you're talking about has merit. I personally liked the antics, but the moral of the story was a bit too soon after the last episode. It seems Dash only gets an episode where she acts like a jerk, this series. She's not displaying loyalty, so why is she the element of loyalty?

Not everything has to be epic, not everything has to be serious, and there are a number of excellent writers in the series so please don't let one episode knock you down. I don't like seeing skyscrapers, dams and trams in Ponyville, let alone Equestria, but I can take them in short bursts (this is my major beef with the CMC episodes, rather than the CMC themselves. They do very un-ponylike things in un-ponylike ways rather often).

Season 2 isn't season 1, but I do think they're sticking to the formula provided by Faust. Although drift of that will occur, I do think we'll see things return "to normal" once they get over their "every pony has to have a message to Celestia" stint. I think the writers are exercising some freedom and I'm prepared to give them that, but I do want things more medievil in the long run.

#4 · 187w, 2d ago · · ·

ponyville is medieval.. explain the wild west or victorian towns then , or electriconic lab and photographers then.

but yes we lost something , shame about it  , maybe we set the bar too high?

#5 · 187w, 2d ago · 1 · ·

I personally feel that you are overlooking some details, and not being very fair to the show. You seem to be extending a single episode to claim that the entire season has gone silly.

Yes, episode 8 was silly. However, so was Feeling Pinkie Keen. Mare do Well had a dam and a unusual street. Pinkie Keen had a falling piano and a supercomputer. What about Over a Barrel, where a single pie to the face makes a buffalo apparently mortally wounded until he tastes it? How about Owl's Well, where Spike pulls an evil mustache and cloak out of nowhere for the sake of a joke? The universe changing for the sake of jokes has been happening since the start of the show.

Characterization tending to vary has been happening since the beginning of the show. For example: Fluttershy became afraid of heights for Dragonshy, after we'd seen her and Rainbow Dash fly Twilight down a steep cliff. Some episodes later after Dragonshy, we saw her flying and carrying a cart of frogs. Rarity lost all traces of her generosity for much of Sonic Rainboom, making the situation even harder for Rainbow Dash.

Episode 8 had its problems, sure. Every episode has its problems.

#6 · 187w, 2d ago · 1 · ·

Good points. There is certainly truth behind your words. However, I don't think the comedic elements themselves are the problem. It's unique and fun to think that ponies make war with apple pies. It's what they do to the characters.

The problem, and I think that's what Chat meant aswell, is that everypony is approaching Pinkie-level of wackiness. Their character traits are pushed to the extreme.

Twilight snapping in Lesson Zero would give Pinkamena a run for her money (not to mention that it didn't fit her personality at all imho).

Dash is acting like a complete flankhole and not like the embodiment of Loyalty in Ep 7 and 8. Yeah, Dash has always been a bragger, but it's completely exaggerated in the last episode. She, too, was out of character.

Pinkie was a scaredy-pony on several occasions now (Giggle at the Ghostie much?).

And do you really need to put hydroelectric dams and steam-powered trains in Equestria (especially after pony-drawn trains have been shown before)? Okay, I don't mind that much myself, but was it really necessary?

Of course you could argue that these changes happen all the time, and that even S1 wasn't spared. (Flutterrage, anypony? Twilight's basement lab?) And in fact, one would have to be quite obsessive to even complain about these things in the first place. Maybe. But it disappoints nonetheless.

I'm probably being too harsh on S2. But it still feels different, wrong, somehow.

Maybe fanfics have just twisted my expectations...

#7 · 187w, 2d ago · · ·

Every week in S2 I have felt it could have been better. Sure S1 had it faults, but just look at "Ticket Master". They handled that horrible 'only two tickets' dilemma that has shown up in way to many shows with an interesting and refreshing change. But S2 almost feels like they are trying to hard to appeal to their target audience (little girls) and bronies. Now the episodes are more slapstick and trite, but on the other hand a lot of the brony favorites in the way of background characters are showing up. Derpy has been in every episode in S2 so far since the third one at least, and I've been seeing a lot more of lyra, bon bon, and berry punch as well. But as I'm sure as nearly every writer on this site can attest to, trying to make everyone happy is the fastest way to make nobody happy.

#8 · 187w, 1d ago · · ·

I agree somewhat, season 2 doesn't  seem to have that spark that drew me in before. However that could simply be that with this season, our expectations  have raised the bar to a point that we aren't blown away by the new episodes like we were in season 1.

Personally, I am going to withhold judgement until we see a few more episodes. There's  still time to save the spark.

Also, S1e8 was the work of a writer who has not written for this show before.

#9 · 187w, 1d ago · 1 · ·

I have to disagree with you on Luna Eclipsed. It was a wonderful episode, and I think you may have just gotten too attached to your fanon for her to appreciate it. It shows us that Equestria is not a static place, that it changes and grows. One thousand years ago, the princesses were much farther removed from the populace, using the booming voice you would expect to hear from a living god who controls your entire world. I think it was really interesting to see Luna, effectively a time traveler, try to come to grips with how pony society has changed.

#10 · 187w, 22h ago · · ·

First of all I'd like to say that I respect your writing. I don't have an account here yet but I mean to get one soon, once I have something written worth putting up. Your work is inspiring, to say the least.

But when it comes to all of this I... can't help but think you're being a little narrow-minded.

First of all, Faust was not gone for Season 2. She was still a creative consultant; this was still her world and she probably had a hand in it before leaving over the whole season Season 3 thing. I may be wrong on this, and if so please do tell me, because it's not my intention to present untrue points; but she had many opportunities to step in and fix things that did not line up with 'her' interpretation of Equestria and she didn't.

Addressing your argument over Pinkie Pie next, well, I just think that's not fair, especially not the way you phrased it. You're letting single episodes (one drop in an eight-episode and growing bucket, as it were) define an entire season, and that's just being biased. I'll be the first to admit that The Mysterious Mare-Do-Well and Lesson Zero were probably a little more over-the-top and heavy-handed than they needed to be. Crazy Twilight existed for one afternoon. She doesn't exist any more. Braggart Dash has *always existed* and while that was turned up to eleven in this episode it's certainly nothing we haven't seen before; knowing Dash, she probably remembers the whole Trixie ordeal but chooses not to apply it to her because, well, she's Dash, she's different from Trixie. Indeed, Twilight and Applejack both, while sacrificing some screentime, have become more stable and dependable and less wacky, and Rarity certainly seems  to have learned a few things from the Sisterhooves Social.

Pinkie herself being the element of Laughter is probably more lighthearted than anything; I am not fond of her as a character, but she proved in Luna Eclipsed that she isn't stupid and universally afraid of ghosts; she's trying to get a laugh out of everyone else, trying to keep it in good fun. Pinkie is still Pinkie, just not in an upfront and obvious manner.

As far as gags go, well, they aren't new. When it comes down to it this is a cartoon show, and cartoon shows will always have gags. Season 1 had its fair share--horse-drawn horse-drawn carriages? A hop, skip, and a jump? Pretty much every scene with Gummy ever? Reliance on gags is not something new.

The argument about Luna disappointed me. Tychomonger said it first, but the way you phrased it really just makes it sound like your fanon of Luna is a security blanket that you don't want to let go of. I have a philosophy, and you can reject or accept this as you choose, but in watching or reading or playing or otherwise enjoying media, there is a difference between "somber canon" and "gag canon," and it's important to not mix the two up. The way Luna is, the way she was presented in the show, is relevant, it is "somber canon" because it was not treated as a joke. It mattered to the episode as something more than a plot device; the way Luna acts, speaks, looks, whether you like it or not, is the way the show presents it, seriously, and even if this upsets your view of the quiet bookish Luna (which was my view too, I assure you!), as an author for the fandom attempting to follow the canon as it's presented comes before any personal wiles. Then there's "gag canon," the things that are only there for one-off jokes or as arbitrary plot devices, i.e., most of The Mysterious Mare-Do-Well. Was the dam relevant to the episode? Yes. Was the tram relevant to the episode? Yes. But only tangientially; only in ways that could have been accomplished otherwise, things that are only there to serve one job before they're thrust out of the spotlight. That is gag canon... "silent canon," as it were, if you will pardon the pun, in that it is the kind of canon that can be ignored without damaging the overall view of the world. Will a fic suffer because you do not acknowledge its dam or the building under construction? No. But will a fic suffer if an author obstinately ignores Royal Canterlot Luna in favor of a bookworm? Some may disagree but the ultimate answer is yes. What good is a fanfiction author that does not acknowledge the work he or she has based their effort on?

Lastly, I can't help but feel that your argument leans a little too heavily on self-righteousness and unjustifiable arguments. You call it your interpretation of Faust's idea of Equestria, and that's all it is; but it seems more like you are insistent that your interpretation is the rawest, purest form, that you somehow have Faust in your pocket to check that your canon lines up exactly with hers, and that's presumptuous. Season 2 Equestria is as much Faust's as Season 1; and what is it about your interpretation of Equestria that makes it superior to what you see as something inferior while in reality it's exactly the same, with one or two minor gags that don't fit your comfortable level of medieval Equestria.

Remember Vinyl Scratch? A Unicorn Wizard Did It. A Unicorn Wizard can Undo It, if you don't think it fits.




#11 · 187w, 22h ago · · ·

>>1066

Ignore what I said up top, I have an account, barebones as it is. This way at least it feels like a non-anonymous face to talk to, I'm sure, if you want to reply

-Lysander

#12 · 187w, 20h ago · · ·

>>1067

*Drops keyboard*

Gargh, I love a good argumentative rant, and you have to go and beat me to it! I agree with you completely, and you touched on all points perfectly. If only I could irrationally curse you like a cliched supervillan! :pinkiecrazy:

I will say this: Chatoyance, it's apparent from what you've said before that you have lots of headcannon. It's good headcannon, and it's quite unique, but sometimes you have to divorce your headcannon and all the fanfiction you've read and written from what you actually know about the show and the stories/setting. The CB stories are already, by definition, alternate universes, and you should keep that in mind. I notice that you've inadvertently forgotten to tag 27 ounces and The Taste of Grass as such. Everything you've written doesn't fit in the show's or Faust's Equestria, only in yours. You can make as many stories in as many Equestrias as you want, and we all enjoy reading those, but if you start getting confused about whether you enjoy the show or not then it's time to forget the fanfiction, reboot your mind, sit down, turn your smile up and watch a marathon of random episodes until you enjoy them again for simply being fun. You really don't want Nostalgia to set into your head or you'll never enjoy any of season one again either.

#13 · 186w, 5d ago · 1 · ·

While I think your tone was a bit hyperbolic, I have to agree with you on the main points.  'The Mysterious Mare-Do-Well' was an episode that not only put the cast out of character (repeatedly humiliate and deceive your best friend in an effort to 'teach her a lesson'?), it put Ponyville out of character.  And it's just the worst offender of Season Two.  'Lesson Zero' was funny as heck, but we've never ever seen Twilight that OCD.  It should have started more gradually; Twilight should have been fine at the beginning of the episode, and she should have only been worried when she realized she didn't have a friendship report.  The talk of 'magic kindergarten' should have come sometime around when she pulled out the Smartypants doll.

Your blog post really got me thinking about what I like and don't like about the show.  Furthermore, it got me thinking about RP on a ponyMUSH I frequent.  There have been things going on there (canon characters getting pregnant, an actual Doctor Whooves, a character very clearly inspired by Minecraft) that have bugged me for a while, but your blog got me to take action and demand that the staff establish just what the theme of the MUSH is before Gundam ponies or pokeponies start showing up.

Finally: you're the Unicorn Jelly person!  I'm always surprised when I find someone I know from one context in another context; just yesterday, I found out one of my favorite anime fanfic authors from back in the day, who I thought had dropped off the net, has been working on a very nice ponyfic.

#14 · 186w, 2d ago · 1 · 2 ·

TL;DR Edition: BITCH :flutterrage:

WHINE :raritydespair:

MOAN :pinkiesick:

#15 · 186w, 2d ago · · 2 ·

TL;DR Edition: BITCH :flutterrage:

WHINE :raritydespair:

MOAN :pinkiesick:

#16 · 186w, 2d ago · · ·

Mister Cellophane here

I have to agree with Apocalypse Pony said, this really is a bitch and moan about how MLP:FiM is RUINED FOREVER (as TVTropes would put it) due to one episode of the new season. Don't you think you're being very melodramatic over this. You saying that your stories have tried to understand the vision that Faust have (or had see you think that Faust has not on the team to help out in S2). Have it not occurred to you that, maybe, you were wrong on Faust's vision and she was only making this show to entertain little kids, which somehow, expanded into a wider age-rating. And really, you crying over a cartoon, for little girls; does this not occurr to you as somewhat childish?

Also I can't say that fandom Luna is anything remarkable to be honest. I find canon Luna to be infinitely more interesting then some sort of mix between Fluttershy's character and Twilight's character. She is now her own character, and, to say the least, she is loud and proud.

To say that the magic is gone now that Faust left (really didn't do your research there) is just wrong and on the whole, insulting to the hardworking people whom worked on the first season, like the music crew, the voice crew and, of course, the animation team themselves. They made S1 the way it is, and the same people are making S2 as well.

I didn't like the episode myself, but, calm down. This is really not helping anything, and you really need to get over yourself, girl.

#17 · 186w, 2d ago · 1 · ·

Essentially, what I get from this blog post is that you want what you want, and nothing else.

Well what makes you so special?

I get it, you and the rest of the fandom wanted a shy Luna. The portrayal was common, popular, and pretty much the focus of everybody. Hell, I even did it myself, though, unlike most, rather than complaining about it, I found a way to make fanon and canon work together in a way that was not only unique, but plausible. Instead of complaining about such ridiculousness and crying out for things to return to the way that you want. Adapt, make it work.

Pinkie Pie's hardly irrelevant, she's just yet to have her episode yet. If anyone is due for their episode, it's Applejack. Applejack has the least development of any of the Mane 6, because she didn't even have 'her' episode in season one. Like how Pinkie Pie's was Party of One, Rainbow Dash's was Sonic Rainboom, Fluttershy's was Dragonshy, Rarity's was Suited for Sucess, and Twilight's was Winter Wrap Up.

Applebuck season doesn't count, because we didn't even know who any of the Mane 6 really were yet because of how early in the season it was.

Hell, even the upcoming episode that's supposed to destroy all the fanon with a foundation of Equestria story, I've got a plan to make whatever I write just as valid.

My interpretation of Equestria is of a country, located in a world that spins around Tau Ceti, where the thermionic valve (or Vacuum tube to the yanks)  is the pinnacle of technology. A world roughly equivalent to 1943. Is my interpretation any more right than yours? Nope. Sure as hell not.

(Though considering some of the examples of technology shown in the show, seems to be close to what I invisioned, which I will admit, that my already inflated ego is liking very much :trollestia: )

Essentially? Drop the holier-than-thou act about it, it's a television show that you have no creative say in. It's not going to be the end of the world if Princess Luna TALKS MUCH LOUDER THAN IS NECESSARY! :trollestia:

#18 · 186w, 2d ago · · ·

I feel your pain bro in regards to some of the stuff. Admittedly I haven't like EVERYTHING about the new season but I haven't hated it either. In fact I would say I like the second season, it started off strong with John De Lancie essentially playing Q in Equestria and then we got episodes like Sisterhooves Social, Cutie Pox & May the best pet win :pinkiehappy:.

So yeah it's been good for most of the season and then we got episodes 8 & 9 which I didn't like as much as the earlier episodes but they weren't terrible series killing episodes, just the bad apples/bad episodes that every series gets. Lets face it no Tv series has every episode be perfect (Except Game of Thrones but Season 2 can still ruin that if it wants to.).

Anyways give the show time, yeah maybe your initial vision of Equestria has been shattered, but you still have that lovely version of Equestria which is important that you hold on to, otherwise we might be deprived of some great stories. Many of which I'm coming to enjoy :twilightsmile:.

Also I agree with Wheller, we need an Applejack episode since the last 3 episodes since we pretty much had 2 Rainbow Dash episodes and a Rarity one that I didn't like all that much. But I'm hopeful for the future of the show and equestrian Fiction in General.

#19 · 185w, 4d ago · · 1 ·

Am I the only one that thinks episode 8 could have been set in Chatoyance's conversion bureau universe?  The amount of technology there could have been copied from earth.  I think they would take some of the more useful, peaceful tech.  Also, the world is expanding in this universe, so it makes sense that Ponyville would be expanding as well.  Hence the new building and the road leading off a cliff (they were going to build a bridge).

#20 · 79w, 1d ago · · 1 ·

Hey, Chatoyance... I know you'll be shocked that this age-old entry is getting a response in December 2013, but I just want to say I am SOOOO HAPPY that someone else on FimFictiom remembers the original He-Man, Thundercats, and the Smurfs!

Totally spot-on about how they had more consistent universes than MLP did.  Back then, "its a kids show" wasn't allowed to be an excuse for sloppy writing, not like today where laziness is the rule.

#21 · 78w, 11h ago · 1 · ·

>>1639049

Wow! I am amazed my old blogs are even being read!

Oh, I lovingly remember those old cartoons. They were awesomesauce.

#22 · 78w, 10h ago · 1 · 1 ·

>>1667563  All three cartoons are on DVD now, actually.  I own complete sets of He-Man (plus She-Ra) and Thundercats.  Smurfs was never really my thing but there's a complete series release in the UK (not in the USA though, for some reason).  I've heard the UK sets don't include the Johan and Peewit shorts though, which kinda sucks (I don't know about the US releases).

It's kind of weird how I discovered this blog.  I hate to point this out, but, ummm, people sometimes mention you (mostly just to say your stories are full of misanthropy.  While I haven't read one yet, I'm willing to bet that the charges are false).  I got curious, read through your blog, and I'm like "Oh, this person seems to know what she's talking about."

It was also awesome to see someone who

A) keeps her Sega Genesis games in good condition

B) remembers classic cartoons and

C) also sees how Season 2 set the show rolling downhill.

Seriously, that's when I got hooked.  "Finally, someone else who sees the decay!"

We need more people like you in this fandom, because honestly I get tired of people pretending everything is all hunky-dorey and, as Mark Evanier put it, "the complainer is always wrong."

Anyway, my blog is here if you wanna see what I've written.

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