Lincoln Durham has an absolutely delicious fusion of blues and southern gothic with healthy helping of punk rhythms and alt-rock beats mixed in. Imagine if you will Brothter Dege mixed in with a grittier version of White Stripes.
He is also an impressive artist to see live (as are most one person bands).
This one is interesting (to me at least). Beats Antique bills itself as and "experimental world fusion and electronic music group. Basically this is just a posh way of saying "light electronic dance music with a distinctive Middle-Eastern flavour. (Middle-Eastern Dance Electronic Dance Music? MEDEDM? 
)
In the previous blog, i briefly mentioned two big influences, that of shadowrun, and the other, music. Music, is and always will be my choice of drug. Most of the love, came well, as a measure of solace. For many folks. A songs a song, and I get it it, even if I don't. Because my senses don't work like most peoples. I've been falsely labelled, misdiagnosed, and a variety of other things on that, but its, again, another topic for another day.
This was a delightful find that practically came out of nowhere for me. Very unique sound with a mixture of what Wikipedia describes as alt-country, neofolk/folk rock, and industrial(!), with a dash of gospel and Native American music. To my ears it sounds like the lyrical themes of traditional gospel, with the arrangement of alternative country (*not* the twangy, rhinestone-cowboy stuff!), and the sound of melodic doom metal (see Sinking Hands, Winter Shaker, Swedish Purse, and
Some bluegrass-folk music courtesy of Canada this time around. Features blisteringly fast banjo (is there any other kind?) which counterpoints lead singer Nate Hilt's rather raspy voice quite well. Quite nice if you are into that sort of thing.
A rather nice selection of deliciously grungy, hard al-rock. Special thanks to Darkhanos for the suggestion!
A bit more laid back this time. Some indie rock with a healthy measure of neo-soul and funk rock. (No, I do not know exactly what those labels mean; that is what the great and knowledgeable Wikipedia says—perhaps someone more knowledgeable that I could elaborate?)
Regardless, I just love lead singer Kevin Swaby's voice. Really goes well with The Heavy's big-band funk sound.
Some heavy metal and melodic metalcore from Trivium. I really enjoy their later albums (especially Silence in the Snow); tjeir vocals are smoother, less harsh "metal screaming" and more melodic overall. I know some fans decried the shift, but I certainly enjoy the new sound. Lead singer Matt Heafy has a pleasant enough voice and it is nice to be able to hear it when he is not screaming out his larynx.
Some silly, light-hearted steam-punk themed cabaret courtesy of The Cog is Dead. It is slightly dark, yet still jaunty and upbeat; think "Steam Punk MLP musical episode as directed and composed by Tim Burton"
A good, healthy dose of garage rock/blues rock here. This was actually the first band that introduced me to this genre and got me interested in it. Their earlier works have a deliciously raw blues sound that I absolutely love. Their later works veer more towards psychedelic; not necessarily bad, just different.
Dan Auerbach, the lead (and only) singer, released a solo album, so he is lumped in this list as well.
Bit of a repeat here as I have already posted this particular band in a blog post, but I will mention them again to make them part of the "official" list.
Some melodic death/industrial metal from Sweden. These chaps feature quite prominently in our various playlists on the production floor. I personally prefer their more melodic later works; they (IMHO) really seem to have hit their stride in Hail the Apocalypse.
Sometimes someone will be reading these silly little music blogs and suggest something new and incredible and excellent that I have never even heard of. This was one of those times.
Some more folkish music again. I do not know much about Trevor Green; there is a dearth of information out there on the internet concerning his band (as it seems to happen with these sort of bands), but I enjoy his work. He makes extensive use of didgeridoos in his songs which give it a unique flair.
(Marsminer - Candlelight)
Volbeat has come through again with their new album Seal The Deal & Let's Boogie.
An absolutely delicious mix of hard-rock and rockabilly, with a little gospel choir thrown into the mix. Seriously though, if you have enjoyed their previous works, you own it to yourself to purchase (save up if necessary!) this album.
Something light and fluffy; pop with a measure of folk and a hint of jazz. Ebullient, cheerful, and upbeat, Lonely Drifter Karen always seems to bring a smile to my face whenever she pops up on my playlist
(TJPones - 30 Minute Art Challenge)
Now we start the actual "Music Sigawesome Likes" proper.
This is probably the "crown jewels" of my music collection; my #1, all time favourite band which I have purchased every CD they produced. Volbeat has a unique, distinctive sound that (to my inexperienced ears) sounds like 3 parts hard rock, mixed with two parts rockabilly with a little heavy metal mixed in for flavour; think old school Metallica and Elvis with a sprinkling of Johnny Cash.
Some modern neo-tango courtesy of Argentine composer Carlos Libedinsky and his band Narcotango. It certainly is interesting; imagine a fusion of traditional tango swirled in with some dubstep and house. Essentially tango as interpreted by Vinyl Scratch. All the steamy sultriness of tango with a seasoning of modern, electronic dance beats.
Some dance-rock/dance-punk style music from Glasgow. Significant Other actually introduced me to them a while back. Not something I typically would have listened to, but it certainly has an upbeat, energetic feel to it. Perfect for dancing flailing enthusiastically around the flat or jumping on the bed, singing into a hairbrush "microphone".
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